With dots inviting the creation of interconnected forms, the design by Atelier Tout va bien features Baste in The MV Festival 2024.
Foundry: Image Format for Lift Type Design: Atelier Tout va bien
Elephant magazine showcases the rustic and imperfect details of the ZG Elephant typeface through these graphic spreads. Type and editorial design by Zak Group.
Foundry & Design: Zak Group
Win on Air is the name of the new Nike Air identity, where David Gobber and Hoang Nguyen were part of this project, designing the typography used in the logo, which is a custom version of Generation Mono, another typeface of their own creation.
Foundry: Nguyen Gobber Design: Nike Design Team
A simple and powerful label for a wine made to celebrate. Principi Studi used FK Screamer for the logo and GT Alpina for the complementary typography.
Foundry: Florian Karsten, Grilli Type Design: Principi Studi
Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.
Foundry: Nguyen Gobber, Dinamo Typefaces Design: Toykyo
Helping to create a bold and inclusive visual identity, Quentin Coulombier’s Buzz and the well-known Cooper were selected by Underline Studio to represent the Canadian Film Centre (CFC)
Type Designer: Quentin Coulombier Graphic Design: Underline Studio
Vibrant and loud, just like the conversations after an excellent dinner in Italy, that’s how Grand Bacàn Sans is, a custom typeface created by Pentagram for the Italian restaurant in Brooklyn; Bacàn
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Just like its proposal, OAD (Open Architecture Design) has a strong and impactful lettering as a logo, complemented by Neue Haas Grotesk in its regular weight.
Foundry: Commercial Type Design: Asketic
For a constantly moving entity like the PAC (Performing Arts Centre), Porto Rocha, together with AllCaps, created this strong and timeless typography as part of its new visual identity.
Foundry: Porto Rocha, All Caps Design: Porto Rocha
Trekking Sans is a lowercase typeface designed by Bureau Bernklau, for the research project Cultural Turn in Swiss Graphic Design (1980–2020).
Type Design: Bureau Bernklau Design: Frederik Mahler-Andersen, Clio Ha
The foundry From A+, built a wordmark, an alternate script version, and two monograms based on art deco letterforms, for the seafood Californian tavern, Bar Le Côte.
Foundry: A+
Rafael Ribas & Zoo designers graphiques teamed up to design a heavy and solid wordmark for Respect magazine.
Foundry: Rafael Ribas Design: Zoo designers graphiques
Experimentation and creativity in this unselected proposal for JoJo logotype, a London-based design practice.
Foundry: Corbin Mahieu Design: Corbin Mahieu
Contrasting an organic-shaped logo within a structured layout, Principal Studio was responsible for creating the 7th campaign for The International Garden Festival.
Design: Principal Studio
A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.
Studio: Hugo Blanzat
The identity of Ro Bags, featuring a custom logo by Laura Csocsán and Karl Mono from Source Type.
Logo design: Laura Csocsán Foundry: Source Type
Custom logo + Futura Extra Bold Condensed in the design and strategy commission entrusted to Aranda Agency by furniture editor BEC1972.
Design: Aranda Agency
An autumn break party of students at KABK, using Margiel in their posters, a geometrical display font by Warsaw Types.
Foundry: Warsaw Types Design: Daniel Gremme
Codea Studio in the creation of a bespoke, expressive typography for the restaurant located in Girona, Mas Sorrer.
More of Codea Studio
Keeps Sans is a bespoke display typeface Parker Studio designed as part of the visual identity of Keeps, sustainable furniture.
More of Parker Studio
Schick Toikka’s Krana Fat for nostalgic, cartoon-inspired chips brand, Miett.
Foundry: Schick Toikka Design: Deux Huit Huit
