Rhymes by Maxitype in the 2017 campaign for the NBA Finals “They Talk We Play”. Design by Hort and Tim+Tim.
Get Rhymes
The Belgian design studio Vrints-Kolsteren collaborated with the jewelry brand Fleerackers to create ATOM, a collection of 16 different earrings.
Design: Vrints-Kolsteren
Studio Hudson Catty and Atelier Baudelaire used ES Klarheit Kurrent to design a set of three books celebrating the 40th anniversary of LAAC in Dunkirk.
Foundry: Extraset Design: Studio Hudson Catty, Camille Baudelaire & Olivia Grandperrin
Simple and dynamic, these explorations by Paula de Álvaro use brand elements and basic information to present the Pull&Bear London AW 2023 collection.
Design: Paula de Álvaro
Trekking Sans is a lowercase typeface designed by Bureau Bernklau, for the research project Cultural Turn in Swiss Graphic Design (1980–2020).
Type Design: Bureau Bernklau Design: Frederik Mahler-Andersen, Clio Ha
SOCIO Design used Untitled Sans from Klim Type Foundry and Gestura from Socio Type Foundry to complement the visual identity of AATHER’s high-quality candles.
Foundry: Klim Type Foundry, SOCIO Type Foundry Design: Socio Design
Men’s fashion magazine, Fantastic Man, releases issue 37 with an editorial redesign using Laurenz Brunner’s Diplomat typeface.
Foundry: Laurenz Brunner Design: Fantastic Man
ABC Dinamo and Comission Studio collaborated to develop Rimowa’s custom typeface, building upon Bureau Borsche’s logo for the high-end luggage brand.
Foundry: ABC Dinamo Design: Commission Studio
Editorial New, ITC Franklin Gothic, and Antique No.6 were brought together by The Office of Ordinary Things to create contemporary compositions in the identity of Mad, a agriculture organization.
Foundry: Pangram Pangram, ITC, Commercial Type Design: The Office of Ordinary Things
The foundry From A+, built a wordmark, an alternate script version, and two monograms based on art deco letterforms, for the seafood Californian tavern, Bar Le Côte.
Foundry: A+
Julien Hébert and Principal Studio collaborated to craft a bespoke friendly typeface for The Gund, academic art museum. Caslon Ionic by Commercial Type as the complementary font.
Type Designer: Julien Hébert Design: Principal Studio Foundry: Commercial Type
Runners and coffee lovers community, The Coffee Run, asked Dum Dum Studio to create their identity through a bespoke typeface full of dynamism.
Foundry and design: Dum Dum Studio
Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.
Design: Tric Studio
Studio Ard was commissioned to design 15 publications and the signage for the graduation exhibition of the RCA School of Architecture. All is typeset in Prisma Text by Lineto.
Foundry: Lineto Design: Studio Ard
Pastiche Grotesque by Order Type Foundry was customized by Benjamin Tuttle to become the bespoke typeface for the First Choice brand, a new generation of travel lovers. Design by Ragged Edge.
Foundry: Order Type Foundry Design: Ragged Edge
Handwritten sketches by Leandro Senna and The New Company made for the cultural center of gaming, 100 Thieves
Type Designer: Leandro Senna Design: The New Company
Typeset in Rhymes by Maxitype in the book of photographer Werner Amann capturing the nightlife rave scene of the early 1990s. Design by Lamm & Kirch with Caspar Reuss
Foundry: Maxitype Design: Lamm & Kirch / Caspar Reuss
Giacomo Bastianelli designed in AL Linea by Alex Lescieux, the posters that showcase the outcomes of the workshop week at ECAL for first and second-year Master Photography students.
Type Designer: Alex Lescieux Design: Giacomo Bastianelli
Rafael Ribas & Zoo designers graphiques teamed up to design a heavy and solid wordmark for Respect magazine.
Foundry: Rafael Ribas Design: Zoo designers graphiques
Tric Studio in charge of the design and art direction of second issue of the MAAP publication, Off The Front. The fonts used are ABC Synt and ABC Oracle by Dinamo, and Base Monospace by Emigre.
Foundry: ABC Dinamo, Emigre Design: Tric
LL Catalogue by Lineto at the Grand Prix suisse d’art/Prix Meret Oppenheim, a event recognizing cultural creators in Switzerland.
Foundry: Lineto Design: Adeline Mollard
A expressive custom Hardwear font by Supercontinente, under the creative direction of Gretel NYC, for the branding of Mountain Hardwear.
Foundry: Supercontinente Design: Gretel NYC
Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.
Experimentation and creativity in this unselected proposal for JoJo logotype, a London-based design practice.
Foundry: Corbin Mahieu Design: Corbin Mahieu
Neue Haas Grotesk, available at Commercial Type, in the identity of (484) Creative Production House. Design by Studio Abraham.
Foundry: Commercial Type Design: Studio Abraham
Gerstner-Programm by Forgotten Shapes on the website for Mirage, a sculpture made by artist Katie Paterson and architectural studio Zeller & Moye for Apple Park.
Foundry: Gerstner-Programm Web Design: Rafa Cobiella UX: Seriousandly
Contrasting an organic-shaped logo within a structured layout, Principal Studio was responsible for creating the 7th campaign for The International Garden Festival.
Design: Principal Studio
FFF Flea is a custom typeface designed by FFF for Mercantic, a Farmer Market. As the secondary typeface, and to create a balance with the geometry of Flea, Affairs by SM Foundry was used.
Foundry: Fonts From Folch Design: Folch Studio
Basile Fournier worked on the identity for Zien, a Web3 platform for contemporary art. The fonts chosen were Unica 77 by Lineto and JHA Times Now by Jan-Hendrik Arnold.
Hal Colant 2.0 (coming soon) on the website with a mirror effect for Am Seegarten, a temporary exhibition in Kirchmöser, Germany.
Foundry: Hal Typefaces Design: Studio Hanli
Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.
Modern Gothic by AllCaps in the identity of Pascal Hien, a studio that offers expertise within the field of industrial, exhibition and conceptual design.
Foundry: AllCaps Design: Autostrada Studio
A sans and serif custom logo, besides Quadrant Text Mono by Matter of Sorts on the website and identity Querida Studio designed for Laker Studio.
Foundry: Matter of Sons Design: Querida Studio
The zine “Portrait of a Friend (Rest Your Ears, Filous)” of the Vienna-based musician Filous, using Carta Nueva by Sharp Type.
Foundry: Sharp Type Design: Simon Merz
The New York Times Magazine team, with a typographic cover displaying NYTM Slab, a custom font developed by A2 Type.
Foundry: A2 Type Design: NYT Magazine
A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.
Studio: Hugo Blanzat
For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.
Foundry: Schick Toikka
Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.
Foundry: Wise Type Design: Mount Agency
Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.
Foundry: Cofo Cinema Design: Nikita Sapozhkov
Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.
Foundry: Schick Toikka Design: Alex Hunting
A new identity system for the Utah Jazz developed by The New Company, using a custom version of the Plaak typeface from the 205tf french foundry.
Design: The New Company Foundry: 205TF
Hiro builds developer tools that bring Web3 to Bitcoin. In its identity, Porto Rocha chose several fonts from the Aeonik family – Mono, Fono, and Bold –
Foundry: Cotype Foundry Design: Porto Rocha
HAL Timezone by Hal Typefaces in the typographic selection used for the book Pocket Call by Paul Spengemann, designed by Hanzer Liccini.
Foundry: Hal Typefaces Design: Hanzer Liccini
TWK Burns (WIP) by Nolan Paparelli and Alberto Malossi for the identity of Polpo World, a design object entirely made with recycled plastic.
Foundry: Type Weltkern Web Design: Matière Vive Renders: Synthetic Aspect
The identity of Ro Bags, featuring a custom logo by Laura Csocsán and Karl Mono from Source Type.
Logo design: Laura Csocsán Foundry: Source Type
Expressiveness and experimentation in a typeface inspired by urban art and physical tools.
Foundry: The Northern Block Designer: Jonathan Hill
A bespoke headline typeface designed by Regular Practice for the identity of EAUSO VERT, a sustainable fragrance house.
Design: Regular Practice
Custom logo + Futura Extra Bold Condensed in the design and strategy commission entrusted to Aranda Agency by furniture editor BEC1972.
Design: Aranda Agency
Customizing Klarheit Kurrent Book for its logotype, Glasfurd & Walker created a very minimalist and balanced identity for CBD-forward brand, Nowadays.
Foundry: Extraset Design: Glasfurd & Walker
With clean and neutral lines, Ana Mirats Studio creates a custom logo for Vezavena, a brand specialized in knitwear.
Design: Ana Mirats
Atlantic by Heavyweight in “De Chlore et de Rosé”, photographer Christopher Barraja first book.
Foundry: Heavyweight Design: Bastien Forato
Can industrial design influence decisions in the typographic process? An interview with Romina Hernández.
Studio Bruch, with a custom made lettering and type design, developed the identity of the 1951 established carpentry company, Hea.
Type Design: Studio Bruch Type Studio: Hungarumlaut
A custom monolineal, script wordmark by Federico Sanchez for Interval, a multidisciplinary creative space working across texture, shapes and concepts.
Design: Federico Sanchez Foundry: Pangram Pangram
An autumn break party of students at KABK, using Margiel in their posters, a geometrical display font by Warsaw Types.
Foundry: Warsaw Types Design: Daniel Gremme
The humanist and geometric font Centra nº1 by Sharp Type in the full-service production, art buying & casting services company Yours.
Foundry: Sharp Type Design: Basora
A gritty and beautiful array of Kern’s favorite unpublished photographs, using AP Grotesk by All Purpose Fonts in its editorial design.
Foundry: All Purpose Fonts Design: Friend Editions, Oliver Shaw
ToTo Restaurant & Cafe rebranded with a custom typeface by a brilliant collaboration between Bogidar Mascarenas, Hagar Erez & Ark Visual.
Foundry: Bogidar Mascarenas Design: Hagar Erez, Ark Visual
An Iranian graphic design exhibition uses Selecta from Maxitype for its visual identity.
Get Selecta
With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.
Foundry: Eliott Grunewald Design: Monozygote
The Octagon is a multi-use building for spiritual practice and growth using a custom typeface developed by 26a1 and Daniel Wenzel.
Foundry: 26a1 Type Designer: Daniel Wenzel
Arizona Flare by Dinamo in the identity of Guild, a new corporate that serves as a bridge between education and employment.
Get Arizona
A winning combination of fonts from ABC Dinamo, Walter Neue and Simon Mono for Satisfy Running x Oakley.
Foundry: Dinamo Design: Actual Source
Geometric and heavy, Skrappa appears as a contrast in the visual identity of Arts Broadcasting Studio at Anteism.
Foundry: Wise Type Design: Juliette Duhé
Sylvan Lanz designed a custom variable font, for soccer Swiss team FC Basel, based on the typographic heritage of the city.
Type Designer: Sylvan Lanz
Omnigroup and Dávid Molnár teamed up in the creation of a custom serif typeface for Swiss literature foundation Jan Michalski.
Foundry: Omnigroup Type Designer: Dávid Molnár
A hand-drawn logo, featuring Mabry and ITC Galliard, in the identity created by Studio Lotta Nieminen for Eadem, a skincare brand.
Design: Studio Lotta Nieminen Foundry: Colophon
A series of posters by different designers showcasing the versatility of DelCentro, a typeface by Israel Hernández.
Type Designer: Israel Hernández
HM Move is a monolinear typeface, full of movement, designed by Colophon Foundry and Gentle Forces for a new clothing line dedicated to exercise.
Foundry: Colophon Foundry Design: Gentle Forces
OMSE and Family Type collaborated to give live to China’s first craft gin with a custom logo and typeface.
Design: Omse Foundry: Family Type
Monaako Script by Altiplano featured in Rapha’s film “Queens of the Classic”.
Foundry: Altiplano
Magister from Omni Type, in the latest Covers of the issue Sali e Tabacchi. Designed by Leonardo Pellegrino.
Foundry: Omni Type Design: Leonardo Pellegrino
Jose Houdini & Adrián Zorzano designed a custom typography, logotype and cover artworks for the record label Intermission.
Design: Jose Houdini, Adrián Zorzano
Guillaume Sbalchiero designed a warm sans serif typeface, as well as the global identity for Jacquemus.
Design: Guillaume Sbalchiero
CF Panoptik, a font from Fonts.gr, used in the branding, signage, and communication of The Twenty One, a luxury hotel located in Athens.
Foundry: Fonts.gr Design: Marlon Tate
Rhetorik by All Caps in the issue n.27 of Swiss magazine Zweikommasieben
Design: Dorothee Dähler Foundry: All Caps
Square or rounded? Maybe both. Apparat is a typeface with an interesting interplay between its shapes and counters, inspired by the fonts of 1970s television.
Type Designers: Michael Clasen, Marcel Saidov Foundry: Kimera
Some years ago, H5 Studio developed the visual identity including a custom font for iconic Kanye’s Yeezy brand.
Type and design: H5
Codea Studio in the creation of a bespoke, expressive typography for the restaurant located in Girona, Mas Sorrer.
More of Codea Studio
Rebranding led by a custom-designed logo for consulting agency EIXO, developed by Sao Paolo-based Studio Tempo.
More about Studio Tempo
Ten years ago, a unique script typeface, Line, was designed by Göran Söderström and Stefania Malmsten for Rodeo Magazine.
Foundry: Letters From Sweden Design: Malmsten Hellberg,
Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne
Design: Cori Corinne Foundry: Letters From Sweden
Signal Compressed by Emmanuel Besse as part of Production Type catalogue, in Levi’s Performance Denim, a hand-stitched, limited edition publication designed by Leon Romero.
Typography: Emmanuel Besse, Production Type Design: Leon Romero
Keeps Sans is a bespoke display typeface Parker Studio designed as part of the visual identity of Keeps, sustainable furniture.
More of Parker Studio
Schick Toikka’s Krana Fat for nostalgic, cartoon-inspired chips brand, Miett.
Foundry: Schick Toikka Design: Deux Huit Huit
Holise, Neue Helvetica and Ryumin in The Suitcase book design by Jiating Shi.
Type Design: Ines Davodeau Design: Jiating Shi
Museu del Disseny used Maxeville from SM Foundry in the exhibition Objetos comunes. Designed by PFP Disseny.
Foundry: SM Design: PFP Disseny
Custom wordmark created by Alex Hunting Studio for Wool (new scandinavian classics). Complementary typefaces GT America by Grilly Type and Noe by Schick Toikka.
Wordmark: Alex Hunting Studio Foundries: Grilly Type, Schick Toikka.
Jeremy Matthews designed the identity for the furniture, lighting and object design studio Refractory, using Founders Grotesk by Klim Type Foundry.
Foundry: Klim Type Foundry Design: Jeremy Matthews
New approaches to typography creation in an industry with greater opportunities and challenges.
Olssøn Barbieri used Cheltenham by Bitstream and Ostia Antica by Bureau Brut in its identity for urban cheese factory Stavanger Ysteri in Norway.
Foundry: Bitstream Design: Olssøn Barbieri
A straight forward logo designed with semi-circle lines by Manual, for Louisa Parris womenswear label.
More of Manual
A Spy Among Friends poster using Microscopic and Popular typefaces by A2-TYPE. Design by Matt Willey.
Foundry: A2-TYPE Design: Matt Willey
Karl, a typeface designed by Laurenz Brunner used in the artists’ network Hot Little Pool. Graphics by Anne Büttner. Karl is part of the Source Type catalog.
Type: Laurenz Brunner, Source Type. Design: Anne Büttner
Contemporary Art Fair, Plural, designed by Principal Studio, using Pantasia by Wei Huang, and Rhymes by Jakub Samek for Maxitype, on their website and communications.
Foundries: Counter Forms, Maxitype Design: Principal Studio
Murs à fleurs identity reunites two generations of type designers by using Trabis and Francesco fonts, designed by student and teacher.
Fonts: Francesco, Trabis Design: Maison Solide
Gill Sans Ultra Bold Condensed as a contrast to heavy serif wordmark for giant sandwich shop. By TRiC Studio
Type Designer: Eric Gill Design: Tric Studio
Radion, a typeface family that showcases the ongoing practice of reinterpretations and revivals that enhance fonts from the past century.
Locals, a cozy coffeeshop located in Amsterdam, using System Blank by Frost Type.
Foundry: Frost Type
Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.
Type design and identity: Naranjo Etxeberria
Letterjuice colaborated with Decimal Studios to create a type system for their rebranding.
Foundry: Letterjuice Studio: Decimal
A Decó sign as the inspiration for anamoliz’s custom type for Loxa, an agricultural cooperative in Granada with over 60 years of history.
Type Designer: Ana Moliz Design: Buenaventura
For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.
Foundry: Commercial Type Type designer: Miguel Reyes Design: Elizabeth Goodspeed
Tiempos by Klim Type Foundry, the world’s first range of natural products for drug-tested athletes, Puresport. Designed by Field of Play.
Foundries: https://klim.co.nz/ Design: https://fieldofplay.studio/
Global rebranding for Théâtre national de la Danse, by Zoo Designers Graphiques, using Lineto’s Supreme Display.
Foundry: Lineto Design: Zoo Designers Graphiques
Mesobis, a cannabis-loving creatives community using Right Grotesk by Pangram Pangram.
Foundry: Pangram Pangram Design: Andrés Higueros
Agipo, Futura and Bradford in the new brand platform designed by Wedge for famous Canadian store, Indigo.
Foundries: Radim Pesko, Paul Renner, Lineto Design: Wedge
Midnight by Colophon Foundry, perfectly fitting in the identity Porto Rocha conceived for the comedy event “Netflix is a Joke”.
Foundry: Colophon Foundry Design: Porto Rocha
For Terravinyada, Atipus created a logo using Reckless by Displaay Type Foundry.
Get Reckless
Rounded and groovy characters by Fonts from Folch in the logotype made for a decentralized contemporary art collection, Salon.
Foundry: Fonts from Folch Design: Folch
The relationship between functionality and aesthetics as a daily practice of Non Foundry.
Release date: May 9 2023
Alfey, the main typeface of Camping Alfacs’ new identity, inspired by the signage the brand had since its beginnings.
Typeface and identity: Leon Romero
Bodigarmascarenas’ WIP preview of Ager font, inspired in cnc machine and heavy machinery.
Type designer: Bodigar Mascareñas
On Running capsule collection in Animo typeface by Heavyweight.
Foundry Heavyweight Design ActualSource
HC Grotesk as a customized version of RT Alias Grotesk for THC NYC cannabis experience.
Foundry Razzia Type, Design Base
Dinamo’s Favorit announcing CDG showcase at Berlin.
Foundry Dinamo, Design Flavious Augustin.
