A simple and powerful label for a wine made to celebrate. Principi Studi used FK Screamer for the logo and GT Alpina for the complementary typography.
Architecture and how it becomes part of our everyday landscape. For Not Found, Mike Tully proposes an editorial design that plays with the visibility of certain elements using transparent varnish.
Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.
I said, ‘Auf Wiedersehen’ (I said ‘Goodbye’) displays the letters exchanged by five families separated during World War II, hoping to reunite one day. The texts are set in Repost, with supplementary texts in HAL Four Grotesk.
Maximage designed this book with great attention to detail. A custom version of Selecta developed by Maxitype.
An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.
After designing the logo as part of the rebranding for the clothing brand Next, Frost was commissioned again by Six to create an entire typeface based on it.
República Studio used Review from Commercial Type for this visual identity, aiming to communicate directly and consistently, while leaving the spotlight to the displayed photographs.
The Swiss graphic design studio Dual Room renewed the image of the Maison Saint-Gervais theater, using KTF Rublena Black.
Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.
