In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.
The Robert Johnson Club kicks off the 2024 season with these posters designed by Dominik Keller Studio. Typography used is Cosplay.
An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.
An identity that balances between distinctive and sober is composed of a bold uppercase logo, vibrant colors, and two specially customized typefaces; Saans from Displaay Foundry and LL Ruder Plakat from Lineto. Designed by Porto Rocha.
The Swiss graphic design studio Dual Room renewed the image of the Maison Saint-Gervais theater, using KTF Rublena Black.
Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.
Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
For the past 3 years, Chejo and SHDW studios have been sharing lunch, and in this book, they compile the recipes they’ve made. Serial A from DumDum fonts is used as the main typography.
WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.
Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.
