Seoul-based studio FWB designed a custom logotype for Motley Stuff, inspired by objects like keys, keyholes, and handles, supporting the brand’s expansion into fabric and knitting products.
Graphic & Type Design: FWB
ERLY reinvents skincare with a fresh, typographic identity. Herbus Regular & Title Type, in the design by Studio Lotta Nieminen.
Foundry: Ornamental & Title Type Design: Studio Lotta Nieminen
Animo Typeface by Heavyweight shapes the identity of Grande Paolo, a pop-up sports bar in Prague for the Euro Championship.
Foundry & Design: Heavyweight
Buenaventura designed IOC, a typeface that becomes the visual signature of Islands of Cocoplum, blending tradition, luxury, and modernity.
Foundry: Buenaventura Studio, Ana Moliz Design: Buenaventura Studio
Elisava has a new visual identity inspired by its original logo, and Folch designed Elisava Sans, a variable typeface created to work in any context.
Foundry: Fonts from Folch Design: Folch
OFFSHORE created these materials using a display typeface with spiral shapes, designed for the public programs of the Harvard Graduate School of Design in 2024.
Foundry & Design: OFFSHORE
With dots inviting the creation of interconnected forms, the design by Atelier Tout va bien features Baste in The MV Festival 2024.
Foundry: Image Format for Lift Type Design: Atelier Tout va bien
As part of Musée d’Orsay’s rebranding, Orsay Elzevir was created—a typeface inspired by La Belle Époque, reflecting the energy of the period the museum celebrates.
Foundry & Design: Zoo
The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)
Design: Hei Agenda Foundry: Counter Forms, Contrast Foundry, Hal Typefaces
This historic Finnish newspaper refreshed its image with a new logo, using a custom typeface created by Schick Toikka, drawing inspiration from the newspaper’s earlier logos from the 1920s to 1940s.
Design & Foundry: Schick Toikka
Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.
Foundry: Scott Vander Zee, Google Fonts Design: Tux
On the 100th birthday of artist José Vermeersch, an exhibition was held to celebrate his work, where the Bradford Mono typeface played a crucial role.
Foundry: Lineto Design: Studio Corbin Mahieu
I said, ‘Auf Wiedersehen’ (I said ‘Goodbye’) displays the letters exchanged by five families separated during World War II, hoping to reunite one day. The texts are set in Repost, with supplementary texts in HAL Four Grotesk.
Foundry: HAL Typefaces Design: Distaff Studio
Kinfolk revamped their website with a new custom typeface created by Schick Toikka.
Foundry: Schick Toikka Design: Six, Alex Hunting Studio
Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.
Foundry: Dinamo Design: pfp disseny
Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.
Foundry: Out of the Dark, Optimo Design: Lisa Sturacci
Simple and subtle; Both Studio created a brand identity that aligns with the proposal of Nardel Architects.
Foundry: Velvetyne Design: Both Studio
Low key Design Company used Boris by Giulia Boggio to complement this identity for a friendly, relaxed, and gentle café, just like a wandering sheep.
Foundry: Giulia Boggio, KOMETA Design: low key Design Company
In this book that compiles the lesbian legacy in Quebec, we find Gerstner-Programm FSL as the main typeface, along with “handwritten” numbers using Sebastian Bobby. Designed by Harrison Fun Studio.
Foundry: Forgotten Shapes, Set Sail Studios Design: Harrison Fun Studio
A sans and serif custom logo, besides Quadrant Text Mono by Matter of Sorts on the website and identity Querida Studio designed for Laker Studio.
Foundry: Matter of Sons Design: Querida Studio
A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.
Studio: Hugo Blanzat
Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.
Foundry: Wise Type Design: Mount Agency
Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.
Foundry: Cofo Cinema Design: Nikita Sapozhkov
Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.
Foundry: Schick Toikka Design: Alex Hunting
A bespoke headline typeface designed by Regular Practice for the identity of EAUSO VERT, a sustainable fragrance house.
Design: Regular Practice
With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.
Foundry: Eliott Grunewald Design: Monozygote
Geometric and heavy, Skrappa appears as a contrast in the visual identity of Arts Broadcasting Studio at Anteism.
Foundry: Wise Type Design: Juliette Duhé
Murs à fleurs identity reunites two generations of type designers by using Trabis and Francesco fonts, designed by student and teacher.
Fonts: Francesco, Trabis Design: Maison Solide
Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.
Type design and identity: Naranjo Etxeberria
