From Mexican cantinas and their traditional signage, Socker Studio drew inspiration to design the identity, interiors, and typography for the seafood restaurant Con Vista al Mar.
Maison Standard used Azeret from Displaay Typefaces for the identity of this exhibition at the National Library of Switzerland, which explains the impact of snow on our society.
Regrets Only created a visual identity just like Potluck works; bringing together various elements to create something from scratch. Oracle is used as the primary typeface and Source Han Sans as the secondary.
How should an album cover NOT look? Special Offer and Charli XCX decided to answer this question by stretching the word “brat” in Arial. ROM Mono by Dinamo and Neue Haas Unica by Linotype are used in the interior texts.
Suisse Int’l Condensed used for this strong and dramatic identity for the Teatro Stabile dell’Umbria. Designed by Due Studio.
Parker Studio said goodbye to 2022 with this candle, made in collaboration with Imprimerie du Marais. The packaging uses Chalet Book, along with the first printed use of Parker’s PS Times.
Moser Crystal launched an autumn collection, and Studio Marvil designed its image using the Atlantic typeface from Heavyweight.
Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.
Simple and subtle; Both Studio created a brand identity that aligns with the proposal of Nardel Architects.
Helping to create a bold and inclusive visual identity, Quentin Coulombier’s Buzz and the well-known Cooper were selected by Underline Studio to represent the Canadian Film Centre (CFC)
