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An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

Foundry: Lineto, Displaay Foundry Design: Porto Rocha

Get LL Ruder Plakat

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

Foundry: Kimera Corp Design: newkid

Get the fonts

Suisse Int’l Condensed used for this strong and dramatic identity for the Teatro Stabile dell’Umbria. Designed by Due Studio.

Foundry: Swiss Typefaces Design: Due Studio

Get Suisse Int’l Condensed

Sans | Condensed | Grotesk | Free trial

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

Foundry: Dum Dum Studio Design: Chejo Studio

Get Serial A

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

Foundry: Commercial Type Design: Principal Studio

Get Review Condensed

How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.

Foundry: MCKL Type Foundry Design: Order

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A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.

Foundry: Or Type Design: Olsson Barbieri

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EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.

Foundry: ABC Dinamo Design: EY Doberman

Get Ginto

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Type Designer: Elliot Grunewald Design: Other Office

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Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

Foundry: Kimera Corp Design: Raw Materials, Service Plan

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Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

Foundry: Frere-Jones Design: Gretel NY

Get Frere-Jones fonts

Sans | Bold | Condensed | Branding

GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black

Foundries: Grilli Type, ABC Dinamo Design: Ania et Lucie

Get GT Alpina

Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.

Get Farmacia

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Foundry: Cofo Cinema Design: Nikita Sapozhkov

Get Cofo Cinema 1909

Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne

Design: Cori Corinne Foundry: Letters From Sweden

Get Ivar Display

Serif | Display | Condensed | Free trial

For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.

Foundry: Commercial Type Type designer: Miguel Reyes Design: Elizabeth Goodspeed

Get Ayer

Display | Condensed | Italic | Free trial

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An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

Suisse Int’l Condensed used for this strong and dramatic identity for the Teatro Stabile dell’Umbria. Designed by Due Studio.

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.

A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.

EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black

Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne

For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.

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All your favorite fonts, gathered here, no matter the foundry.

Thank you!

Now you have your own profile. Enjoy it!

TH®

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An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

Suisse Int’l Condensed used for this strong and dramatic identity for the Teatro Stabile dell’Umbria. Designed by Due Studio.

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.

A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.

EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black

Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne

For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.

Filters