Test
Foundry
Design
The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)
Design: Hei Agenda Foundry: Counter Forms, Contrast Foundry, Hal Typefaces
Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.
Foundry: Out of the Dark, Optimo Design: Lisa Sturacci
M. Geisser used HAL Colant from HAL Typefaces and ROM from Dinamo for the poster and invitation for the Walter Walter Longevity exhibition.
Foundry: HAL Typefaces, Dinamo Typefaces Design: M. Geisser
In this website with two main columns constantly changing size, Atipus Studio used RB Kreol Text from Studio René Bieder.
Foundry: Studio René Bieder Design: Atipus Studio
How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.
Foundry: MCKL Type Foundry Design: Order
Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.
Type Designer: Elliot Grunewald Design: Other Office
Tric Studio in charge of the design and art direction of second issue of the MAAP publication, Off The Front. The fonts used are ABC Synt and ABC Oracle by Dinamo, and Base Monospace by Emigre.
Foundry: ABC Dinamo, Emigre Design: Tric
