República Studio used Review from Commercial Type for this visual identity, aiming to communicate directly and consistently, while leaving the spotlight to the displayed photographs.
Foundry: Commercial Type Design: Estudio República
Quatrième Étage revamped the visual identity of the iconic Brock store, selecting the ES Face typeface for its logo, a 19th-century inspired serif with contemporary finishes.
Foundry: Extraset Design: Quatrième Étage
Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.
Foundry: Kimera Corp Design: newkid
Maison Standard used Azeret from Displaay Typefaces for the identity of this exhibition at the National Library of Switzerland, which explains the impact of snow on our society.
Foundry: Displaay Typefaces Design: Maison Standard
Moser Crystal launched an autumn collection, and Studio Marvil designed its image using the Atlantic typeface from Heavyweight.
Foundry: Heavyweight Design: Studio Marvil
New typefaces for the new identity of the production company L’Éloi; Principal Studio chose Review by Commercial Type and Skandia by Store Norske Skriftkompani.
Foundry: Store Norske Skriftkompani, Commercial Type Design: Principal Studio
Newsreader by Production Type on the cover of this book addresses collaborations and how to coexist with other ideas.
Foundry: Production Type, Design: Sam Corijn
Victor Serif by KOMETA accompanies the photographs taken on a cycling trip with friends in this booklet designed by Familia.
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Bazaine and the Path of Ideas
Type Designers: Matthew Fenton, Haakon Spencer, Jack Niblett
Mastering: Christoph Koeberlin
Foundry: British Standard Type
Experimental Re(é)[flex|ct|ion] is an editorial publication that explores concepts such as community, uncertainty, resistance, movement, among others, through explorations and discussions. Hannes Brischke uses ABC Walter Neue and Dark’s Remix A.
Foundry: Dinamo, Out of the Dark Design: Hannes Brischke
Studio Cerise, a colorful creative studio from East London, used Swinton by Nouvelle Noir for its logo.
Foundry: Nouvelle Noir Design: Studio Cerise
TWK Everett venturing into the fashion industry through the creative studio and fashion brand Cabinet Milano, led by Rossana Passalacqua and Francesco Valtolina.
Foundry: Type Weltkern
This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project
Foundry: Commercial Type Design: Principal Studio
EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.
Foundry: ABC Dinamo Design: EY Doberman
As a collectible object decorating a space, Christopher Doyle & Co. used Moulin for its unique and attractive features, along with Scto Grotesk, to achieve the elegance and sophistication that the interior design brand, Tom Mark Henry, aimed to convey with its new identity.
Foundry: Commercial Type, Schick Toikka Design: Christopher Doyle & Co.
Flexibility was what Mouthwash studio aimed for with the typographic selection they made for the Messura . Kimera’s Waldenburg and Times LT were chosen to give solidity to the brand and possibilities to evolve.
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Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan
Foundry: Kimera Corp Design: Raw Materials, Service Plan
Diatype Rounded from ABC Dinamo is used in Healthy Boy Band, a cultural magazine that is a tribute to graphic design
Foundry: ABC Dinamo Design: Ortner etc.
Rhymes by Maxitype in the 2017 campaign for the NBA Finals “They Talk We Play”. Design by Hort and Tim+Tim.
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Studio Hudson Catty and Atelier Baudelaire used ES Klarheit Kurrent to design a set of three books celebrating the 40th anniversary of LAAC in Dunkirk.
Foundry: Extraset Design: Studio Hudson Catty, Camille Baudelaire & Olivia Grandperrin
SOCIO Design used Untitled Sans from Klim Type Foundry and Gestura from Socio Type Foundry to complement the visual identity of AATHER’s high-quality candles.
Foundry: Klim Type Foundry, SOCIO Type Foundry Design: Socio Design
Typeset in Rhymes by Maxitype in the book of photographer Werner Amann capturing the nightlife rave scene of the early 1990s. Design by Lamm & Kirch with Caspar Reuss
Foundry: Maxitype Design: Lamm & Kirch / Caspar Reuss
Neue Haas Grotesk, available at Commercial Type, in the identity of (484) Creative Production House. Design by Studio Abraham.
Foundry: Commercial Type Design: Studio Abraham
Gerstner-Programm by Forgotten Shapes on the website for Mirage, a sculpture made by artist Katie Paterson and architectural studio Zeller & Moye for Apple Park.
Foundry: Gerstner-Programm Web Design: Rafa Cobiella UX: Seriousandly
Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.
Atlantic by Heavyweight in “De Chlore et de Rosé”, photographer Christopher Barraja first book.
Foundry: Heavyweight Design: Bastien Forato
The humanist and geometric font Centra nº1 by Sharp Type in the full-service production, art buying & casting services company Yours.
Foundry: Sharp Type Design: Basora
A winning combination of fonts from ABC Dinamo, Walter Neue and Simon Mono for Satisfy Running x Oakley.
Foundry: Dinamo Design: Actual Source
Square or rounded? Maybe both. Apparat is a typeface with an interesting interplay between its shapes and counters, inspired by the fonts of 1970s television.
Type Designers: Michael Clasen, Marcel Saidov Foundry: Kimera
Locals, a cozy coffeeshop located in Amsterdam, using System Blank by Frost Type.
Foundry: Frost Type
Dinamo’s Favorit announcing CDG showcase at Berlin.
Foundry Dinamo, Design Flavious Augustin.
