Moser Crystal launched an autumn collection, and Studio Marvil designed its image using the Atlantic typeface from Heavyweight.
Tartuffo by Bouk Ra for Lift Type in the identity created by Fila Korea for the 2024 White Open Seoul; a tennis open where everyone can participate.
In this website with two main columns constantly changing size, Atipus Studio used RB Kreol Text from Studio René Bieder.
Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.
Studio Cerise, a colorful creative studio from East London, used Swinton by Nouvelle Noir for its logo.
Estudio República used a single weight of Basel Classic from Optimo Type and Courier Prime as complementary, to achieve a human and elegant identity for Rocio Navarro’s brand; RN Arquitectura™.
How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.
Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.
