Low key Design Company used Boris by Giulia Boggio to complement this identity for a friendly, relaxed, and gentle café, just like a wandering sheep.
Newsreader by Production Type on the cover of this book addresses collaborations and how to coexist with other ideas.
In this website with two main columns constantly changing size, Atipus Studio used RB Kreol Text from Studio René Bieder.
If your job gets complicated, you’re in lockdown, and you love typography, you can always become a type designer with a bit of delusion, passion, and a touch of obsession, just like Giulia.
Seeking to stand out in the market, Gold Font created this custom logo for Apex, a premium tire brand, inspired by ITC typefaces.
Victor Serif by KOMETA accompanies the photographs taken on a cycling trip with friends in this booklet designed by Familia.
Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
In the identity of this major NYT event, two of its typefaces were combined: NYT Franklin representing the business aspect, and NYT Cheltenham representing the newspaper and news.
Lightweight like its structure and organic like its composition, Clase BCN proposes using Futura LT Light for headlines and Helvetica Neue for body text in the narrative of Carta Catifa, a chair made with biodegradable materials.
With the minimal amount of elements, Eric Wrenn designed the logo and visual identity for Bode, a New York-based clothing brand.
