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TH®

Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.

Foundry: 205 TF Design: Address Arts

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Display | Sans | Medium | Bold | Thin | Low contrast | High contrast | Decorative | Italic | Variable font | Free trial

For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.

Foundry: Dum Dum Studio Design: Chejo Studio

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Display | Sans | Bold | Condensed | Low contrast | Free trial

WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.

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Display | Sans | Bold | Geometric | Narrow | Decorative

Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.

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Serif | Slab | Bold | High contrast | Decorative | Free trial

In this book that compiles the lesbian legacy in Quebec, we find Gerstner-Programm FSL as the main typeface, along with “handwritten” numbers using Sebastian Bobby. Designed by Harrison Fun Studio.

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Sans | Bold | Light | Regular | Grotesk | Free trial

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Type Designer: Elliot Grunewald Design: Other Office

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Serif | Display | Bold | Condensed | Didone | High contrast | Decorative | Free trial

Within the vast diversity of ideas in this application, the Pinterest design team, along with Kurppa Hosk, uses the neutrality of Neue Haas Grotesk to continue inspiring all kinds of minds.

Foundry: Linotype Design: Kurppa Hosk

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Sans | Bold | Standard | Grotesk

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

Foundry: Frere-Jones Design: Gretel NY

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Sans | Bold | Condensed | Branding

Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.

Design: Tric Studio

More about the project

Display | Bold | Decorative | Stencil | Branding

The New York Times Magazine team, with a typographic cover displaying NYTM Slab, a custom font developed by A2 Type.

Foundry: A2 Type Design: NYT Magazine

A2 Type's Catalogue

Slab | Bold

For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.

Foundry: Schick Toikka

More fonts by Schick Toikka

Sans | Bold | Grotesk | Decorative

With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.

Foundry: Eliott Grunewald Design: Monozygote

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Serif | Display | Sans | Bold | Regular | Geometric | Free trial