Search

Filters

Warning: getimagesize(): Filename cannot be empty in /home/u104262240/domains/typehelper.com/public_html/wp-content/themes/typehelper/page-search.php on line 250

The first store to bring natural wine to the UK, Ancestral Wines, features an identity inspired by the winemaking process and a logo shaped like a grape cluster.https://www.instagram.com/p/DBItEH2i5wr/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==The first store to bring natural wine to the UK, Ancestral Wines, features an identity inspired by the winemaking process and a logo shaped like a grape cluster.

Foundry: Approximate Type Design: All Purpose Studio

Approximate Type catalogue

Display | Bold | Decorative

Warning: getimagesize(): Filename cannot be empty in /home/u104262240/domains/typehelper.com/public_html/wp-content/themes/typehelper/page-search.php on line 250

BonTemps studio designed the identity for Olympic Crew, combining the custom logotype and the iconic OC symbol to capture collaboration and modernity. They used the Univers Condensed Bold typeface.

Design: BonTemps

Get Univers Condensed Bold

Sans | Bold | Condensed | Grotesk

As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.

Foundry: Eliott Grunewald Design: Jordi Ng, Elana Schlenker

Get Moore

Justin Sloane used this interesting mix of Gothic letters (Castilla by Sharptype) and sans serif (Octave by Josh Finklea) for a vinyl cover.

Foundry: Sharp Type, Josh Finklea Design: Justin Sloane

Learn more

Display | Bold | Blackletter | Decorative

This series of keychains, the result of Pauline Esguerra’s exploration with laser cutting, uses, among other typefaces, Eurocat by Maxitype.

Foundry: Maxitype Design: Pauline Esguerra

Get Eurocat

Decade created this visual identity to position an innovative lab-grown diamond brand, proposing a custom flare logo designed by Colophon Foundry.

Foundry: Colophon Foundry Design: Decade

Learn more

Flare | Bold | Geometric | Low contrast | Branding

Frere-Jones was tasked with redesigning the New York City Football Club badge, and carefully adjusting each character to fit the circular arc of the badge.

Type Design: Tobias Frere-Jones, Nina Stössinger Design: Gretel

Serif | Sans | Bold | Branding

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

Foundry: Abyme Design: Quentin

Get Axo

The Robert Johnson Club kicks off the 2024 season with these posters designed by Dominik Keller Studio. Typography used is Cosplay.

Foundry: Out of the Dark Design: Dominik Keller Studio

Get Cosplay

Display | Bold | Geometric | Decorative

An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.

Foundry: DumDum Studio Design: Distaff Studio

Get Serial A

An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

Foundry: Lineto, Displaay Foundry Design: Porto Rocha

Get LL Ruder Plakat

The Swiss graphic design studio Dual Room renewed the image of the Maison Saint-Gervais theater, using KTF Rublena Black.

Foundry: Kyiv Type Foundry Design: Dual Room

Get Rublena Black

Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.

Type and Design: Andrés Higueros

Learn more

Display | Bold | Grotesk | Decorative | Branding

Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.

Foundry: 205 TF Design: Address Arts

Get Exposure

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

Foundry: Dum Dum Studio Design: Chejo Studio

Get Serial A

WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.

Foundry: RongyinotRongyi, ECAL Master Type Design: ECAL Photography

Learn More

Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.

Foundry: Bretagne Type Foundry, Pangram Pangram Design: Tiquismiquis

Get Cucina

In this book that compiles the lesbian legacy in Quebec, we find Gerstner-Programm FSL as the main typeface, along with “handwritten” numbers using Sebastian Bobby. Designed by Harrison Fun Studio.

Foundry: Forgotten Shapes, Set Sail Studios Design: Harrison Fun Studio

Get Gerstner-Programm FSL

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Type Designer: Elliot Grunewald Design: Other Office

Get Marfield

Within the vast diversity of ideas in this application, the Pinterest design team, along with Kurppa Hosk, uses the neutrality of Neue Haas Grotesk to continue inspiring all kinds of minds.

Foundry: Linotype Design: Kurppa Hosk

Get Neue Haas Grotesk

Sans | Bold | Standard | Grotesk

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

Foundry: Frere-Jones Design: Gretel NY

Get Frere-Jones fonts

Sans | Bold | Condensed | Branding

Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.

Design: Tric Studio

More about the project

Display | Bold | Decorative | Stencil | Branding

The New York Times Magazine team, with a typographic cover displaying NYTM Slab, a custom font developed by A2 Type.

Foundry: A2 Type Design: NYT Magazine

A2 Type's Catalogue

Slab | Bold

For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.

Foundry: Schick Toikka

More fonts by Schick Toikka

Sans | Bold | Grotesk | Decorative

With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.

Foundry: Eliott Grunewald Design: Monozygote

Get Herbus

Images copyright to their respective owners. This site was made with Suisse Int’l Light from Swiss Typefaces.

All your favorite fonts, gathered here, no matter the foundry.

Thank you!

Now you have your own profile. Enjoy it!

TH®

Filters

BonTemps studio designed the identity for Olympic Crew, combining the custom logotype and the iconic OC symbol to capture collaboration and modernity. They used the Univers Condensed Bold typeface.

As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.

Justin Sloane used this interesting mix of Gothic letters (Castilla by Sharptype) and sans serif (Octave by Josh Finklea) for a vinyl cover.

This series of keychains, the result of Pauline Esguerra’s exploration with laser cutting, uses, among other typefaces, Eurocat by Maxitype.

Decade created this visual identity to position an innovative lab-grown diamond brand, proposing a custom flare logo designed by Colophon Foundry.

Frere-Jones was tasked with redesigning the New York City Football Club badge, and carefully adjusting each character to fit the circular arc of the badge.

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

The Robert Johnson Club kicks off the 2024 season with these posters designed by Dominik Keller Studio. Typography used is Cosplay.

An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.

An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.

The Swiss graphic design studio Dual Room renewed the image of the Maison Saint-Gervais theater, using KTF Rublena Black.

Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.

Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.

Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.

In this book that compiles the lesbian legacy in Quebec, we find Gerstner-Programm FSL as the main typeface, along with “handwritten” numbers using Sebastian Bobby. Designed by Harrison Fun Studio.

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Within the vast diversity of ideas in this application, the Pinterest design team, along with Kurppa Hosk, uses the neutrality of Neue Haas Grotesk to continue inspiring all kinds of minds.

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.

The New York Times Magazine team, with a typographic cover displaying NYTM Slab, a custom font developed by A2 Type.

For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.

With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.

Filters