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The identity that Pentagram created for the Williamstown Festival transforms the stage into a dynamic graphic system. A custom logo is complemented by Times New Roman and Review from Commercial Type.

Foundry: Monotype, Commercial Type

Design: Pentagram

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Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.

Foundry: Colophon Foundry, House Industries

Design: Perky Bros

Get Lydia

BonTemps studio designed the identity for Olympic Crew, combining the custom logotype and the iconic OC symbol to capture collaboration and modernity. They used the Univers Condensed Bold typeface.

Design: BonTemps

Get Univers Condensed Bold

Sans | Bold | Condensed | Grotesk

The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)

Design: Hei Agenda Foundry: Counter Forms, Contrast Foundry, Hal Typefaces

Get Eyja

As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.

Foundry: Eliott Grunewald Design: Jordi Ng, Elana Schlenker

Get Moore

Grilli Type took on this ambitious project and proposed Figma Sans; a typeface with personality but practical, focused on efficiency, and free of unnecessary embellishments.

Foundry: Grilli Type Design: Figma

Learn more

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

Foundry: Abyme Design: Quentin

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A jewelry brand that saves us from monotony and invites us to live creatively. Brand identity and art direction by Tino Nyman, featuring the typefaces Onsite, Exposure and GT Pressura.

Foundry: SOCIOTYPE, 205TF, Grilli Type Design: Tino Nyman

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Memory Studio was inspired by vintage elements, like old book covers, and used Aktiv Grotesk to create the identity for this craft brewery.

Foundry: Dalton Maag Design: Memory Studio

Get Aktiv Grotesk

An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.

Foundry: DumDum Studio Design: Distaff Studio

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A simple and powerful label for a wine made to celebrate. Principi Studi used FK Screamer for the logo and GT Alpina for the complementary typography.

Foundry: Florian Karsten, Grilli Type Design: Principi Studi

Get FK Screamer

Sans | Black | Condensed | Grotesk | Free trial

An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

Foundry: Lineto, Displaay Foundry Design: Porto Rocha

Get LL Ruder Plakat

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

Foundry: Kimera Corp Design: newkid

Get the fonts

Suisse Int’l Condensed used for this strong and dramatic identity for the Teatro Stabile dell’Umbria. Designed by Due Studio.

Foundry: Swiss Typefaces Design: Due Studio

Get Suisse Int’l Condensed

Sans | Condensed | Grotesk | Free trial

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

Foundry: Dum Dum Studio Design: Chejo Studio

Get Serial A

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

Foundry: Commercial Type Design: Principal Studio

Get Review Condensed

How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.

Foundry: MCKL Type Foundry Design: Order

Learn More

A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.

Foundry: Or Type Design: Olsson Barbieri

Get Or Lemmen

EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.

Foundry: ABC Dinamo Design: EY Doberman

Get Ginto

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Type Designer: Elliot Grunewald Design: Other Office

Get Marfield

Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

Foundry: Kimera Corp Design: Raw Materials, Service Plan

Get Waldenburg

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

Foundry: Frere-Jones Design: Gretel NY

Get Frere-Jones fonts

Sans | Bold | Condensed | Branding

GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black

Foundries: Grilli Type, ABC Dinamo Design: Ania et Lucie

Get GT Alpina

Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.

Get Farmacia

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Foundry: Cofo Cinema Design: Nikita Sapozhkov

Get Cofo Cinema 1909

Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne

Design: Cori Corinne Foundry: Letters From Sweden

Get Ivar Display

Serif | Display | Condensed | Free trial

For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.

Foundry: Commercial Type Type designer: Miguel Reyes Design: Elizabeth Goodspeed

Get Ayer

Display | Condensed | Italic | Free trial

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The identity that Pentagram created for the Williamstown Festival transforms the stage into a dynamic graphic system. A custom logo is complemented by Times New Roman and Review from Commercial Type.

Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.

BonTemps studio designed the identity for Olympic Crew, combining the custom logotype and the iconic OC symbol to capture collaboration and modernity. They used the Univers Condensed Bold typeface.

The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)

As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.

Grilli Type took on this ambitious project and proposed Figma Sans; a typeface with personality but practical, focused on efficiency, and free of unnecessary embellishments.

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

A jewelry brand that saves us from monotony and invites us to live creatively. Brand identity and art direction by Tino Nyman, featuring the typefaces Onsite, Exposure and GT Pressura.

Memory Studio was inspired by vintage elements, like old book covers, and used Aktiv Grotesk to create the identity for this craft brewery.

An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.

A simple and powerful label for a wine made to celebrate. Principi Studi used FK Screamer for the logo and GT Alpina for the complementary typography.

An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

Suisse Int’l Condensed used for this strong and dramatic identity for the Teatro Stabile dell’Umbria. Designed by Due Studio.

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.

A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.

EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black

Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne

For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.

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All your favorite fonts, gathered here, no matter the foundry.

Thank you!

Now you have your own profile. Enjoy it!

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The identity that Pentagram created for the Williamstown Festival transforms the stage into a dynamic graphic system. A custom logo is complemented by Times New Roman and Review from Commercial Type.

Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.

BonTemps studio designed the identity for Olympic Crew, combining the custom logotype and the iconic OC symbol to capture collaboration and modernity. They used the Univers Condensed Bold typeface.

The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)

As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.

Grilli Type took on this ambitious project and proposed Figma Sans; a typeface with personality but practical, focused on efficiency, and free of unnecessary embellishments.

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

A jewelry brand that saves us from monotony and invites us to live creatively. Brand identity and art direction by Tino Nyman, featuring the typefaces Onsite, Exposure and GT Pressura.

Memory Studio was inspired by vintage elements, like old book covers, and used Aktiv Grotesk to create the identity for this craft brewery.

An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.

A simple and powerful label for a wine made to celebrate. Principi Studi used FK Screamer for the logo and GT Alpina for the complementary typography.

An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

Suisse Int’l Condensed used for this strong and dramatic identity for the Teatro Stabile dell’Umbria. Designed by Due Studio.

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project

How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.

A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.

EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black

Some Days proposed a combination of the Farmacia and Kommuna typefaces for the new scents brand, Ourside.

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Ivar Display Condensed and Neue Haas Grotesk used in the web portfolio of designer Cori Corinne

For Inka.world, Ayer deck by Miguel Reyes, part of Commercial Type’s catalog. Elizabeth Goodspeed behind the design.

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