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BonTemps studio designed the identity for Olympic Crew, combining the custom logotype and the iconic OC symbol to capture collaboration and modernity. They used the Univers Condensed Bold typeface.

Design: BonTemps

Get Univers Condensed Bold

Sans | Bold | Condensed | Grotesk


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At the world’s largest sporting event, Nike embraced a modern, dynamic, and fluid typeface. In collaboration with Pizza Typefaces, they created the Nike Olympics fonts, a typeface inspired by twisting motion.

Foundry: Pizza Typefaces

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Display | Sans | Geometric | Decorative | Branding

A classic typeface that reinvents itself by being interactive; Bonjour Garçon used Neue Haas Unica W1G Black, applying a negative effect in the web redesign they created for the art agency Pedro Booking.

Foundry: Linotype Design: Bonjour Garçon

Get Neue Haas Unica W1G Black

Sans | +6 Weights | Grotesk

Elephant magazine showcases the rustic and imperfect details of the ZG Elephant typeface through these graphic spreads. Type and editorial design by Zak Group.

Foundry & Design: Zak Group

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Flare | Display | Sans | Black | Blackletter | Decorative

As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.

Get Moore

Display | Sans | Bold | Condensed | Low contrast | Decorative | Free trial

A geometric typeface with humanist features, crafted by Spassky Fischer, for the new identity of Études.

Type and Graphic Design: Spassky Fischer

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Sans | Humanist | Branding

Casa Bien used Neue Montreal by Pangram Pangram and Items by Schick Toikka to build the visual identity for LOV Ferments, a brand set to change the beverage market.

Get Neue Montreal

Sans | +6 Weights | Grotesk | Variable font | Free trial

Three typefaces come together in this warm visual identity for an art exhibition in Paris: Minotaur by Production Type, Diatype by Dinamo, and Feature Deck by Commercial Type.

Get Minotaur

Serif | Display | Sans | Italic | Super family | Free trial

Grilli Type took on this ambitious project and proposed Figma Sans; a typeface with personality but practical, focused on efficiency, and free of unnecessary embellishments.

Foundry: Grilli Type Design: Figma

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Monospaced | Sans | +6 Weights | Standard | Condensed | Super family

Frere-Jones was tasked with redesigning the New York City Football Club badge, and carefully adjusting each character to fit the circular arc of the badge.

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Serif | Sans | Bold | Branding

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

Foundry: Abyme Design: Quentin

Get Axo

Display | Sans | Bold | Light | Standard | Extended | Condensed | Geometric | Narrow | Monoline | Decorative | Free trial

TSTO gave VUM—a series of Sunday music events—a psychedelic and youthful image.

Foundry: Altiplano Design: TSTO

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Display | Sans | +6 Weights | Grotesk | Low contrast | Decorative | Free trial

A studio and shop at the same time, or a shop that also functions as a studio; Polar Ltda brings together various design professionals to offer a fresh creative approach.

Foundry: Family type Design: Polar Ltda

Get Universal Sans

Sans | +6 Weights | Grotesk | Variable font | Free trial

Paper made with clean materials; this was the twist COLLINS gave to this Canadian company, transforming it into Sustana. Custom typography by Sharp Type.

Foundry: Sharp Type Design: COLLINS

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Display | Sans | Humanist | High contrast | Decorative | Branding

A jewelry brand that saves us from monotony and invites us to live creatively. Brand identity and art direction by Tino Nyman, featuring the typefaces Onsite, Exposure and GT Pressura.

Foundry: SOCIOTYPE, 205TF, Grilli Type Design: Tino Nyman

Get Onsite

Monospaced | Sans | +6 Weights | Standard | Extended | Condensed | Grotesk | Italic | Super family | Free trial | Post

A clean layout, lots of gold, and the Avantt typeface were the elements that the Italian agency Auge Design used for these canned foods full of tradition and flavor.

Foundry: Displaay Foundry Design: Auge Design

Get Avantt

Sans | +6 Weights | Geometric | Free trial

Memory Studio was inspired by vintage elements, like old book covers, and used Aktiv Grotesk to create the identity for this craft brewery.

Foundry: Dalton Maag Design: Memory Studio

Get Aktiv Grotesk

Sans | +6 Weights | Standard | Extended | Condensed | Grotesk | Variable font | Multiscript | Free trial

Classics with a modern twist; National 2, Atlas Grotesk, and Atlas Typewriter, were used by Play for the identity they created for Open Research.

Foundry: Klim, Commercial Type Design: Play

Get National

Sans | +6 Weights | Grotesk | Narrow | Italic | Free trial

An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.

Foundry: DumDum Studio Design: Distaff Studio

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Display | Sans | Bold | Condensed | Low contrast | Decorative

Win on Air is the name of the new Nike Air identity, where David Gobber and Hoang Nguyen were part of this project, designing the typography used in the logo, which is a custom version of Generation Mono, another typeface of their own creation.

Foundry: Nguyen Gobber Design: Nike Design Team

Get Generation Mono

Display | Sans | Black | Extended | High contrast | Decorative | Free trial

Made to showcase the dramatic and captivating work of Eddie Salinas, the book Phantom Presence was designed by Friend Editions, using All Purpose Grotesk for its interiors.

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Sans | +6 Weights | Grotesk | Post

Basis Grotesque is the only typeface used in the identity and website of Studio Bruma, a creative production company to forward-thinking people and brands.

Foundry: Colophon Foundry Design: Leon Romero

Get Basis Grotesque

Sans | +6 Weights | Geometric | Italic | Variable font | Free trial

A simple and powerful label for a wine made to celebrate. Principi Studi used FK Screamer for the logo and GT Alpina for the complementary typography.

Get FK Screamer

Sans | Black | Condensed | Grotesk | Free trial

Architecture and how it becomes part of our everyday landscape. For Not Found, Mike Tully proposes an editorial design that plays with the visibility of certain elements using transparent varnish.

Foundry: Optimo Type Foundry Design: Mike Tully

Get Executive

Sans | Grotesk | Narrow | Italic

Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.

Get Generation Mono

Display | Sans | Black | Extended | Geometric | Decorative | Free trial

I said, ‘Auf Wiedersehen’ (I said ‘Goodbye’) displays the letters exchanged by five families separated during World War II, hoping to reunite one day. The texts are set in Repost, with supplementary texts in HAL Four Grotesk.

Foundry: HAL Typefaces Design: Distaff Studio

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Monospaced | Sans | Regular | Low contrast | Italic | Free trial

Maximage designed this book with great attention to detail. A custom version of Selecta developed by Maxitype.

Foundry: Maxitype, Lineto Design: Maximage

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Sans | Grotesk | Variable font | Free trial

An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

Foundry: Lineto, Displaay Foundry Design: Porto Rocha

Get LL Ruder Plakat

Sans | Bold | Condensed | Grotesk | Narrow | Free trial

After designing the logo as part of the rebranding for the clothing brand Next, Frost was commissioned again by Six to create an entire typeface based on it.

Foundry: FROST Design: Six

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Sans | Geometric | Low contrast | Branding

República Studio used Review from Commercial Type for this visual identity, aiming to communicate directly and consistently, while leaving the spotlight to the displayed photographs.

Get Review

Sans | +6 Weights | +4 Widths | Grotesk | Italic | Super family | Free trial

The Swiss graphic design studio Dual Room renewed the image of the Maison Saint-Gervais theater, using KTF Rublena Black.

Foundry: Kyiv Type Foundry Design: Dual Room

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Display | Sans | Bold | Extended | Grotesk | Post

Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.

Foundry: Dinamo Design: pfp disseny

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Display | Sans | Regular | Grotesk | Decorative | Branding

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

Foundry: Kimera Corp Design: newkid

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Display | Sans | +6 Weights | Standard | Condensed | Grotesk | Decorative | Free trial

From Mexican cantinas and their traditional signage, Socker Studio drew inspiration to design the identity, interiors, and typography for the seafood restaurant Con Vista al Mar.

Type & Graphic Design: Socker Studio

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Display | Sans | Decorative | Stencil | Branding

Maison Standard used Azeret from Displaay Typefaces for the identity of this exhibition at the National Library of Switzerland, which explains the impact of snow on our society.

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Sans | +6 Weights | Grotesk | Geometric | Free trial

Regrets Only created a visual identity just like Potluck works; bringing together various elements to create something from scratch. Oracle is used as the primary typeface and Source Han Sans as the secondary.

Foundry: ABC Dinamo, Adobe Fonts Design: Regrets Only

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Sans | Grotesk | Variable font | Free trial

How should an album cover NOT look? Special Offer and Charli XCX decided to answer this question by stretching the word “brat” in Arial. ROM Mono by Dinamo and Neue Haas Unica by Linotype are used in the interior texts.

Get Arial

Sans | Grotesk

Suisse Int’l Condensed used for this strong and dramatic identity for the Teatro Stabile dell’Umbria. Designed by Due Studio.

Foundry: Swiss Typefaces Design: Due Studio

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Sans | Condensed | Grotesk | Free trial

Moser Crystal launched an autumn collection, and Studio Marvil designed its image using the Atlantic typeface from Heavyweight.

Foundry: Heavyweight Design: Studio Marvil

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Sans | +6 Weights | Humanist | High contrast | Free trial

Simple and subtle; Both Studio created a brand identity that aligns with the proposal of Nardel Architects.

Foundry: Velvetyne Design: Both Studio

Get Karrik

Sans | Regular | Standard | Grotesk | Free trial

Helping to create a bold and inclusive visual identity, Quentin Coulombier’s Buzz and the well-known Cooper were selected by Underline Studio to represent the Canadian Film Centre (CFC)

Type Designer: Quentin Coulombier Graphic Design: Underline Studio

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Display | Sans | Black | Narrow | Decorative | Free trial

New typefaces for the new identity of the production company L’Éloi; Principal Studio chose Review by Commercial Type and Skandia by Store Norske Skriftkompani.

Get Skandia

Sans | +6 Weights | Grotesk | Free trial

Vibrant and loud, just like the conversations after an excellent dinner in Italy, that’s how Grand Bacàn Sans is, a custom typeface created by Pentagram for the Italian restaurant in Brooklyn; Bacàn

Foundry: Pentagram Design: Pentagram

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Display | Sans | Black | Geometric | Decorative | Branding

In this website with two main columns constantly changing size, Atipus Studio used RB Kreol Text from Studio René Bieder.

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Sans | Didone | High contrast | Italic | Free trial

Seeking to stand out in the market, Gold Font created this custom logo for Apex, a premium tire brand, inspired by ITC typefaces.

Foundry: Gold Font Design: Gold Font, Asís

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Display | Sans | Geometric | Decorative | Branding

Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.

Foundry: 205 TF Design: Address Arts

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Display | Sans | Medium | Bold | Thin | Low contrast | High contrast | Decorative | Italic | Variable font | Free trial

In the identity of this major NYT event, two of its typefaces were combined: NYT Franklin representing the business aspect, and NYT Cheltenham representing the newspaper and news.

More of NYT Franklin

Sans | Grotesk

Lightweight like its structure and organic like its composition, Clase BCN proposes using Futura LT Light for headlines and Helvetica Neue for body text in the narrative of Carta Catifa, a chair made with biodegradable materials.

Design: Clase BCN

Get Futura LT Light

Sans | Geometric

With the minimal amount of elements, Eric Wrenn designed the logo and visual identity for Bode, a New York-based clothing brand.

Type and graphic design: Eric Wrenn 

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Sans | Medium | Extended | Geometric | Branding

Just like its proposal, OAD (Open Architecture Design) has a strong and impactful lettering as a logo, complemented by Neue Haas Grotesk in its regular weight.

Foundry: Commercial Type Design: Asketic

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Display | Sans | Black | Extended | Geometric | Low contrast | Branding

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

Foundry: Dum Dum Studio Design: Chejo Studio

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Display | Sans | Bold | Condensed | Low contrast | Free trial

WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.

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Display | Sans | Bold | Geometric | Narrow | Decorative

Bazaine and the Path of Ideas

Type Designers: Matthew Fenton, Haakon Spencer, Jack Niblett

Mastering: Christoph Koeberlin

Foundry: British Standard Type

Sans | +6 Weights | Grotesk | High contrast | Variable font | Free trial

For a constantly moving entity like the PAC (Performing Arts Centre), Porto Rocha, together with AllCaps, created this strong and timeless typography as part of its new visual identity.

Foundry: Porto Rocha, All Caps Design: Porto Rocha

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Display | Sans | Black | Extended | Grotesk | Branding

Experimental Re(é)[flex|ct|ion] is an editorial publication that explores concepts such as community, uncertainty, resistance, movement, among others, through explorations and discussions. Hannes Brischke uses ABC Walter Neue and Dark’s Remix A.

Get ABC Walter

Sans | +6 Weights | Grotesk | Free trial

In this book that compiles the lesbian legacy in Quebec, we find Gerstner-Programm FSL as the main typeface, along with “handwritten” numbers using Sebastian Bobby. Designed by Harrison Fun Studio.

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Sans | Bold | Light | Regular | Grotesk | Free trial

Studio Cerise, a colorful creative studio from East London, used Swinton by Nouvelle Noir for its logo.

Foundry: Nouvelle Noir Design: Studio Cerise

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Display | Sans | +6 Weights | Grotesk | High contrast | Free trial

Estudio República used a single weight of Basel Classic from Optimo Type and Courier Prime as complementary, to achieve a human and elegant identity for Rocio Navarro’s brand; RN Arquitectura™.

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Sans | Grotesk | High contrast | Free trial

TWK Everett venturing into the fashion industry through the creative studio and fashion brand Cabinet Milano, led by Rossana Passalacqua and Francesco Valtolina.

Foundry: Type Weltkern

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Sans | +6 Weights | Grotesk | Free trial

Denim performs admirably across various contexts, whether in small or large texts, as demonstrated in the publication Annual Review of Public Art 2023 for The Arts Promotion Centre Finland – Taike.

Foundry: Displaay Design: Veziko

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Sans | Grotesk | Decorative | Free trial

Last year, All Caps Type’s Rhetorik serif was featured in Apartamento’s annual cookbook edition #8, which gathers recipes based on tubers in a playful tone.

Foundry: AllCaps Design: Apartamento

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Sans | Humanist | Italic | Free trial

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

Get Review Condensed

Display | Sans | +6 Weights | Standard | Extended | Condensed | Grotesk | Free trial

Studio Sly used Modern Era Mono to make Falso Melbourne stand out among all the other real estate agencies.

Foundry: Family Type Design: Studio Sly

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Monospaced | Sans | Geometric | Italic | Free trial

Rauschen B Regular and JHA Times Now Light filled the visual arts program of the Norbergfestival 2023 with personality. Designed by Agga Stage and Alexander Söder.

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Display | Sans | Geometric | Decorative | Branding

EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.

Foundry: ABC Dinamo Design: EY Doberman

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Sans | +6 Weights | Standard | Condensed | Humanist | Variable font | Free trial

As a collectible object decorating a space, Christopher Doyle & Co. used Moulin for its unique and attractive features, along with Scto Grotesk, to achieve the elegance and sophistication that the interior design brand, Tom Mark Henry, aimed to convey with its new identity.

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Serif | Sans | +6 Weights | Standard | Humanist | Italic | Free trial

Within the vast diversity of ideas in this application, the Pinterest design team, along with Kurppa Hosk, uses the neutrality of Neue Haas Grotesk to continue inspiring all kinds of minds.

Foundry: Linotype Design: Kurppa Hosk

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Sans | Bold | Standard | Grotesk

Flexibility was what Mouthwash studio aimed for with the typographic selection they made for the Messura . Kimera’s Waldenburg and Times LT were chosen to give solidity to the brand and possibilities to evolve.

Foundry: Kimera Design: Mouthwash

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Sans | +6 Weights | Standard | Grotesk | Variable font | Free trial

Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

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Sans | +6 Weights | Extended | Condensed | Grotesk | Variable font | Free trial

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

Foundry: Frere-Jones Design: Gretel NY

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Sans | Bold | Condensed | Branding

Diatype Rounded from ABC Dinamo is used in Healthy Boy Band, a cultural magazine that is a tribute to graphic design

Foundry: ABC Dinamo Design: Ortner etc.

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Display | Sans | +6 Weights | Grotesk | Low contrast | Italic | Free trial

For being the first to create ocular accessories, the Inuit people and their syllabic writing system inspired a custom typeface and a new brand image for Mr Boho eyewear.

Type Design: Laura Meseguer Design: Buenaventura

See the full project

Display | Sans | Medium | Geometric | Branding

Studio Hudson Catty and Atelier Baudelaire used ES Klarheit Kurrent to design a set of three books celebrating the 40th anniversary of LAAC in Dunkirk.

Get ES Klarheit Kurrent

Sans | +6 Weights | Geometric | Free trial | Print

Simple and dynamic, these explorations by Paula de Álvaro use brand elements and basic information to present the Pull&Bear London AW 2023 collection.

More of Paula de Álvaro

Sans | Handwritten | Grotesk | Branding

Trekking Sans is a lowercase typeface designed by Bureau Bernklau, for the research project Cultural Turn in Swiss Graphic Design (1980–2020).

More about Bureau Bernklau

Display | Sans | Black | Grotesk | Low contrast

SOCIO Design used Untitled Sans from Klim Type Foundry and Gestura from Socio Type Foundry to complement the visual identity of AATHER’s high-quality candles.

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Serif | Sans | +6 Weights | Grotesk | Italic | Free trial

Men’s fashion magazine, Fantastic Man, releases issue 37 with an editorial redesign using Laurenz Brunner’s Diplomat typeface.

Foundry: Laurenz Brunner Design: Fantastic Man

More of Laurenz Brunner

Sans | Slab

ABC Dinamo and Comission Studio collaborated to develop Rimowa’s custom typeface, building upon Bureau Borsche’s logo for the high-end luggage brand.

Foundry: ABC Dinamo Design: Commission Studio

More of ABC Dinamo

Sans | Grotesk | Branding

Editorial New, ITC Franklin Gothic, and Antique No.6 were brought together by The Office of Ordinary Things to create contemporary compositions in the identity of Mad, a agriculture organization.

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Serif | Sans | Slab | Grotesk | Narrow | Free trial

The foundry From A+, built a wordmark, an alternate script version, and two monograms based on art deco letterforms, for the seafood Californian tavern, Bar Le Côte.

Foundry: A+

More about the project

Display | Sans | Handwritten | Black | Low contrast | Decorative | Branding

Julien Hébert and Principal Studio collaborated to craft a bespoke friendly typeface for The Gund, academic art museum. Caslon Ionic by Commercial Type as the complementary font.

Type Designer: Julien Hébert Design: Principal Studio Foundry: Commercial Type

More about this project

Sans | Grotesk | Branding

Runners and coffee lovers community, The Coffee Run, asked Dum Dum Studio to create their identity through a bespoke typeface full of dynamism.

Foundry and design: Dum Dum Studio

More of Dum Dum Fonts

Display | Sans | Stencil | Branding

Studio Ard was commissioned to design 15 publications and the signage for the graduation exhibition of the RCA School of Architecture. All is typeset in Prisma Text by Lineto.

Foundry: Lineto Design: Studio Ard

Get LL Prisma Text

Display | Sans | Geometric | Humanist | Low contrast | Super family | Free trial

Pastiche Grotesque by Order Type Foundry was customized by Benjamin Tuttle to become the bespoke typeface for the First Choice brand, a new generation of travel lovers. Design by Ragged Edge.

Foundry: Order Type Foundry Design: Ragged Edge

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Display | Sans | Grotesk | High contrast | Free trial

Giacomo Bastianelli designed in AL Linea by Alex Lescieux, the posters that showcase the outcomes of the workshop week at ECAL for first and second-year Master Photography students.

Type Designer: Alex Lescieux Design: Giacomo Bastianelli

More of Alex Lescieux

Sans | Grotesk | Free trial

Rafael Ribas & Zoo designers graphiques teamed up to design a heavy and solid wordmark for Respect magazine.

More of Rafael Ribas

Display | Sans | Black | Grotesk | Decorative | Print

Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.

Get Farmacia

Monospaced | Serif | Sans | Condensed | Grotesk | Free trial

Neue Haas Grotesk, available at Commercial Type, in the identity of (484) Creative Production House. Design by Studio Abraham.

Foundry: Commercial Type Design: Studio Abraham

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Sans | +6 Weights | Grotesk | Super family | Free trial

Gerstner-Programm by Forgotten Shapes on the website for Mirage, a sculpture made by artist Katie Paterson and architectural studio Zeller & Moye for Apple Park.

Foundry: Gerstner-Programm Web Design: Rafa Cobiella UX: Seriousandly

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Sans | +6 Weights | Grotesk | Free trial

FFF Flea is a custom typeface designed by FFF for Mercantic, a Farmer Market. As the secondary typeface, and to create a balance with the geometry of Flea, Affairs by SM Foundry was used.

Foundry: Fonts From Folch Design: Folch Studio

FFF Catalogue

Display | Sans | Geometric | Branding | Post

Basile Fournier worked on the identity for Zien, a Web3 platform for contemporary art. The fonts chosen were Unica 77 by Lineto and JHA Times Now by Jan-Hendrik Arnold.

Get Unica 77

Serif | Sans | Grotesk | Text | Free trial

Modern Gothic by AllCaps in the identity of Pascal Hien, a studio that offers expertise within the field of industrial, exhibition and conceptual design.

Foundry: AllCaps Design: Autostrada Studio

Get Mothern Gothic

Sans | Standard | Grotesk | Free trial

A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.

Studio: Hugo Blanzat

More of Hugo Blanzat

Sans | Handwritten | Black | Regular | Grotesk

For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.

Foundry: Schick Toikka

More fonts by Schick Toikka

Sans | Bold | Grotesk | Decorative

Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.

Foundry: Schick Toikka Design: Alex Hunting

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Sans | Regular | Grotesk | Branding

A new identity system for the Utah Jazz developed by The New Company, using a custom version of the Plaak typeface from the 205tf french foundry.

Design: The New Company Foundry: 205TF

Get Plaak

Sans | Extended | Branding

Hiro builds developer tools that bring Web3 to Bitcoin. In its identity, Porto Rocha chose several fonts from the Aeonik family – Mono, Fono, and Bold –

Foundry: Cotype Foundry Design: Porto Rocha

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Sans | Grotesk | Variable font | Multiscript | Free trial

TWK Burns (WIP) by Nolan Paparelli and Alberto Malossi for the identity of Polpo World, a design object entirely made with recycled plastic.

Foundry: Type Weltkern Web Design: Matière Vive Renders: Synthetic Aspect

Weltkern's Catalogue

Display | Sans | Geometric | Decorative

The identity of Ro Bags, featuring a custom logo by Laura Csocsán and Karl Mono from Source Type.

Logo design: Laura Csocsán Foundry: Source Type

More of Laura

Display | Sans | Black | Decorative | Branding

Expressiveness and experimentation in a typeface inspired by urban art and physical tools.

Foundry: The Northern Block Designer: Jonathan Hill

Display | Sans | Variable font | Free trial

A bespoke headline typeface designed by Regular Practice for the identity of EAUSO VERT, a sustainable fragrance house.

More of Regular Practice

Display | Sans | Regular | Geometric

Custom logo + Futura Extra Bold Condensed in the design and strategy commission entrusted to Aranda Agency by furniture editor BEC1972.

Design: Aranda Agency

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Sans | Black | Decorative | Branding

Customizing Klarheit Kurrent Book for its logotype, Glasfurd & Walker created a very minimalist and balanced identity for CBD-forward brand, Nowadays.

Foundry: Extraset Design: Glasfurd & Walker

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Display | Sans | Standard | Geometric | Free trial

With clean and neutral lines, Ana Mirats Studio creates a custom logo for Vezavena, a brand specialized in knitwear.

Design: Ana Mirats

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Display | Sans | Light | Branding

Atlantic by Heavyweight in “De Chlore et de Rosé”, photographer Christopher Barraja first book.

Foundry: Heavyweight Design: Bastien Forato

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Display | Sans | +6 Weights | High contrast | Free trial

Studio Bruch, with a custom made lettering and type design, developed the identity of the 1951 established carpentry company, Hea.

Type Design: Studio Bruch Type Studio: Hungarumlaut

More about this project

Display | Sans | Grotesk | Stencil | Branding

An autumn break party of students at KABK, using Margiel in their posters, a geometrical display font by Warsaw Types.

Foundry: Warsaw Types Design: Daniel Gremme

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Display | Sans | Black | Geometric | Decorative | Free trial

The humanist and geometric font Centra nº1 by Sharp Type in the full-service production, art buying & casting services company Yours.

Foundry: Sharp Type Design: Basora

Get Centra nº1

Sans | +6 Weights | Geometric | Humanist | Free trial

A gritty and beautiful array of Kern’s favorite unpublished photographs, using AP Grotesk by All Purpose Fonts in its editorial design.

Get AP Grotesk

Sans | Grotesk | Free trial

ToTo Restaurant & Cafe rebranded with a custom typeface by a brilliant collaboration between Bogidar Mascarenas, Hagar Erez & Ark Visual.

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Sans | Monoline | Decorative | Branding

An Iranian graphic design exhibition uses Selecta from Maxitype for its visual identity.

Foundry: Maxitype Design: Skala

Get Selecta

Sans | Grotesk | Free trial

With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.

Foundry: Eliott Grunewald Design: Monozygote

Get Herbus

Serif | Display | Sans | Bold | Regular | Geometric | Free trial

The Octagon is a multi-use building for spiritual practice and growth using a custom typeface developed by 26a1 and Daniel Wenzel.

Foundry: 26a1 Type Designer: Daniel Wenzel

More of this typeface

Sans | Decorative | Variable font | Branding

Arizona Flare by Dinamo in the identity of Guild, a new corporate that serves as a bridge between education and employment.

Foundry: Dinamo Design: Athletics

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Serif | Sans | Humanist | Italic | Free trial

A winning combination of fonts from ABC Dinamo, Walter Neue and Simon Mono for Satisfy Running x Oakley.

Foundry: Dinamo Design: Actual Source

Get Dinamo Fonts

Sans | +6 Weights | Grotesk | Free trial

Geometric and heavy, Skrappa appears as a contrast in the visual identity of Arts Broadcasting Studio at Anteism.

Foundry: Wise Type Design: Juliette Duhé

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Display | Display | Sans | Sans | Regular | Regular | Low contrast | Low contrast | Free trial | Free trial

A hand-drawn logo, featuring Mabry and ITC Galliard, in the identity created by Studio Lotta Nieminen for Eadem, a skincare brand.

Design: Studio Lotta Nieminen Foundry: Colophon

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Sans | Decorative | Branding

A series of posters by different designers showcasing the versatility of DelCentro, a typeface by Israel Hernández.

Type Designer: Israel Hernández

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Sans | Grotesk

HM Move is a monolinear typeface, full of movement, designed by Colophon Foundry and Gentle Forces for a new clothing line dedicated to exercise.

Foundry: Colophon Foundry Design: Gentle Forces

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Sans | Modular | Branding

OMSE and Family Type collaborated to give live to China’s first craft gin with a custom logo and typeface.

Design: Omse Foundry: Family Type

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Display | Sans | Multiscript | Branding

Jose Houdini & Adrián Zorzano designed a custom typography, logotype and cover artworks for the record label Intermission.

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Display | Sans | Decorative

Guillaume Sbalchiero designed a warm sans serif typeface, as well as the global identity for Jacquemus.

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Sans | Medium | Branding

CF Panoptik, a font from Fonts.gr, used in the branding, signage, and communication of The Twenty One, a luxury hotel located in Athens.

Foundry: Fonts.gr Design: Marlon Tate

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Sans | Geometric | Multiscript

Rhetorik by All Caps in the issue n.27 of Swiss magazine Zweikommasieben

Design: Dorothee Dähler Foundry: All Caps

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Serif | Sans | Italic | Free trial | Branding

Square or rounded? Maybe both. Apparat is a typeface with an interesting interplay between its shapes and counters, inspired by the fonts of 1970s television.

Type Designers: Michael Clasen, Marcel Saidov Foundry: Kimera

Reading | Sans | +6 Weights | Grotesk | Wayfinding

Some years ago, H5 Studio developed the visual identity including a custom font for iconic Kanye’s Yeezy brand.

Type and design: H5

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Display | Sans | Geometric | Branding

Codea Studio in the creation of a bespoke, expressive typography for the restaurant located in Girona, Mas Sorrer.

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Sans | Black | Decorative | Branding

Ten years ago, a unique script typeface, Line, was designed by Göran Söderström and Stefania Malmsten for Rodeo Magazine.

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Display | Sans | Monoline | Decorative | Free trial

Keeps Sans is a bespoke display typeface Parker Studio designed as part of the visual identity of Keeps, sustainable furniture.

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Sans | Black | Branding

Schick Toikka’s Krana Fat for nostalgic, cartoon-inspired chips brand, Miett.

Foundry: Schick Toikka Design: Deux Huit Huit

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Display | Sans | Black | Branding

Museu del Disseny used Maxeville from SM Foundry in the exhibition Objetos comunes. Designed by PFP Disseny.

Foundry: SM Design: PFP Disseny

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Monospaced | Sans | Stencil | Free trial

Jeremy Matthews designed the identity for the furniture, lighting and object design studio Refractory, using Founders Grotesk by Klim Type Foundry.

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Monospaced | Sans | Grotesk | Free trial

A Spy Among Friends poster using Microscopic and Popular typefaces by A2-TYPE. Design by Matt Willey.

Foundry: A2-TYPE Design: Matt Willey

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Sans | Extended | Grotesk

Karl, a typeface designed by Laurenz Brunner used in the artists’ network Hot Little Pool. Graphics by Anne Büttner. Karl is part of the Source Type catalog.

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Sans | Low contrast | Decorative | Free trial

Radion, a typeface family that showcases the ongoing practice of reinterpretations and revivals that enhance fonts from the past century.

Reading | Display | Sans | Geometric

Locals, a cozy coffeeshop located in Amsterdam, using System Blank by Frost Type.

Foundry: Frost Type

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Sans | +6 Weights | Grotesk | Free trial

Letterjuice colaborated with Decimal Studios to create a type system for their rebranding.

Foundry: Letterjuice Studio: Decimal

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Sans | Branding

A Decó sign as the inspiration for anamoliz’s custom type for Loxa, an agricultural cooperative in Granada with over 60 years of history.

Type Designer: Ana Moliz Design: Buenaventura

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Sans | Decorative | Branding

Global rebranding for Théâtre national de la Danse, by Zoo Designers Graphiques, using Lineto’s Supreme Display.

Foundry: Lineto Design: Zoo Designers Graphiques

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Sans | Geometric | Italic | Free trial

Mesobis, a cannabis-loving creatives community using Right Grotesk by Pangram Pangram.

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Sans | Grotesk | Italic | Variable font | Free trial

Agipo, Futura and Bradford in the new brand platform designed by Wedge for famous Canadian store, Indigo.

Foundries: Radim Pesko, Paul Renner, Lineto Design: Wedge

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Serif | Sans | Italic | Free trial

Midnight by Colophon Foundry, perfectly fitting in the identity Porto Rocha conceived for the comedy event “Netflix is a Joke”.

Foundry: Colophon Foundry Design: Porto Rocha

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Display | Sans | Variable font | Free trial | Branding

Alfey, the main typeface of Camping Alfacs’ new identity, inspired by the signage the brand had since its beginnings.

Typeface and identity: Leon Romero

Leon Romero work

Sans | Decorative | Stencil | Branding

On Running capsule collection in Animo typeface by Heavyweight.

Foundry Heavyweight Design ActualSource 

Heavyweight catalogue

Display | Sans | Low contrast | Decorative

HC Grotesk as a customized version of RT Alias Grotesk for THC NYC cannabis experience.

Foundry Razzia Type, Design Base

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Sans | Geometric | Decorative | Italic | Free trial | Branding

Dinamo’s Favorit announcing CDG showcase at Berlin.

Foundry Dinamo, Design Flavious Augustin.

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Monospaced | Sans | +6 Weights | Grotesk | Italic | Variable font | Free trial | Branding

Cannabis brand Houseplant redesigned with a custom typeface by Tipografies.

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Sans | Grotesk | Narrow | Decorative | Branding

Logotype and custom typeface for Lafayette148

Edition Studio

Sans | Grotesk | Italic | Branding

Two chose TWK Lausanne to create casa park identity.

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Sans | +6 Weights | Grotesk | Italic | Free trial

Mabry by Colophon Foundry for London’s Design District

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Sans | Grotesk | Italic | Free trial