This custom typeface was part of the identity design that Bureau Bernklau created for the production company BWGTBLD—extended and bold, just like its cinematic vision.
Seoul-based studio FWB designed a custom logotype for Motley Stuff, inspired by objects like keys, keyholes, and handles, supporting the brand’s expansion into fabric and knitting products.
New visual identity for Théâtre de l’Odéon, designed by Atelier Choque Le Goff, featuring the large-scale Insitu typeface by Formagari.
In Arte Tracks and Arte Tracks East, typography breaks into lines and reconfigures into ever-evolving graphics. Logotype, visual identity, and generic system by H5paris.
Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.
Buenaventura designed IOC, a typeface that becomes the visual signature of Islands of Cocoplum, blending tradition, luxury, and modernity.
Ottimo celebrates the tradition of olive oil with an identity designed by Somekind Studio, the brand takes shape with Edition by Elias Hanzer, a monolinear typeface that brings a timeless feel.
Designed by Copyright/Reserved, this special publication by @extensive.publishing and @greedydust features Cortese and Cortese Sans by Mark van Leeuwen.
Storefronts have served as stages for performances, for experimentation, and part of the art itself. Fresh Window at Museum Tinguely explores this connection with an identity using Stabilo Boss.
EXTRALESS, a Japanese clothing brand reflected its ethos in a custom typeface by British Standard Type embodying simplicity and shared humanity.
