Flyer explorations by Bijan Herami, featuring lettering by his mother, Hobo, and a condensed version of Cooper Black, for Rahill Jamalifard’s show.
ERLY reinvents skincare with a fresh, typographic identity. Herbus Regular & Title Type, in the design by Studio Lotta Nieminen.
Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.
Buenaventura designed IOC, a typeface that becomes the visual signature of Islands of Cocoplum, blending tradition, luxury, and modernity.
Storefronts have served as stages for performances, for experimentation, and part of the art itself. Fresh Window at Museum Tinguely explores this connection with an identity using Stabilo Boss.
The first store to bring natural wine to the UK, Ancestral Wines, features an identity inspired by the winemaking process and a logo shaped like a grape cluster.
BonTemps studio designed the identity for Olympic Crew, combining the custom logotype and the iconic OC symbol to capture collaboration and modernity. They used the Univers Condensed Bold typeface.
As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.
Justin Sloane used this interesting mix of Gothic letters (Castilla by Sharptype) and sans serif (Octave by Josh Finklea) for a vinyl cover.
This series of keychains, the result of Pauline Esguerra’s exploration with laser cutting, uses, among other typefaces, Eurocat by Maxitype.
