Animo Typeface by Heavyweight shapes the identity of Grande Paolo, a pop-up sports bar in Prague for the Euro Championship.
Foundry & Design: Heavyweight
Designed by Copyright/Reserved, this special publication by @extensive.publishing and @greedydust features Cortese and Cortese Sans by Mark van Leeuwen.
Foundry: Mark van Leeuwen Design: Copyright/Reserved
Storefronts have served as stages for performances, for experimentation, and part of the art itself. Fresh Window at Museum Tinguely explores this connection with an identity using Stabilo Boss.
Foundry: Sourcetype Design: Sylvan Lanz
EXTRALESS, a Japanese clothing brand reflected its ethos in a custom typeface by British Standard Type embodying simplicity and shared humanity.
Foundry: British Standard Type Design: OK-RM
Elisava has a new visual identity inspired by its original logo, and Folch designed Elisava Sans, a variable typeface created to work in any context.
Foundry: Fonts from Folch Design: Folch
OFFSHORE created these materials using a display typeface with spiral shapes, designed for the public programs of the Harvard Graduate School of Design in 2024.
Foundry & Design: OFFSHORE
With dots inviting the creation of interconnected forms, the design by Atelier Tout va bien features Baste in The MV Festival 2024.
Foundry: Image Format for Lift Type Design: Atelier Tout va bien
As part of Musée d’Orsay’s rebranding, Orsay Elzevir was created—a typeface inspired by La Belle Époque, reflecting the energy of the period the museum celebrates.
Foundry & Design: Zoo
Technology has made our lives easier, but it seems everything comes at a price. INVOLUT introduces a range of supplements to combat the negative side effects of modern times. Featuring PicNic by Velvetyne.
Foundry: Velvetyne Design: Fuego Camina Conmigo
The first store to bring natural wine to the UK, Ancestral Wines, features an identity inspired by the winemaking process and a logo shaped like a grape cluster.
Foundry: Approximate Type Design: All Purpose Studio
At the world’s largest sporting event, Nike embraced a modern, dynamic, and fluid typeface. In collaboration with Pizza Typefaces, they created the Nike Olympics fonts, a typeface inspired by twisting motion.
Foundry: Pizza Typefaces
Elephant magazine showcases the rustic and imperfect details of the ZG Elephant typeface through these graphic spreads. Type and editorial design by Zak Group.
Foundry & Design: Zak Group
As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.
Foundry: Eliott Grunewald Design: Jordi Ng, Elana Schlenker
Logotype and lettering inspired by the baroque era of the internet, proposed by Muon Studio for Youhee’s visual identity.
Lettering and Graphic Design: Muon Studio
Justin Sloane used this interesting mix of Gothic letters (Castilla by Sharptype) and sans serif (Octave by Josh Finklea) for a vinyl cover.
Foundry: Sharp Type, Josh Finklea Design: Justin Sloane
This series of keychains, the result of Pauline Esguerra’s exploration with laser cutting, uses, among other typefaces, Eurocat by Maxitype.
Foundry: Maxitype Design: Pauline Esguerra
Rajola is a stencil and filled typeface designed by ErrorErrorStudio. It is inspired by and pays tribute to the iconic hexagonal tiles characteristic of the Mediterranean.
Type Design: ErrorErrorStudio
Logotype custom-designed by Bureau Bernklau, drawing inspiration from the distinctive features of Ehmcke Antiqua, an early 20th-century typeface.
Foundry: Bureau Bernklau Design: Bureau Bernklau
TSTO gave VUM—a series of Sunday music events—a psychedelic and youthful image.
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This old Dutch apple syrup design, featuring the Phyllis typeface by Heinrich Wieynck, reminds us that the good things always last.
Foundry: URW Type Foundry
Paper made with clean materials; this was the twist COLLINS gave to this Canadian company, transforming it into Sustana. Custom typography by Sharp Type.
Foundry: Sharp Type Design: COLLINS
Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.
Foundry: Scott Vander Zee, Google Fonts Design: Tux
“After all, being together is revolutionary.” That was the main idea behind the 2024-2025 season campaign for Théâtre Prospero, directed and designed by Principal Estudio using Exposure.
Foundry: Federcio Parra Barrios Design: Principal
The Robert Johnson Club kicks off the 2024 season with these posters designed by Dominik Keller Studio. Typography used is Cosplay.
Foundry: Out of the Dark Design: Dominik Keller Studio
An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.
Foundry: DumDum Studio Design: Distaff Studio
Win on Air is the name of the new Nike Air identity, where David Gobber and Hoang Nguyen were part of this project, designing the typography used in the logo, which is a custom version of Generation Mono, another typeface of their own creation.
Foundry: Nguyen Gobber Design: Nike Design Team
A typeface that –literally– shows its starting point and journey; the Korean graphic designer, @jun.works , included this along with other elements to create the visual identity for @thepreviewartfair.
Graphic and type design: Jun
An affair depicted through typography to create the identity for the Belgian Art and Design Affair, where @otisverhoeve,@bureauclaes, and @pino_type designed three different typefaces incorporating hearts into each letter.
Foundry: @otisverhoeve, @bureauclaes, @pino_type, @natashaldesign, @nemo.lemoine Designers: @verhelstvictor and @corbinmahieu
An electric identity designed by DR. ME and an organic serif typeface, Gaya, accompany the 2-day indie music festival hosted by Macki.
Foundry: Out of the Dark Design: DR. ME
Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.
Foundry: Nguyen Gobber, Dinamo Typefaces Design: Toykyo
Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.
Foundry: Dinamo Design: pfp disseny
Workbyworks Studio designed this unconventional serif typeface and visual identity for Steffan Studio.
Design and type design: Workbyworks
After 9 years, Abmo redesigned its own work, renewing the brand identity of this French restaurant. The typefaces used were Neuf by Eliott Grunewald, Traulha by Yoann Minet, and a custom logo by Keussel Studio.
Foundry: Eliott Grunewald, Bureau Brut, Keussel Studio Design: Abmo
Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.
Foundry: Out of the Dark, Optimo Design: Lisa Sturacci
Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.
Foundry: Kimera Corp Design: newkid
A festival that explores visual creativity to the point of blurring the lines between illustration and graphics; Miroslav Zhivkov created the identity of FIG (Festival for Illustration and Graphics) using Harber.
Foundry: Benoît Bodhuin Design: Miroslav Zhivkov
From Mexican cantinas and their traditional signage, Socker Studio drew inspiration to design the identity, interiors, and typography for the seafood restaurant Con Vista al Mar.
Type & Graphic Design: Socker Studio
Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.
Type and Design: Andrés Higueros
Helping to create a bold and inclusive visual identity, Quentin Coulombier’s Buzz and the well-known Cooper were selected by Underline Studio to represent the Canadian Film Centre (CFC)
Type Designer: Quentin Coulombier Graphic Design: Underline Studio
Vibrant and loud, just like the conversations after an excellent dinner in Italy, that’s how Grand Bacàn Sans is, a custom typeface created by Pentagram for the Italian restaurant in Brooklyn; Bacàn
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Seeking to stand out in the market, Gold Font created this custom logo for Apex, a premium tire brand, inspired by ITC typefaces.
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Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
Foundry: 205 TF Design: Address Arts
WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.
Foundry: RongyinotRongyi, ECAL Master Type Design: ECAL Photography
Workbyworks Studio created a dynamic 3D logo for the NFT trading platform, Convertible Van Gogh.
Design: Workbyworks Studio
Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.
Foundry: Bretagne Type Foundry, Pangram Pangram Design: Tiquismiquis
A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.
Foundry: Or Type Design: Olsson Barbieri
Rauschen B Regular and JHA Times Now Light filled the visual arts program of the Norbergfestival 2023 with personality. Designed by Agga Stage and Alexander Söder.
Foundry: Out Of The Dark, JHA Design: Agga Stage, Alexander Söder
Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.
Type Designer: Elliot Grunewald Design: Other Office
The Belgian design studio Vrints-Kolsteren collaborated with the jewelry brand Fleerackers to create ATOM, a collection of 16 different earrings.
Design: Vrints-Kolsteren
The foundry From A+, built a wordmark, an alternate script version, and two monograms based on art deco letterforms, for the seafood Californian tavern, Bar Le Côte.
Foundry: A+
Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.
Design: Tric Studio
Handwritten sketches by Leandro Senna and The New Company made for the cultural center of gaming, 100 Thieves
Type Designer: Leandro Senna Design: The New Company
Rafael Ribas & Zoo designers graphiques teamed up to design a heavy and solid wordmark for Respect magazine.
Foundry: Rafael Ribas Design: Zoo designers graphiques
A expressive custom Hardwear font by Supercontinente, under the creative direction of Gretel NYC, for the branding of Mountain Hardwear.
Foundry: Supercontinente Design: Gretel NYC
Experimentation and creativity in this unselected proposal for JoJo logotype, a London-based design practice.
Foundry: Corbin Mahieu Design: Corbin Mahieu
Contrasting an organic-shaped logo within a structured layout, Principal Studio was responsible for creating the 7th campaign for The International Garden Festival.
Design: Principal Studio
Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.
The zine “Portrait of a Friend (Rest Your Ears, Filous)” of the Vienna-based musician Filous, using Carta Nueva by Sharp Type.
Foundry: Sharp Type Design: Simon Merz
For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.
Foundry: Schick Toikka
Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.
Foundry: Cofo Cinema Design: Nikita Sapozhkov
TWK Burns (WIP) by Nolan Paparelli and Alberto Malossi for the identity of Polpo World, a design object entirely made with recycled plastic.
Foundry: Type Weltkern Web Design: Matière Vive Renders: Synthetic Aspect
The identity of Ro Bags, featuring a custom logo by Laura Csocsán and Karl Mono from Source Type.
Logo design: Laura Csocsán Foundry: Source Type
Custom logo + Futura Extra Bold Condensed in the design and strategy commission entrusted to Aranda Agency by furniture editor BEC1972.
Design: Aranda Agency
A custom monolineal, script wordmark by Federico Sanchez for Interval, a multidisciplinary creative space working across texture, shapes and concepts.
Design: Federico Sanchez Foundry: Pangram Pangram
An autumn break party of students at KABK, using Margiel in their posters, a geometrical display font by Warsaw Types.
Foundry: Warsaw Types Design: Daniel Gremme
ToTo Restaurant & Cafe rebranded with a custom typeface by a brilliant collaboration between Bogidar Mascarenas, Hagar Erez & Ark Visual.
Foundry: Bogidar Mascarenas Design: Hagar Erez, Ark Visual
The Octagon is a multi-use building for spiritual practice and growth using a custom typeface developed by 26a1 and Daniel Wenzel.
Foundry: 26a1 Type Designer: Daniel Wenzel
Sylvan Lanz designed a custom variable font, for soccer Swiss team FC Basel, based on the typographic heritage of the city.
Type Designer: Sylvan Lanz
A hand-drawn logo, featuring Mabry and ITC Galliard, in the identity created by Studio Lotta Nieminen for Eadem, a skincare brand.
Design: Studio Lotta Nieminen Foundry: Colophon
Jose Houdini & Adrián Zorzano designed a custom typography, logotype and cover artworks for the record label Intermission.
Design: Jose Houdini, Adrián Zorzano
Codea Studio in the creation of a bespoke, expressive typography for the restaurant located in Girona, Mas Sorrer.
More of Codea Studio
Ten years ago, a unique script typeface, Line, was designed by Göran Söderström and Stefania Malmsten for Rodeo Magazine.
Foundry: Letters From Sweden Design: Malmsten Hellberg,
Signal Compressed by Emmanuel Besse as part of Production Type catalogue, in Levi’s Performance Denim, a hand-stitched, limited edition publication designed by Leon Romero.
Typography: Emmanuel Besse, Production Type Design: Leon Romero
A straight forward logo designed with semi-circle lines by Manual, for Louisa Parris womenswear label.
More of Manual
Karl, a typeface designed by Laurenz Brunner used in the artists’ network Hot Little Pool. Graphics by Anne Büttner. Karl is part of the Source Type catalog.
Type: Laurenz Brunner, Source Type. Design: Anne Büttner
A Decó sign as the inspiration for anamoliz’s custom type for Loxa, an agricultural cooperative in Granada with over 60 years of history.
Type Designer: Ana Moliz Design: Buenaventura
Rounded and groovy characters by Fonts from Folch in the logotype made for a decentralized contemporary art collection, Salon.
Foundry: Fonts from Folch Design: Folch
Alfey, the main typeface of Camping Alfacs’ new identity, inspired by the signage the brand had since its beginnings.
Typeface and identity: Leon Romero
Bodigarmascarenas’ WIP preview of Ager font, inspired in cnc machine and heavy machinery.
Type designer: Bodigar Mascareñas
On Running capsule collection in Animo typeface by Heavyweight.
Foundry Heavyweight Design ActualSource
HC Grotesk as a customized version of RT Alias Grotesk for THC NYC cannabis experience.
Foundry Razzia Type, Design Base
