BonTemps studio designed the identity for Olympic Crew, combining the custom logotype and the iconic OC symbol to capture collaboration and modernity. They used the Univers Condensed Bold typeface.
At the world’s largest sporting event, Nike embraced a modern, dynamic, and fluid typeface. In collaboration with Pizza Typefaces, they created the Nike Olympics fonts, a typeface inspired by twisting motion.
A classic typeface that reinvents itself by being interactive; Bonjour Garçon used Neue Haas Unica W1G Black, applying a negative effect in the web redesign they created for the art agency Pedro Booking.
Elephant magazine showcases the rustic and imperfect details of the ZG Elephant typeface through these graphic spreads. Type and editorial design by Zak Group.
As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.
A geometric typeface with humanist features, crafted by Spassky Fischer, for the new identity of Études.
Casa Bien used Neue Montreal by Pangram Pangram and Items by Schick Toikka to build the visual identity for LOV Ferments, a brand set to change the beverage market.
Three typefaces come together in this warm visual identity for an art exhibition in Paris: Minotaur by Production Type, Diatype by Dinamo, and Feature Deck by Commercial Type.
Grilli Type took on this ambitious project and proposed Figma Sans; a typeface with personality but practical, focused on efficiency, and free of unnecessary embellishments.
Frere-Jones was tasked with redesigning the New York City Football Club badge, and carefully adjusting each character to fit the circular arc of the badge.
