Ottimo celebrates the tradition of olive oil with an identity designed by Somekind Studio, the brand takes shape with Edition by Elias Hanzer, a monolinear typeface that brings a timeless feel.
Foundry: Elias Hanzer Design: Somekind
The redesign of ArkDes in Stockholm by AM Stockholm features custom typefaces where dots and dashes create a unique typographic system. Alongside Diatype, these fonts redefine the museum’s identity.
Type Design: ABC Dinamo, Luuse, Adrien Vasquez Design: AM Stockholm
Tetier, the jewelry brand using recycled materials that recently collaborated with Asics, features Octave by Faire Type in its logo and texts.
Foundry: Faire Type Design: Baptiste Gerbelot Barillon
AG Grafik created a brand identity for a poetry festival, blending experimental layouts with the classic elegance of Timezone.
Foundry: HAL Typefaces Design: AG Grafik
After more than a decade, the production company Frenzy has refreshed its image to show that its bold and contemporary vision remains as relevant as ever. Featuring Modale Antique by Formagari.
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The French studio Plus Mûrs used Diatype Mono by Dinamo for the logo of the sophisticated sports brand, Counter Systema.
Foundry: Dinamo Design: Plus Mûrs
As part of Musée d’Orsay’s rebranding, Orsay Elzevir was created—a typeface inspired by La Belle Époque, reflecting the energy of the period the museum celebrates.
Foundry & Design: Zoo
Three typefaces come together in this warm visual identity for an art exhibition in Paris: Minotaur by Production Type, Diatype by Dinamo, and Feature Deck by Commercial Type.
Foundry: Production Type, Dinamo, Commercial Type Design: ZAINA
A typeface inspired by 16th-century characters being used in the identity of an exhibition 500 years later; Louise Verstraete used Holger for these posters.
Type Designer: Otis Verhoeve Foundry: Wise Type Design: Louise Verstraete
Moments in Love narrates a new way of portraying fashion, blending it with photos of passersby. Designed by the studio Siun, using FT Bureau.
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Hort Berlin used this serif typeface with classic and elegant forms (Bradford) for the visual identity they designed for the cultural center le 19M.
Foundry: Lineto Design: Hort Berlin
A jewelry brand that saves us from monotony and invites us to live creatively. Brand identity and art direction by Tino Nyman, featuring the typefaces Onsite, Exposure and GT Pressura.
Foundry: SOCIOTYPE, 205TF, Grilli Type Design: Tino Nyman
Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.
Foundry: Scott Vander Zee, Google Fonts Design: Tux
“After all, being together is revolutionary.” That was the main idea behind the 2024-2025 season campaign for Théâtre Prospero, directed and designed by Principal Estudio using Exposure.
Foundry: Federcio Parra Barrios Design: Principal
Inspired by its iconic location—Las Vegas—this hotel embraces warm, sun-faded colors, a custom sober logo with subtle serif hints, and uses National and Nib as its typefaces.
Foundry: Colophon Foundry Design: The New Company
Classics with a modern twist; National 2, Atlas Grotesk, and Atlas Typewriter, were used by Play for the identity they created for Open Research.
Foundry: Klim, Commercial Type Design: Play
Basis Grotesque is the only typeface used in the identity and website of Studio Bruma, a creative production company to forward-thinking people and brands.
Foundry: Colophon Foundry Design: Leon Romero
Architecture and how it becomes part of our everyday landscape. For Not Found, Mike Tully proposes an editorial design that plays with the visibility of certain elements using transparent varnish.
Foundry: Optimo Type Foundry Design: Mike Tully
I said, ‘Auf Wiedersehen’ (I said ‘Goodbye’) displays the letters exchanged by five families separated during World War II, hoping to reunite one day. The texts are set in Repost, with supplementary texts in HAL Four Grotesk.
Foundry: HAL Typefaces Design: Distaff Studio
República Studio used Review from Commercial Type for this visual identity, aiming to communicate directly and consistently, while leaving the spotlight to the displayed photographs.
Foundry: Commercial Type Design: Estudio República
A festival that explores visual creativity to the point of blurring the lines between illustration and graphics; Miroslav Zhivkov created the identity of FIG (Festival for Illustration and Graphics) using Harber.
Foundry: Benoît Bodhuin Design: Miroslav Zhivkov
Tartuffo by Bouk Ra for Lift Type in the identity created by Fila Korea for the 2024 White Open Seoul; a tennis open where everyone can participate.
Foundry: Lift Type, Bouk Ra Design: Fila Korea
M. Geisser used HAL Colant from HAL Typefaces and ROM from Dinamo for the poster and invitation for the Walter Walter Longevity exhibition.
Foundry: HAL Typefaces, Dinamo Typefaces Design: M. Geisser
Newsreader by Production Type on the cover of this book addresses collaborations and how to coexist with other ideas.
Foundry: Production Type, Design: Sam Corijn
In this website with two main columns constantly changing size, Atipus Studio used RB Kreol Text from Studio René Bieder.
Foundry: Studio René Bieder Design: Atipus Studio
Victor Serif by KOMETA accompanies the photographs taken on a cycling trip with friends in this booklet designed by Familia.
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Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
Foundry: 205 TF Design: Address Arts
Last year, All Caps Type’s Rhetorik serif was featured in Apartamento’s annual cookbook edition #8, which gathers recipes based on tubers in a playful tone.
Foundry: AllCaps Design: Apartamento
Studio Sly used Modern Era Mono to make Falso Melbourne stand out among all the other real estate agencies.
Foundry: Family Type Design: Studio Sly
As a collectible object decorating a space, Christopher Doyle & Co. used Moulin for its unique and attractive features, along with Scto Grotesk, to achieve the elegance and sophistication that the interior design brand, Tom Mark Henry, aimed to convey with its new identity.
Foundry: Commercial Type, Schick Toikka Design: Christopher Doyle & Co.
Diatype Rounded from ABC Dinamo is used in Healthy Boy Band, a cultural magazine that is a tribute to graphic design
Foundry: ABC Dinamo Design: Ortner etc.
GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black
Foundries: Grilli Type, ABC Dinamo Design: Ania et Lucie
Rhymes by Maxitype in the 2017 campaign for the NBA Finals “They Talk We Play”. Design by Hort and Tim+Tim.
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SOCIO Design used Untitled Sans from Klim Type Foundry and Gestura from Socio Type Foundry to complement the visual identity of AATHER’s high-quality candles.
Foundry: Klim Type Foundry, SOCIO Type Foundry Design: Socio Design
Typeset in Rhymes by Maxitype in the book of photographer Werner Amann capturing the nightlife rave scene of the early 1990s. Design by Lamm & Kirch with Caspar Reuss
Foundry: Maxitype Design: Lamm & Kirch / Caspar Reuss
LL Catalogue by Lineto at the Grand Prix suisse d’art/Prix Meret Oppenheim, a event recognizing cultural creators in Switzerland.
Foundry: Lineto Design: Adeline Mollard
Hal Colant 2.0 (coming soon) on the website with a mirror effect for Am Seegarten, a temporary exhibition in Kirchmöser, Germany.
Foundry: Hal Typefaces Design: Studio Hanli
Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.
Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.
Foundry: Wise Type Design: Mount Agency
HAL Timezone by Hal Typefaces in the typographic selection used for the book Pocket Call by Paul Spengemann, designed by Hanzer Liccini.
Foundry: Hal Typefaces Design: Hanzer Liccini
Arizona Flare by Dinamo in the identity of Guild, a new corporate that serves as a bridge between education and employment.
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Rhetorik by All Caps in the issue n.27 of Swiss magazine Zweikommasieben
Design: Dorothee Dähler Foundry: All Caps
Olssøn Barbieri used Cheltenham by Bitstream and Ostia Antica by Bureau Brut in its identity for urban cheese factory Stavanger Ysteri in Norway.
Foundry: Bitstream Design: Olssøn Barbieri
Murs à fleurs identity reunites two generations of type designers by using Trabis and Francesco fonts, designed by student and teacher.
Fonts: Francesco, Trabis Design: Maison Solide
Gill Sans Ultra Bold Condensed as a contrast to heavy serif wordmark for giant sandwich shop. By TRiC Studio
Type Designer: Eric Gill Design: Tric Studio
For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.
Foundry: Commercial Type Type designer: Miguel Reyes Design: Elizabeth Goodspeed
Tiempos by Klim Type Foundry, the world’s first range of natural products for drug-tested athletes, Puresport. Designed by Field of Play.
Foundries: https://klim.co.nz/ Design: https://fieldofplay.studio/
Global rebranding for Théâtre national de la Danse, by Zoo Designers Graphiques, using Lineto’s Supreme Display.
Foundry: Lineto Design: Zoo Designers Graphiques
Mesobis, a cannabis-loving creatives community using Right Grotesk by Pangram Pangram.
Foundry: Pangram Pangram Design: Andrés Higueros
Agipo, Futura and Bradford in the new brand platform designed by Wedge for famous Canadian store, Indigo.
Foundries: Radim Pesko, Paul Renner, Lineto Design: Wedge
HC Grotesk as a customized version of RT Alias Grotesk for THC NYC cannabis experience.
Foundry Razzia Type, Design Base
Dinamo’s Favorit announcing CDG showcase at Berlin.
Foundry Dinamo, Design Flavious Augustin.
