Animo Typeface by Heavyweight shapes the identity of Grande Paolo, a pop-up sports bar in Prague for the Euro Championship.
Buenaventura designed IOC, a typeface that becomes the visual signature of Islands of Cocoplum, blending tradition, luxury, and modernity.
Elisava has a new visual identity inspired by its original logo, and Folch designed Elisava Sans, a variable typeface created to work in any context.
OFFSHORE created these materials using a display typeface with spiral shapes, designed for the public programs of the Harvard Graduate School of Design in 2024.
With dots inviting the creation of interconnected forms, the design by Atelier Tout va bien features Baste in The MV Festival 2024.
As part of Musée d’Orsay’s rebranding, Orsay Elzevir was created—a typeface inspired by La Belle Époque, reflecting the energy of the period the museum celebrates.
The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)
This historic Finnish newspaper refreshed its image with a new logo, using a custom typeface created by Schick Toikka, drawing inspiration from the newspaper’s earlier logos from the 1920s to 1940s.
Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.
On the 100th birthday of artist José Vermeersch, an exhibition was held to celebrate his work, where the Bradford Mono typeface played a crucial role.
