New custom typeface for La Fabra Centre d’Art designed by Fonts From Folch. A design that reflects the institution’s contemporary spirit, with refinements that ensure versatility, precision, and smooth composition.
Different versions of the Waldenburg typeface by Kimera for the new identity of the Théâtre National de Strasbourg.
New visual identity for Théâtre de l’Odéon, designed by Atelier Choque Le Goff, featuring the large-scale Insitu typeface by Formagari.
In Arte Tracks and Arte Tracks East, typography breaks into lines and reconfigures into ever-evolving graphics. Logotype, visual identity, and generic system by H5paris.
ERLY reinvents skincare with a fresh, typographic identity. Herbus Regular & Title Type, in the design by Studio Lotta Nieminen.
The identity that Pentagram created for the Williamstown Festival transforms the stage into a dynamic graphic system. A custom logo is complemented by Times New Roman and Review from Commercial Type.
Animo Typeface by Heavyweight shapes the identity of Grande Paolo, a pop-up sports bar in Prague for the Euro Championship.
Ottimo celebrates the tradition of olive oil with an identity designed by Somekind Studio, the brand takes shape with Edition by Elias Hanzer, a monolinear typeface that brings a timeless feel.
Designed by Copyright/Reserved, this special publication by @extensive.publishing and @greedydust features Cortese and Cortese Sans by Mark van Leeuwen.
