The New York Times Magazine team, with a typographic cover displaying NYTM Slab, a custom font developed by A2 Type.
A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.
For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.
Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.
Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.
Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.
A new identity system for the Utah Jazz developed by The New Company, using a custom version of the Plaak typeface from the 205tf french foundry.
Hiro builds developer tools that bring Web3 to Bitcoin. In its identity, Porto Rocha chose several fonts from the Aeonik family – Mono, Fono, and Bold –
HAL Timezone by Hal Typefaces in the typographic selection used for the book Pocket Call by Paul Spengemann, designed by Hanzer Liccini.
TWK Burns (WIP) by Nolan Paparelli and Alberto Malossi for the identity of Polpo World, a design object entirely made with recycled plastic.
