Simple and dynamic, these explorations by Paula de Álvaro use brand elements and basic information to present the Pull&Bear London AW 2023 collection.
Design: Paula de Álvaro
Trekking Sans is a lowercase typeface designed by Bureau Bernklau, for the research project Cultural Turn in Swiss Graphic Design (1980–2020).
Type Design: Bureau Bernklau Design: Frederik Mahler-Andersen, Clio Ha
SOCIO Design used Untitled Sans from Klim Type Foundry and Gestura from Socio Type Foundry to complement the visual identity of AATHER’s high-quality candles.
Foundry: Klim Type Foundry, SOCIO Type Foundry Design: Socio Design
ABC Dinamo and Comission Studio collaborated to develop Rimowa’s custom typeface, building upon Bureau Borsche’s logo for the high-end luggage brand.
Foundry: ABC Dinamo Design: Commission Studio
Editorial New, ITC Franklin Gothic, and Antique No.6 were brought together by The Office of Ordinary Things to create contemporary compositions in the identity of Mad, a agriculture organization.
Foundry: Pangram Pangram, ITC, Commercial Type Design: The Office of Ordinary Things
Julien Hébert and Principal Studio collaborated to craft a bespoke friendly typeface for The Gund, academic art museum. Caslon Ionic by Commercial Type as the complementary font.
Type Designer: Julien Hébert Design: Principal Studio Foundry: Commercial Type
Pastiche Grotesque by Order Type Foundry was customized by Benjamin Tuttle to become the bespoke typeface for the First Choice brand, a new generation of travel lovers. Design by Ragged Edge.
Foundry: Order Type Foundry Design: Ragged Edge
Typeset in Rhymes by Maxitype in the book of photographer Werner Amann capturing the nightlife rave scene of the early 1990s. Design by Lamm & Kirch with Caspar Reuss
Foundry: Maxitype Design: Lamm & Kirch / Caspar Reuss
Giacomo Bastianelli designed in AL Linea by Alex Lescieux, the posters that showcase the outcomes of the workshop week at ECAL for first and second-year Master Photography students.
Type Designer: Alex Lescieux Design: Giacomo Bastianelli
Rafael Ribas & Zoo designers graphiques teamed up to design a heavy and solid wordmark for Respect magazine.
Foundry: Rafael Ribas Design: Zoo designers graphiques
Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.
Neue Haas Grotesk, available at Commercial Type, in the identity of (484) Creative Production House. Design by Studio Abraham.
Foundry: Commercial Type Design: Studio Abraham
Gerstner-Programm by Forgotten Shapes on the website for Mirage, a sculpture made by artist Katie Paterson and architectural studio Zeller & Moye for Apple Park.
Foundry: Gerstner-Programm Web Design: Rafa Cobiella UX: Seriousandly
Basile Fournier worked on the identity for Zien, a Web3 platform for contemporary art. The fonts chosen were Unica 77 by Lineto and JHA Times Now by Jan-Hendrik Arnold.
Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.
Modern Gothic by AllCaps in the identity of Pascal Hien, a studio that offers expertise within the field of industrial, exhibition and conceptual design.
Foundry: AllCaps Design: Autostrada Studio
A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.
Studio: Hugo Blanzat
For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.
Foundry: Schick Toikka
Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.
Foundry: Schick Toikka Design: Alex Hunting
Hiro builds developer tools that bring Web3 to Bitcoin. In its identity, Porto Rocha chose several fonts from the Aeonik family – Mono, Fono, and Bold –
Foundry: Cotype Foundry Design: Porto Rocha
Studio Bruch, with a custom made lettering and type design, developed the identity of the 1951 established carpentry company, Hea.
Type Design: Studio Bruch Type Studio: Hungarumlaut
A gritty and beautiful array of Kern’s favorite unpublished photographs, using AP Grotesk by All Purpose Fonts in its editorial design.
Foundry: All Purpose Fonts Design: Friend Editions, Oliver Shaw
An Iranian graphic design exhibition uses Selecta from Maxitype for its visual identity.
Get Selecta
A winning combination of fonts from ABC Dinamo, Walter Neue and Simon Mono for Satisfy Running x Oakley.
Foundry: Dinamo Design: Actual Source
Omnigroup and Dávid Molnár teamed up in the creation of a custom serif typeface for Swiss literature foundation Jan Michalski.
Foundry: Omnigroup Type Designer: Dávid Molnár
A series of posters by different designers showcasing the versatility of DelCentro, a typeface by Israel Hernández.
Type Designer: Israel Hernández
Magister from Omni Type, in the latest Covers of the issue Sali e Tabacchi. Designed by Leonardo Pellegrino.
Foundry: Omni Type Design: Leonardo Pellegrino
Square or rounded? Maybe both. Apparat is a typeface with an interesting interplay between its shapes and counters, inspired by the fonts of 1970s television.
Type Designers: Michael Clasen, Marcel Saidov Foundry: Kimera
Jeremy Matthews designed the identity for the furniture, lighting and object design studio Refractory, using Founders Grotesk by Klim Type Foundry.
Foundry: Klim Type Foundry Design: Jeremy Matthews
A Spy Among Friends poster using Microscopic and Popular typefaces by A2-TYPE. Design by Matt Willey.
Foundry: A2-TYPE Design: Matt Willey
Locals, a cozy coffeeshop located in Amsterdam, using System Blank by Frost Type.
Foundry: Frost Type
Mesobis, a cannabis-loving creatives community using Right Grotesk by Pangram Pangram.
Foundry: Pangram Pangram Design: Andrés Higueros
For Terravinyada, Atipus created a logo using Reckless by Displaay Type Foundry.
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Dinamo’s Favorit announcing CDG showcase at Berlin.
Foundry Dinamo, Design Flavious Augustin.
