Nanushka is making its mark in the fashion market with inspiration drawn from Hungarian history as well as a wordmark and visual identity rooted in traditional symbols.
Foundry: Any Other Name Design: Any Other Name
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As part of the visual identity that Bureau Borsche created for the Bavarian State Opera, a digitized typeface —developed by Samara Keller— was created, based on a design found in the opera’s facilities.
Foundry: Samara Keller Design: Bureau Borsche
The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)
Design: Hei Agenda Foundry: Counter Forms, Contrast Foundry, Hal Typefaces
Three typefaces come together in this warm visual identity for an art exhibition in Paris: Minotaur by Production Type, Diatype by Dinamo, and Feature Deck by Commercial Type.
Foundry: Production Type, Dinamo, Commercial Type Design: ZAINA
Logotype custom-designed by Bureau Bernklau, drawing inspiration from the distinctive features of Ehmcke Antiqua, an early 20th-century typeface.
Foundry: Bureau Bernklau Design: Bureau Bernklau
Frere-Jones was tasked with redesigning the New York City Football Club badge, and carefully adjusting each character to fit the circular arc of the badge.
Type Design: Tobias Frere-Jones, Nina Stössinger Design: Gretel
A typeface inspired by 16th-century characters being used in the identity of an exhibition 500 years later; Louise Verstraete used Holger for these posters.
Type Designer: Otis Verhoeve Foundry: Wise Type Design: Louise Verstraete
This old Dutch apple syrup design, featuring the Phyllis typeface by Heinrich Wieynck, reminds us that the good things always last.
Foundry: URW Type Foundry
This historic Finnish newspaper refreshed its image with a new logo, using a custom typeface created by Schick Toikka, drawing inspiration from the newspaper’s earlier logos from the 1920s to 1940s.
Design & Foundry: Schick Toikka
Moments in Love narrates a new way of portraying fashion, blending it with photos of passersby. Designed by the studio Siun, using FT Bureau.
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Hort Berlin used this serif typeface with classic and elegant forms (Bradford) for the visual identity they designed for the cultural center le 19M.
Foundry: Lineto Design: Hort Berlin
Leonard Joel, one of Australia’s top auction houses, refreshed its identity with Studio Doherty. The concept “Everything old is new again” blends heritage and modernity.
Foundry: Margot Lévêque Type Foundry, ABC Dinamo Design: M. Giesser
Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.
Foundry: Scott Vander Zee, Google Fonts Design: Tux
Two Times Elliot designed the logo, typography, and monogram for Kettle Kids, drawing inspiration from London’s historic architecture and signage.
Type & Graphic Design: Two Times Elliot
“After all, being together is revolutionary.” That was the main idea behind the 2024-2025 season campaign for Théâtre Prospero, directed and designed by Principal Estudio using Exposure.
Foundry: Federcio Parra Barrios Design: Principal
On the 100th birthday of artist José Vermeersch, an exhibition was held to celebrate his work, where the Bradford Mono typeface played a crucial role.
Foundry: Lineto Design: Studio Corbin Mahieu
Inspired by its iconic location—Las Vegas—this hotel embraces warm, sun-faded colors, a custom sober logo with subtle serif hints, and uses National and Nib as its typefaces.
Foundry: Colophon Foundry Design: The New Company
As authentic as nature can be, Justified Studio chose these two typefaces to be part of a sober yet sophisticated identity for the organic food producer Natoora.
Foundry: Displaay Design: Justified Studio
Kinfolk revamped their website with a new custom typeface created by Schick Toikka.
Foundry: Schick Toikka Design: Six, Alex Hunting Studio
Workbyworks Studio designed this unconventional serif typeface and visual identity for Steffan Studio.
Design and type design: Workbyworks
Quatrième Étage revamped the visual identity of the iconic Brock store, selecting the ES Face typeface for its logo, a 19th-century inspired serif with contemporary finishes.
Foundry: Extraset Design: Quatrième Étage
Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.
Foundry: Out of the Dark, Optimo Design: Lisa Sturacci
Parker Studio said goodbye to 2022 with this candle, made in collaboration with Imprimerie du Marais. The packaging uses Chalet Book, along with the first printed use of Parker’s PS Times.
Foundry: Parker Studio, House Industries Design: Parker Studio
Tartuffo by Bouk Ra for Lift Type in the identity created by Fila Korea for the 2024 White Open Seoul; a tennis open where everyone can participate.
Foundry: Lift Type, Bouk Ra Design: Fila Korea
M. Geisser used HAL Colant from HAL Typefaces and ROM from Dinamo for the poster and invitation for the Walter Walter Longevity exhibition.
Foundry: HAL Typefaces, Dinamo Typefaces Design: M. Geisser
Newsreader by Production Type on the cover of this book addresses collaborations and how to coexist with other ideas.
Foundry: Production Type, Design: Sam Corijn
Victor Serif by KOMETA accompanies the photographs taken on a cycling trip with friends in this booklet designed by Familia.
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Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.
Foundry: Bretagne Type Foundry, Pangram Pangram Design: Tiquismiquis
How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.
Foundry: MCKL Type Foundry Design: Order
A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.
Foundry: Or Type Design: Olsson Barbieri
As a collectible object decorating a space, Christopher Doyle & Co. used Moulin for its unique and attractive features, along with Scto Grotesk, to achieve the elegance and sophistication that the interior design brand, Tom Mark Henry, aimed to convey with its new identity.
Foundry: Commercial Type, Schick Toikka Design: Christopher Doyle & Co.
Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.
Type Designer: Elliot Grunewald Design: Other Office
GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black
Foundries: Grilli Type, ABC Dinamo Design: Ania et Lucie
Rhymes by Maxitype in the 2017 campaign for the NBA Finals “They Talk We Play”. Design by Hort and Tim+Tim.
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SOCIO Design used Untitled Sans from Klim Type Foundry and Gestura from Socio Type Foundry to complement the visual identity of AATHER’s high-quality candles.
Foundry: Klim Type Foundry, SOCIO Type Foundry Design: Socio Design
Editorial New, ITC Franklin Gothic, and Antique No.6 were brought together by The Office of Ordinary Things to create contemporary compositions in the identity of Mad, a agriculture organization.
Foundry: Pangram Pangram, ITC, Commercial Type Design: The Office of Ordinary Things
Typeset in Rhymes by Maxitype in the book of photographer Werner Amann capturing the nightlife rave scene of the early 1990s. Design by Lamm & Kirch with Caspar Reuss
Foundry: Maxitype Design: Lamm & Kirch / Caspar Reuss
Tric Studio in charge of the design and art direction of second issue of the MAAP publication, Off The Front. The fonts used are ABC Synt and ABC Oracle by Dinamo, and Base Monospace by Emigre.
Foundry: ABC Dinamo, Emigre Design: Tric
LL Catalogue by Lineto at the Grand Prix suisse d’art/Prix Meret Oppenheim, a event recognizing cultural creators in Switzerland.
Foundry: Lineto Design: Adeline Mollard
Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.
Basile Fournier worked on the identity for Zien, a Web3 platform for contemporary art. The fonts chosen were Unica 77 by Lineto and JHA Times Now by Jan-Hendrik Arnold.
Hal Colant 2.0 (coming soon) on the website with a mirror effect for Am Seegarten, a temporary exhibition in Kirchmöser, Germany.
Foundry: Hal Typefaces Design: Studio Hanli
Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.
A sans and serif custom logo, besides Quadrant Text Mono by Matter of Sorts on the website and identity Querida Studio designed for Laker Studio.
Foundry: Matter of Sons Design: Querida Studio
Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.
Foundry: Wise Type Design: Mount Agency
Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.
Foundry: Cofo Cinema Design: Nikita Sapozhkov
HAL Timezone by Hal Typefaces in the typographic selection used for the book Pocket Call by Paul Spengemann, designed by Hanzer Liccini.
Foundry: Hal Typefaces Design: Hanzer Liccini
With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.
Foundry: Eliott Grunewald Design: Monozygote
Arizona Flare by Dinamo in the identity of Guild, a new corporate that serves as a bridge between education and employment.
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Sylvan Lanz designed a custom variable font, for soccer Swiss team FC Basel, based on the typographic heritage of the city.
Type Designer: Sylvan Lanz
Omnigroup and Dávid Molnár teamed up in the creation of a custom serif typeface for Swiss literature foundation Jan Michalski.
Foundry: Omnigroup Type Designer: Dávid Molnár
Magister from Omni Type, in the latest Covers of the issue Sali e Tabacchi. Designed by Leonardo Pellegrino.
Foundry: Omni Type Design: Leonardo Pellegrino
Rhetorik by All Caps in the issue n.27 of Swiss magazine Zweikommasieben
Design: Dorothee Dähler Foundry: All Caps
Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne
Design: Cori Corinne Foundry: Letters From Sweden
Holise, Neue Helvetica and Ryumin in The Suitcase book design by Jiating Shi.
Type Design: Ines Davodeau Design: Jiating Shi
Custom wordmark created by Alex Hunting Studio for Wool (new scandinavian classics). Complementary typefaces GT America by Grilly Type and Noe by Schick Toikka.
Wordmark: Alex Hunting Studio Foundries: Grilly Type, Schick Toikka.
Olssøn Barbieri used Cheltenham by Bitstream and Ostia Antica by Bureau Brut in its identity for urban cheese factory Stavanger Ysteri in Norway.
Foundry: Bitstream Design: Olssøn Barbieri
Contemporary Art Fair, Plural, designed by Principal Studio, using Pantasia by Wei Huang, and Rhymes by Jakub Samek for Maxitype, on their website and communications.
Foundries: Counter Forms, Maxitype Design: Principal Studio
Tiempos by Klim Type Foundry, the world’s first range of natural products for drug-tested athletes, Puresport. Designed by Field of Play.
Foundries: https://klim.co.nz/ Design: https://fieldofplay.studio/
Agipo, Futura and Bradford in the new brand platform designed by Wedge for famous Canadian store, Indigo.
Foundries: Radim Pesko, Paul Renner, Lineto Design: Wedge
