New custom typeface for La Fabra Centre d’Art designed by Fonts From Folch. A design that reflects the institution’s contemporary spirit, with refinements that ensure versatility, precision, and smooth composition.
OTT Harker by Ornamental & Title Type is used in the logo for Cercle Valrose. The design is by Bizzarri-Rodriguez, who also created the typeface. Quadrant by Matter of Sorts is used for the supporting text.
Typographic explorations by ErrorError Studio, using EE Parking®, a typeface they created inspired by stencils found in parking lots.
Different versions of the Waldenburg typeface by Kimera for the new identity of the Théâtre National de Strasbourg.
Flyer explorations by Bijan Herami, featuring lettering by his mother, Hobo, and a condensed version of Cooper Black, for Rahill Jamalifard’s show.
This custom typeface was part of the identity design that Bureau Bernklau created for the production company BWGTBLD—extended and bold, just like its cinematic vision.
Seoul-based studio FWB designed a custom logotype for Motley Stuff, inspired by objects like keys, keyholes, and handles, supporting the brand’s expansion into fabric and knitting products.
NASK Studio chose Clarendon Graphic Light by Optimo Foundry to shape a refined typographic system that frames the photographic content of JB Books & Projects.
ERLY reinvents skincare with a fresh, typographic identity. Herbus Regular & Title Type, in the design by Studio Lotta Nieminen.
The identity that Pentagram created for the Williamstown Festival transforms the stage into a dynamic graphic system. A custom logo is complemented by Times New Roman and Review from Commercial Type.
