Classics with a modern twist; National 2, Atlas Grotesk, and Atlas Typewriter, were used by Play for the identity they created for Open Research.
Foundry: Klim, Commercial Type Design: Play
Architecture and how it becomes part of our everyday landscape. For Not Found, Mike Tully proposes an editorial design that plays with the visibility of certain elements using transparent varnish.
Foundry: Optimo Type Foundry Design: Mike Tully
An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.
Foundry: Lineto, Displaay Foundry Design: Porto Rocha
Helping to create a bold and inclusive visual identity, Quentin Coulombier’s Buzz and the well-known Cooper were selected by Underline Studio to represent the Canadian Film Centre (CFC)
Type Designer: Quentin Coulombier Graphic Design: Underline Studio
WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.
Foundry: RongyinotRongyi, ECAL Master Type Design: ECAL Photography
Editorial New, ITC Franklin Gothic, and Antique No.6 were brought together by The Office of Ordinary Things to create contemporary compositions in the identity of Mad, a agriculture organization.
Foundry: Pangram Pangram, ITC, Commercial Type Design: The Office of Ordinary Things
