All your favorite fonts, gathered here, no matter the foundry.

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TH®

With the minimal amount of elements, Eric Wrenn designed the logo and visual identity for Bode, a New York-based clothing brand.

Type and graphic design: Eric Wrenn 

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Sans | Medium | Extended | Geometric | Branding

Just like its proposal, OAD (Open Architecture Design) has a strong and impactful lettering as a logo, complemented by Neue Haas Grotesk in its regular weight.

Foundry: Commercial Type Design: Asketic

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Display | Sans | Black | Extended | Geometric | Low contrast | Branding

For a constantly moving entity like the PAC (Performing Arts Centre), Porto Rocha, together with AllCaps, created this strong and timeless typography as part of its new visual identity.

Foundry: Porto Rocha, All Caps Design: Porto Rocha

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Display | Sans | Black | Extended | Grotesk | Branding

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

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Display | Sans | +6 Weights | Standard | Extended | Condensed | Grotesk | Free trial

Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

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Sans | +6 Weights | Extended | Condensed | Grotesk | Variable font | Free trial

GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black

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Serif | Standard | Extended | Condensed | High contrast | Italic | Free trial

A new identity system for the Utah Jazz developed by The New Company, using a custom version of the Plaak typeface from the 205tf french foundry.

Design: The New Company Foundry: 205TF

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Sans | Extended | Branding

A Spy Among Friends poster using Microscopic and Popular typefaces by A2-TYPE. Design by Matt Willey.

Foundry: A2-TYPE Design: Matt Willey

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Sans | Extended | Grotesk