Elephant magazine showcases the rustic and imperfect details of the ZG Elephant typeface through these graphic spreads. Type and editorial design by Zak Group.
Foundry & Design: Zak Group
As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.
Foundry: Eliott Grunewald Design: Jordi Ng, Elana Schlenker
Logotype and lettering inspired by the baroque era of the internet, proposed by Muon Studio for Youhee’s visual identity.
Lettering and Graphic Design: Muon Studio
Justin Sloane used this interesting mix of Gothic letters (Castilla by Sharptype) and sans serif (Octave by Josh Finklea) for a vinyl cover.
Foundry: Sharp Type, Josh Finklea Design: Justin Sloane
This series of keychains, the result of Pauline Esguerra’s exploration with laser cutting, uses, among other typefaces, Eurocat by Maxitype.
Foundry: Maxitype Design: Pauline Esguerra
Three typefaces come together in this warm visual identity for an art exhibition in Paris: Minotaur by Production Type, Diatype by Dinamo, and Feature Deck by Commercial Type.
Foundry: Production Type, Dinamo, Commercial Type Design: ZAINA
Rajola is a stencil and filled typeface designed by ErrorErrorStudio. It is inspired by and pays tribute to the iconic hexagonal tiles characteristic of the Mediterranean.
Type Design: ErrorErrorStudio
TSTO gave VUM—a series of Sunday music events—a psychedelic and youthful image.
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This old Dutch apple syrup design, featuring the Phyllis typeface by Heinrich Wieynck, reminds us that the good things always last.
Foundry: URW Type Foundry
Paper made with clean materials; this was the twist COLLINS gave to this Canadian company, transforming it into Sustana. Custom typography by Sharp Type.
Foundry: Sharp Type Design: COLLINS
Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.
Foundry: Scott Vander Zee, Google Fonts Design: Tux
“After all, being together is revolutionary.” That was the main idea behind the 2024-2025 season campaign for Théâtre Prospero, directed and designed by Principal Estudio using Exposure.
Foundry: Federcio Parra Barrios Design: Principal
The Robert Johnson Club kicks off the 2024 season with these posters designed by Dominik Keller Studio. Typography used is Cosplay.
Foundry: Out of the Dark Design: Dominik Keller Studio
An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.
Foundry: DumDum Studio Design: Distaff Studio
Win on Air is the name of the new Nike Air identity, where David Gobber and Hoang Nguyen were part of this project, designing the typography used in the logo, which is a custom version of Generation Mono, another typeface of their own creation.
Foundry: Nguyen Gobber Design: Nike Design Team
A typeface that –literally– shows its starting point and journey; the Korean graphic designer, @jun.works , included this along with other elements to create the visual identity for @thepreviewartfair.
Graphic and type design: Jun
An affair depicted through typography to create the identity for the Belgian Art and Design Affair, where @otisverhoeve,@bureauclaes, and @pino_type designed three different typefaces incorporating hearts into each letter.
Foundry: @otisverhoeve, @bureauclaes, @pino_type, @natashaldesign, @nemo.lemoine Designers: @verhelstvictor and @corbinmahieu
An electric identity designed by DR. ME and an organic serif typeface, Gaya, accompany the 2-day indie music festival hosted by Macki.
Foundry: Out of the Dark Design: DR. ME
Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.
Foundry: Nguyen Gobber, Dinamo Typefaces Design: Toykyo
I said, ‘Auf Wiedersehen’ (I said ‘Goodbye’) displays the letters exchanged by five families separated during World War II, hoping to reunite one day. The texts are set in Repost, with supplementary texts in HAL Four Grotesk.
Foundry: HAL Typefaces Design: Distaff Studio
República Studio used Review from Commercial Type for this visual identity, aiming to communicate directly and consistently, while leaving the spotlight to the displayed photographs.
Foundry: Commercial Type Design: Estudio República
The Swiss graphic design studio Dual Room renewed the image of the Maison Saint-Gervais theater, using KTF Rublena Black.
Foundry: Kyiv Type Foundry Design: Dual Room
Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.
Foundry: Dinamo Design: pfp disseny
Workbyworks Studio designed this unconventional serif typeface and visual identity for Steffan Studio.
Design and type design: Workbyworks
Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.
Foundry: Out of the Dark, Optimo Design: Lisa Sturacci
Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.
Foundry: Kimera Corp Design: newkid
A festival that explores visual creativity to the point of blurring the lines between illustration and graphics; Miroslav Zhivkov created the identity of FIG (Festival for Illustration and Graphics) using Harber.
Foundry: Benoît Bodhuin Design: Miroslav Zhivkov
From Mexican cantinas and their traditional signage, Socker Studio drew inspiration to design the identity, interiors, and typography for the seafood restaurant Con Vista al Mar.
Type & Graphic Design: Socker Studio
Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.
Type and Design: Andrés Higueros
Helping to create a bold and inclusive visual identity, Quentin Coulombier’s Buzz and the well-known Cooper were selected by Underline Studio to represent the Canadian Film Centre (CFC)
Type Designer: Quentin Coulombier Graphic Design: Underline Studio
Tartuffo by Bouk Ra for Lift Type in the identity created by Fila Korea for the 2024 White Open Seoul; a tennis open where everyone can participate.
Foundry: Lift Type, Bouk Ra Design: Fila Korea
Vibrant and loud, just like the conversations after an excellent dinner in Italy, that’s how Grand Bacàn Sans is, a custom typeface created by Pentagram for the Italian restaurant in Brooklyn; Bacàn
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Low key Design Company used Boris by Giulia Boggio to complement this identity for a friendly, relaxed, and gentle café, just like a wandering sheep.
Foundry: Giulia Boggio, KOMETA Design: low key Design Company
Newsreader by Production Type on the cover of this book addresses collaborations and how to coexist with other ideas.
Foundry: Production Type, Design: Sam Corijn
Seeking to stand out in the market, Gold Font created this custom logo for Apex, a premium tire brand, inspired by ITC typefaces.
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Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
Foundry: 205 TF Design: Address Arts
Just like its proposal, OAD (Open Architecture Design) has a strong and impactful lettering as a logo, complemented by Neue Haas Grotesk in its regular weight.
Foundry: Commercial Type Design: Asketic
For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.
Foundry: Dum Dum Studio Design: Chejo Studio
WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.
Foundry: RongyinotRongyi, ECAL Master Type Design: ECAL Photography
For a constantly moving entity like the PAC (Performing Arts Centre), Porto Rocha, together with AllCaps, created this strong and timeless typography as part of its new visual identity.
Foundry: Porto Rocha, All Caps Design: Porto Rocha
Workbyworks Studio created a dynamic 3D logo for the NFT trading platform, Convertible Van Gogh.
Design: Workbyworks Studio
Studio Cerise, a colorful creative studio from East London, used Swinton by Nouvelle Noir for its logo.
Foundry: Nouvelle Noir Design: Studio Cerise
This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project
Foundry: Commercial Type Design: Principal Studio
A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.
Foundry: Or Type Design: Olsson Barbieri
Rauschen B Regular and JHA Times Now Light filled the visual arts program of the Norbergfestival 2023 with personality. Designed by Agga Stage and Alexander Söder.
Foundry: Out Of The Dark, JHA Design: Agga Stage, Alexander Söder
Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.
Type Designer: Elliot Grunewald Design: Other Office
Diatype Rounded from ABC Dinamo is used in Healthy Boy Band, a cultural magazine that is a tribute to graphic design
Foundry: ABC Dinamo Design: Ortner etc.
For being the first to create ocular accessories, the Inuit people and their syllabic writing system inspired a custom typeface and a new brand image for Mr Boho eyewear.
Type Design: Laura Meseguer Design: Buenaventura
Rhymes by Maxitype in the 2017 campaign for the NBA Finals “They Talk We Play”. Design by Hort and Tim+Tim.
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The Belgian design studio Vrints-Kolsteren collaborated with the jewelry brand Fleerackers to create ATOM, a collection of 16 different earrings.
Design: Vrints-Kolsteren
Trekking Sans is a lowercase typeface designed by Bureau Bernklau, for the research project Cultural Turn in Swiss Graphic Design (1980–2020).
Type Design: Bureau Bernklau Design: Frederik Mahler-Andersen, Clio Ha
The foundry From A+, built a wordmark, an alternate script version, and two monograms based on art deco letterforms, for the seafood Californian tavern, Bar Le Côte.
Foundry: A+
Runners and coffee lovers community, The Coffee Run, asked Dum Dum Studio to create their identity through a bespoke typeface full of dynamism.
Foundry and design: Dum Dum Studio
Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.
Design: Tric Studio
Studio Ard was commissioned to design 15 publications and the signage for the graduation exhibition of the RCA School of Architecture. All is typeset in Prisma Text by Lineto.
Foundry: Lineto Design: Studio Ard
Pastiche Grotesque by Order Type Foundry was customized by Benjamin Tuttle to become the bespoke typeface for the First Choice brand, a new generation of travel lovers. Design by Ragged Edge.
Foundry: Order Type Foundry Design: Ragged Edge
Typeset in Rhymes by Maxitype in the book of photographer Werner Amann capturing the nightlife rave scene of the early 1990s. Design by Lamm & Kirch with Caspar Reuss
Foundry: Maxitype Design: Lamm & Kirch / Caspar Reuss
Rafael Ribas & Zoo designers graphiques teamed up to design a heavy and solid wordmark for Respect magazine.
Foundry: Rafael Ribas Design: Zoo designers graphiques
A expressive custom Hardwear font by Supercontinente, under the creative direction of Gretel NYC, for the branding of Mountain Hardwear.
Foundry: Supercontinente Design: Gretel NYC
Experimentation and creativity in this unselected proposal for JoJo logotype, a London-based design practice.
Foundry: Corbin Mahieu Design: Corbin Mahieu
Contrasting an organic-shaped logo within a structured layout, Principal Studio was responsible for creating the 7th campaign for The International Garden Festival.
Design: Principal Studio
FFF Flea is a custom typeface designed by FFF for Mercantic, a Farmer Market. As the secondary typeface, and to create a balance with the geometry of Flea, Affairs by SM Foundry was used.
Foundry: Fonts From Folch Design: Folch Studio
Hal Colant 2.0 (coming soon) on the website with a mirror effect for Am Seegarten, a temporary exhibition in Kirchmöser, Germany.
Foundry: Hal Typefaces Design: Studio Hanli
Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.
The New York Times Magazine team, with a typographic cover displaying NYTM Slab, a custom font developed by A2 Type.
Foundry: A2 Type Design: NYT Magazine
Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.
Foundry: Cofo Cinema Design: Nikita Sapozhkov
TWK Burns (WIP) by Nolan Paparelli and Alberto Malossi for the identity of Polpo World, a design object entirely made with recycled plastic.
Foundry: Type Weltkern Web Design: Matière Vive Renders: Synthetic Aspect
The identity of Ro Bags, featuring a custom logo by Laura Csocsán and Karl Mono from Source Type.
Logo design: Laura Csocsán Foundry: Source Type
Expressiveness and experimentation in a typeface inspired by urban art and physical tools.
Foundry: The Northern Block Designer: Jonathan Hill
A bespoke headline typeface designed by Regular Practice for the identity of EAUSO VERT, a sustainable fragrance house.
Design: Regular Practice
Customizing Klarheit Kurrent Book for its logotype, Glasfurd & Walker created a very minimalist and balanced identity for CBD-forward brand, Nowadays.
Foundry: Extraset Design: Glasfurd & Walker
With clean and neutral lines, Ana Mirats Studio creates a custom logo for Vezavena, a brand specialized in knitwear.
Design: Ana Mirats
Atlantic by Heavyweight in “De Chlore et de Rosé”, photographer Christopher Barraja first book.
Foundry: Heavyweight Design: Bastien Forato
Studio Bruch, with a custom made lettering and type design, developed the identity of the 1951 established carpentry company, Hea.
Type Design: Studio Bruch Type Studio: Hungarumlaut
An autumn break party of students at KABK, using Margiel in their posters, a geometrical display font by Warsaw Types.
Foundry: Warsaw Types Design: Daniel Gremme
With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.
Foundry: Eliott Grunewald Design: Monozygote
Geometric and heavy, Skrappa appears as a contrast in the visual identity of Arts Broadcasting Studio at Anteism.
Foundry: Wise Type Design: Juliette Duhé
OMSE and Family Type collaborated to give live to China’s first craft gin with a custom logo and typeface.
Design: Omse Foundry: Family Type
Monaako Script by Altiplano featured in Rapha’s film “Queens of the Classic”.
Foundry: Altiplano
Jose Houdini & Adrián Zorzano designed a custom typography, logotype and cover artworks for the record label Intermission.
Design: Jose Houdini, Adrián Zorzano
Some years ago, H5 Studio developed the visual identity including a custom font for iconic Kanye’s Yeezy brand.
Type and design: H5
Rebranding led by a custom-designed logo for consulting agency EIXO, developed by Sao Paolo-based Studio Tempo.
More about Studio Tempo
Ten years ago, a unique script typeface, Line, was designed by Göran Söderström and Stefania Malmsten for Rodeo Magazine.
Foundry: Letters From Sweden Design: Malmsten Hellberg,
Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne
Design: Cori Corinne Foundry: Letters From Sweden
Signal Compressed by Emmanuel Besse as part of Production Type catalogue, in Levi’s Performance Denim, a hand-stitched, limited edition publication designed by Leon Romero.
Typography: Emmanuel Besse, Production Type Design: Leon Romero
Keeps Sans is a bespoke display typeface Parker Studio designed as part of the visual identity of Keeps, sustainable furniture.
More of Parker Studio
Schick Toikka’s Krana Fat for nostalgic, cartoon-inspired chips brand, Miett.
Foundry: Schick Toikka Design: Deux Huit Huit
Holise, Neue Helvetica and Ryumin in The Suitcase book design by Jiating Shi.
Type Design: Ines Davodeau Design: Jiating Shi
Custom wordmark created by Alex Hunting Studio for Wool (new scandinavian classics). Complementary typefaces GT America by Grilly Type and Noe by Schick Toikka.
Wordmark: Alex Hunting Studio Foundries: Grilly Type, Schick Toikka.
Murs à fleurs identity reunites two generations of type designers by using Trabis and Francesco fonts, designed by student and teacher.
Fonts: Francesco, Trabis Design: Maison Solide
Gill Sans Ultra Bold Condensed as a contrast to heavy serif wordmark for giant sandwich shop. By TRiC Studio
Type Designer: Eric Gill Design: Tric Studio
Radion, a typeface family that showcases the ongoing practice of reinterpretations and revivals that enhance fonts from the past century.
Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.
Type design and identity: Naranjo Etxeberria
For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.
Foundry: Commercial Type Type designer: Miguel Reyes Design: Elizabeth Goodspeed
Global rebranding for Théâtre national de la Danse, by Zoo Designers Graphiques, using Lineto’s Supreme Display.
Foundry: Lineto Design: Zoo Designers Graphiques
Midnight by Colophon Foundry, perfectly fitting in the identity Porto Rocha conceived for the comedy event “Netflix is a Joke”.
Foundry: Colophon Foundry Design: Porto Rocha
Rounded and groovy characters by Fonts from Folch in the logotype made for a decentralized contemporary art collection, Salon.
Foundry: Fonts from Folch Design: Folch
Bodigarmascarenas’ WIP preview of Ager font, inspired in cnc machine and heavy machinery.
Type designer: Bodigar Mascareñas
On Running capsule collection in Animo typeface by Heavyweight.
Foundry Heavyweight Design ActualSource
