Flyer explorations by Bijan Herami, featuring lettering by his mother, Hobo, and a condensed version of Cooper Black, for Rahill Jamalifard’s show.
This custom typeface was part of the identity design that Bureau Bernklau created for the production company BWGTBLD—extended and bold, just like its cinematic vision.
Seoul-based studio FWB designed a custom logotype for Motley Stuff, inspired by objects like keys, keyholes, and handles, supporting the brand’s expansion into fabric and knitting products.
FROST and Dunhill collaborated on the creation of Dunhill Gothic, a typeface that transforms their hand-drawn calligraphy into a refined and bespoke typographic system.
New visual identity for Théâtre de l’Odéon, designed by Atelier Choque Le Goff, featuring the large-scale Insitu typeface by Formagari.
In Arte Tracks and Arte Tracks East, typography breaks into lines and reconfigures into ever-evolving graphics. Logotype, visual identity, and generic system by H5paris.
NASK Studio chose Clarendon Graphic Light by Optimo Foundry to shape a refined typographic system that frames the photographic content of JB Books & Projects.
ERLY reinvents skincare with a fresh, typographic identity. Herbus Regular & Title Type, in the design by Studio Lotta Nieminen.
The identity that Pentagram created for the Williamstown Festival transforms the stage into a dynamic graphic system. A custom logo is complemented by Times New Roman and Review from Commercial Type.
Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.
