All your favorite fonts, gathered here, no matter the foundry.

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TH®

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

Foundry: Abyme Design: Quentin

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Display | Sans | Bold | Light | Standard | Extended | Condensed | Geometric | Narrow | Monoline | Decorative | Free trial

A jewelry brand that saves us from monotony and invites us to live creatively. Brand identity and art direction by Tino Nyman, featuring the typefaces Onsite, Exposure and GT Pressura.

Foundry: SOCIOTYPE, 205TF, Grilli Type Design: Tino Nyman

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Monospaced | Sans | +6 Weights | Standard | Extended | Condensed | Grotesk | Italic | Super family | Free trial | Post

Memory Studio was inspired by vintage elements, like old book covers, and used Aktiv Grotesk to create the identity for this craft brewery.

Foundry: Dalton Maag Design: Memory Studio

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Sans | +6 Weights | Standard | Extended | Condensed | Grotesk | Variable font | Multiscript | Free trial

Win on Air is the name of the new Nike Air identity, where David Gobber and Hoang Nguyen were part of this project, designing the typography used in the logo, which is a custom version of Generation Mono, another typeface of their own creation.

Foundry: Nguyen Gobber Design: Nike Design Team

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Display | Sans | Black | Extended | High contrast | Decorative | Free trial

Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.

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Display | Sans | Black | Extended | Geometric | Decorative | Free trial

The Swiss graphic design studio Dual Room renewed the image of the Maison Saint-Gervais theater, using KTF Rublena Black.

Foundry: Kyiv Type Foundry Design: Dual Room

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Display | Sans | Bold | Extended | Grotesk | Post

With the minimal amount of elements, Eric Wrenn designed the logo and visual identity for Bode, a New York-based clothing brand.

Type and graphic design: Eric Wrenn 

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Sans | Medium | Extended | Geometric | Branding

Just like its proposal, OAD (Open Architecture Design) has a strong and impactful lettering as a logo, complemented by Neue Haas Grotesk in its regular weight.

Foundry: Commercial Type Design: Asketic

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Display | Sans | Black | Extended | Geometric | Low contrast | Branding

For a constantly moving entity like the PAC (Performing Arts Centre), Porto Rocha, together with AllCaps, created this strong and timeless typography as part of its new visual identity.

Foundry: Porto Rocha, All Caps Design: Porto Rocha

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Display | Sans | Black | Extended | Grotesk | Branding

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

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Display | Sans | +6 Weights | Standard | Extended | Condensed | Grotesk | Free trial

Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

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Sans | +6 Weights | Extended | Condensed | Grotesk | Variable font | Free trial

GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black

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Serif | Standard | Extended | Condensed | High contrast | Italic | Free trial

A new identity system for the Utah Jazz developed by The New Company, using a custom version of the Plaak typeface from the 205tf french foundry.

Design: The New Company Foundry: 205TF

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Sans | Extended | Branding

A Spy Among Friends poster using Microscopic and Popular typefaces by A2-TYPE. Design by Matt Willey.

Foundry: A2-TYPE Design: Matt Willey

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Sans | Extended | Grotesk