República Studio used Review from Commercial Type for this visual identity, aiming to communicate directly and consistently, while leaving the spotlight to the displayed photographs.
A festival that explores visual creativity to the point of blurring the lines between illustration and graphics; Miroslav Zhivkov created the identity of FIG (Festival for Illustration and Graphics) using Harber.
Tartuffo by Bouk Ra for Lift Type in the identity created by Fila Korea for the 2024 White Open Seoul; a tennis open where everyone can participate.
M. Geisser used HAL Colant from HAL Typefaces and ROM from Dinamo for the poster and invitation for the Walter Walter Longevity exhibition.
Newsreader by Production Type on the cover of this book addresses collaborations and how to coexist with other ideas.
In this website with two main columns constantly changing size, Atipus Studio used RB Kreol Text from Studio René Bieder.
Victor Serif by KOMETA accompanies the photographs taken on a cycling trip with friends in this booklet designed by Familia.
Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
Last year, All Caps Type’s Rhetorik serif was featured in Apartamento’s annual cookbook edition #8, which gathers recipes based on tubers in a playful tone.
Studio Sly used Modern Era Mono to make Falso Melbourne stand out among all the other real estate agencies.
