Paper made with clean materials; this was the twist COLLINS gave to this Canadian company, transforming it into Sustana. Custom typography by Sharp Type.
Foundry: Sharp Type Design: COLLINS
Leonard Joel, one of Australia’s top auction houses, refreshed its identity with Studio Doherty. The concept “Everything old is new again” blends heritage and modernity.
Foundry: Margot Lévêque Type Foundry, ABC Dinamo Design: M. Giesser
Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.
Foundry: Scott Vander Zee, Google Fonts Design: Tux
Win on Air is the name of the new Nike Air identity, where David Gobber and Hoang Nguyen were part of this project, designing the typography used in the logo, which is a custom version of Generation Mono, another typeface of their own creation.
Foundry: Nguyen Gobber Design: Nike Design Team
Moser Crystal launched an autumn collection, and Studio Marvil designed its image using the Atlantic typeface from Heavyweight.
Foundry: Heavyweight Design: Studio Marvil
Tartuffo by Bouk Ra for Lift Type in the identity created by Fila Korea for the 2024 White Open Seoul; a tennis open where everyone can participate.
Foundry: Lift Type, Bouk Ra Design: Fila Korea
In this website with two main columns constantly changing size, Atipus Studio used RB Kreol Text from Studio René Bieder.
Foundry: Studio René Bieder Design: Atipus Studio
Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
Foundry: 205 TF Design: Address Arts
Bazaine and the Path of Ideas
Type Designers: Matthew Fenton, Haakon Spencer, Jack Niblett
Mastering: Christoph Koeberlin
Foundry: British Standard Type
Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.
Foundry: Bretagne Type Foundry, Pangram Pangram Design: Tiquismiquis
Studio Cerise, a colorful creative studio from East London, used Swinton by Nouvelle Noir for its logo.
Foundry: Nouvelle Noir Design: Studio Cerise
Estudio República used a single weight of Basel Classic from Optimo Type and Courier Prime as complementary, to achieve a human and elegant identity for Rocio Navarro’s brand; RN Arquitectura™.
Foundry: Optimo Type, Google Fonts Design: Estudio República
How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.
Foundry: MCKL Type Foundry Design: Order
Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.
Type Designer: Elliot Grunewald Design: Other Office
GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black
Foundries: Grilli Type, ABC Dinamo Design: Ania et Lucie
Pastiche Grotesque by Order Type Foundry was customized by Benjamin Tuttle to become the bespoke typeface for the First Choice brand, a new generation of travel lovers. Design by Ragged Edge.
Foundry: Order Type Foundry Design: Ragged Edge
Atlantic by Heavyweight in “De Chlore et de Rosé”, photographer Christopher Barraja first book.
Foundry: Heavyweight Design: Bastien Forato
Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.
Type design and identity: Naranjo Etxeberria
