Flyer explorations by Bijan Herami, featuring lettering by his mother, Hobo, and a condensed version of Cooper Black, for Rahill Jamalifard’s show.
This custom typeface was part of the identity design that Bureau Bernklau created for the production company BWGTBLD—extended and bold, just like its cinematic vision.
Seoul-based studio FWB designed a custom logotype for Motley Stuff, inspired by objects like keys, keyholes, and handles, supporting the brand’s expansion into fabric and knitting products.
FROST and Dunhill collaborated on the creation of Dunhill Gothic, a typeface that transforms their hand-drawn calligraphy into a refined and bespoke typographic system.
In Arte Tracks and Arte Tracks East, typography breaks into lines and reconfigures into ever-evolving graphics. Logotype, visual identity, and generic system by H5paris.
ERLY reinvents skincare with a fresh, typographic identity. Herbus Regular & Title Type, in the design by Studio Lotta Nieminen.
Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.
Animo Typeface by Heavyweight shapes the identity of Grande Paolo, a pop-up sports bar in Prague for the Euro Championship.
Designed by Copyright/Reserved, this special publication by @extensive.publishing and @greedydust features Cortese and Cortese Sans by Mark van Leeuwen.
Storefronts have served as stages for performances, for experimentation, and part of the art itself. Fresh Window at Museum Tinguely explores this connection with an identity using Stabilo Boss.
