Studio Hudson Catty and Atelier Baudelaire used ES Klarheit Kurrent to design a set of three books celebrating the 40th anniversary of LAAC in Dunkirk.
Foundry: Extraset Design: Studio Hudson Catty, Camille Baudelaire & Olivia Grandperrin
SOCIO Design used Untitled Sans from Klim Type Foundry and Gestura from Socio Type Foundry to complement the visual identity of AATHER’s high-quality candles.
Foundry: Klim Type Foundry, SOCIO Type Foundry Design: Socio Design
Editorial New, ITC Franklin Gothic, and Antique No.6 were brought together by The Office of Ordinary Things to create contemporary compositions in the identity of Mad, a agriculture organization.
Foundry: Pangram Pangram, ITC, Commercial Type Design: The Office of Ordinary Things
Studio Ard was commissioned to design 15 publications and the signage for the graduation exhibition of the RCA School of Architecture. All is typeset in Prisma Text by Lineto.
Foundry: Lineto Design: Studio Ard
Pastiche Grotesque by Order Type Foundry was customized by Benjamin Tuttle to become the bespoke typeface for the First Choice brand, a new generation of travel lovers. Design by Ragged Edge.
Foundry: Order Type Foundry Design: Ragged Edge
Typeset in Rhymes by Maxitype in the book of photographer Werner Amann capturing the nightlife rave scene of the early 1990s. Design by Lamm & Kirch with Caspar Reuss
Foundry: Maxitype Design: Lamm & Kirch / Caspar Reuss
Giacomo Bastianelli designed in AL Linea by Alex Lescieux, the posters that showcase the outcomes of the workshop week at ECAL for first and second-year Master Photography students.
Type Designer: Alex Lescieux Design: Giacomo Bastianelli
Tric Studio in charge of the design and art direction of second issue of the MAAP publication, Off The Front. The fonts used are ABC Synt and ABC Oracle by Dinamo, and Base Monospace by Emigre.
Foundry: ABC Dinamo, Emigre Design: Tric
LL Catalogue by Lineto at the Grand Prix suisse d’art/Prix Meret Oppenheim, a event recognizing cultural creators in Switzerland.
Foundry: Lineto Design: Adeline Mollard
Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.
Neue Haas Grotesk, available at Commercial Type, in the identity of (484) Creative Production House. Design by Studio Abraham.
Foundry: Commercial Type Design: Studio Abraham
Gerstner-Programm by Forgotten Shapes on the website for Mirage, a sculpture made by artist Katie Paterson and architectural studio Zeller & Moye for Apple Park.
Foundry: Gerstner-Programm Web Design: Rafa Cobiella UX: Seriousandly
Basile Fournier worked on the identity for Zien, a Web3 platform for contemporary art. The fonts chosen were Unica 77 by Lineto and JHA Times Now by Jan-Hendrik Arnold.
Hal Colant 2.0 (coming soon) on the website with a mirror effect for Am Seegarten, a temporary exhibition in Kirchmöser, Germany.
Foundry: Hal Typefaces Design: Studio Hanli
Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.
Modern Gothic by AllCaps in the identity of Pascal Hien, a studio that offers expertise within the field of industrial, exhibition and conceptual design.
Foundry: AllCaps Design: Autostrada Studio
The zine “Portrait of a Friend (Rest Your Ears, Filous)” of the Vienna-based musician Filous, using Carta Nueva by Sharp Type.
Foundry: Sharp Type Design: Simon Merz
Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.
Foundry: Wise Type Design: Mount Agency
Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.
Foundry: Cofo Cinema Design: Nikita Sapozhkov
Hiro builds developer tools that bring Web3 to Bitcoin. In its identity, Porto Rocha chose several fonts from the Aeonik family – Mono, Fono, and Bold –
Foundry: Cotype Foundry Design: Porto Rocha
HAL Timezone by Hal Typefaces in the typographic selection used for the book Pocket Call by Paul Spengemann, designed by Hanzer Liccini.
Foundry: Hal Typefaces Design: Hanzer Liccini
Expressiveness and experimentation in a typeface inspired by urban art and physical tools.
Foundry: The Northern Block Designer: Jonathan Hill
Customizing Klarheit Kurrent Book for its logotype, Glasfurd & Walker created a very minimalist and balanced identity for CBD-forward brand, Nowadays.
Foundry: Extraset Design: Glasfurd & Walker
Atlantic by Heavyweight in “De Chlore et de Rosé”, photographer Christopher Barraja first book.
Foundry: Heavyweight Design: Bastien Forato
An autumn break party of students at KABK, using Margiel in their posters, a geometrical display font by Warsaw Types.
Foundry: Warsaw Types Design: Daniel Gremme
The humanist and geometric font Centra nº1 by Sharp Type in the full-service production, art buying & casting services company Yours.
Foundry: Sharp Type Design: Basora
A gritty and beautiful array of Kern’s favorite unpublished photographs, using AP Grotesk by All Purpose Fonts in its editorial design.
Foundry: All Purpose Fonts Design: Friend Editions, Oliver Shaw
An Iranian graphic design exhibition uses Selecta from Maxitype for its visual identity.
Get SelectaWith a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.
Foundry: Eliott Grunewald Design: Monozygote
Arizona Flare by Dinamo in the identity of Guild, a new corporate that serves as a bridge between education and employment.
Get ArizonaA winning combination of fonts from ABC Dinamo, Walter Neue and Simon Mono for Satisfy Running x Oakley.
Foundry: Dinamo Design: Actual Source
Geometric and heavy, Skrappa appears as a contrast in the visual identity of Arts Broadcasting Studio at Anteism.
Foundry: Wise Type Design: Juliette Duhé
Omnigroup and Dávid Molnár teamed up in the creation of a custom serif typeface for Swiss literature foundation Jan Michalski.
Foundry: Omnigroup Type Designer: Dávid Molnár
Magister from Omni Type, in the latest Covers of the issue Sali e Tabacchi. Designed by Leonardo Pellegrino.
Foundry: Omni Type Design: Leonardo Pellegrino
Rhetorik by All Caps in the issue n.27 of Swiss magazine Zweikommasieben
Design: Dorothee Dähler Foundry: All Caps
Ten years ago, a unique script typeface, Line, was designed by Göran Söderström and Stefania Malmsten for Rodeo Magazine.
Foundry: Letters From Sweden Design: Malmsten Hellberg,
Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne
Design: Cori Corinne Foundry: Letters From Sweden
Signal Compressed by Emmanuel Besse as part of Production Type catalogue, in Levi’s Performance Denim, a hand-stitched, limited edition publication designed by Leon Romero.
Typography: Emmanuel Besse, Production Type Design: Leon Romero
Holise, Neue Helvetica and Ryumin in The Suitcase book design by Jiating Shi.
Type Design: Ines Davodeau Design: Jiating Shi
Museu del Disseny used Maxeville from SM Foundry in the exhibition Objetos comunes. Designed by PFP Disseny.
Foundry: SM Design: PFP Disseny
Jeremy Matthews designed the identity for the furniture, lighting and object design studio Refractory, using Founders Grotesk by Klim Type Foundry.
Foundry: Klim Type Foundry Design: Jeremy Matthews
Karl, a typeface designed by Laurenz Brunner used in the artists’ network Hot Little Pool. Graphics by Anne Büttner. Karl is part of the Source Type catalog.
Type: Laurenz Brunner, Source Type. Design: Anne Büttner
Contemporary Art Fair, Plural, designed by Principal Studio, using Pantasia by Wei Huang, and Rhymes by Jakub Samek for Maxitype, on their website and communications.
Foundries: Counter Forms, Maxitype Design: Principal Studio
Murs à fleurs identity reunites two generations of type designers by using Trabis and Francesco fonts, designed by student and teacher.
Fonts: Francesco, Trabis Design: Maison Solide
Locals, a cozy coffeeshop located in Amsterdam, using System Blank by Frost Type.
Foundry: Frost Type
For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.
Foundry: Commercial Type Type designer: Miguel Reyes Design: Elizabeth Goodspeed
Tiempos by Klim Type Foundry, the world’s first range of natural products for drug-tested athletes, Puresport. Designed by Field of Play.
Foundries: https://klim.co.nz/ Design: https://fieldofplay.studio/
Global rebranding for Théâtre national de la Danse, by Zoo Designers Graphiques, using Lineto’s Supreme Display.
Foundry: Lineto Design: Zoo Designers Graphiques
Mesobis, a cannabis-loving creatives community using Right Grotesk by Pangram Pangram.
Foundry: Pangram Pangram Design: Andrés Higueros
Agipo, Futura and Bradford in the new brand platform designed by Wedge for famous Canadian store, Indigo.
Foundries: Radim Pesko, Paul Renner, Lineto Design: Wedge
Midnight by Colophon Foundry, perfectly fitting in the identity Porto Rocha conceived for the comedy event “Netflix is a Joke”.
Foundry: Colophon Foundry Design: Porto Rocha
For Terravinyada, Atipus created a logo using Reckless by Displaay Type Foundry.
Get RecklessHC Grotesk as a customized version of RT Alias Grotesk for THC NYC cannabis experience.
Foundry Razzia Type, Design Base
Dinamo’s Favorit announcing CDG showcase at Berlin.
Foundry Dinamo, Design Flavious Augustin.