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The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)

Design: Hei Agenda Foundry: Counter Forms, Contrast Foundry, Hal Typefaces

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This historic Finnish newspaper refreshed its image with a new logo, using a custom typeface created by Schick Toikka, drawing inspiration from the newspaper’s earlier logos from the 1920s to 1940s.

Design & Foundry: Schick Toikka

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Serif | Regular | Geometric | Branding | Post

Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.

Foundry: Scott Vander Zee, Google Fonts Design: Tux

Get Nordic Pavilion

On the 100th birthday of artist José Vermeersch, an exhibition was held to celebrate his work, where the Bradford Mono typeface played a crucial role.

Foundry: Lineto Design: Studio Corbin Mahieu

Get Bradford Mono

Monospaced | Serif | Regular | Free trial

I said, ‘Auf Wiedersehen’ (I said ‘Goodbye’) displays the letters exchanged by five families separated during World War II, hoping to reunite one day. The texts are set in Repost, with supplementary texts in HAL Four Grotesk.

Foundry: HAL Typefaces Design: Distaff Studio

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Kinfolk revamped their website with a new custom typeface created by Schick Toikka.

Foundry: Schick Toikka Design: Six, Alex Hunting Studio

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Serif | Regular | Humanist | Branding

Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.

Foundry: Dinamo Design: pfp disseny

Get Helveesti

Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.

Foundry: Out of the Dark, Optimo Design: Lisa Sturacci

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Simple and subtle; Both Studio created a brand identity that aligns with the proposal of Nardel Architects.

Foundry: Velvetyne Design: Both Studio

Get Karrik

Sans | Regular | Standard | Grotesk | Free trial

Low key Design Company used Boris by Giulia Boggio to complement this identity for a friendly, relaxed, and gentle café, just like a wandering sheep.

Foundry: Giulia Boggio, KOMETA Design: low key Design Company

Get Boris

Display | Regular | Monoline | Free trial

In this book that compiles the lesbian legacy in Quebec, we find Gerstner-Programm FSL as the main typeface, along with “handwritten” numbers using Sebastian Bobby. Designed by Harrison Fun Studio.

Foundry: Forgotten Shapes, Set Sail Studios Design: Harrison Fun Studio

Get Gerstner-Programm FSL

A sans and serif custom logo, besides Quadrant Text Mono by Matter of Sorts on the website and identity Querida Studio designed for Laker Studio.

Foundry: Matter of Sons Design: Querida Studio

More of Matter of Sons

Monospaced | Serif | Regular

A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.

Studio: Hugo Blanzat

More of Hugo Blanzat

Sans | Handwritten | Black | Regular | Grotesk

Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.

Foundry: Wise Type Design: Mount Agency

More of Wise Type

Serif | Regular | Italic | Free trial

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Foundry: Cofo Cinema Design: Nikita Sapozhkov

Get Cofo Cinema 1909

Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.

Foundry: Schick Toikka Design: Alex Hunting

Learn more

Sans | Regular | Grotesk | Branding

A bespoke headline typeface designed by Regular Practice for the identity of EAUSO VERT, a sustainable fragrance house.

Design: Regular Practice

More of Regular Practice

Display | Sans | Regular | Geometric

With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.

Foundry: Eliott Grunewald Design: Monozygote

Get Herbus

Geometric and heavy, Skrappa appears as a contrast in the visual identity of Arts Broadcasting Studio at Anteism.

Foundry: Wise Type Design: Juliette Duhé

Get Skrappa

Murs à fleurs identity reunites two generations of type designers by using Trabis and Francesco fonts, designed by student and teacher.

Fonts: Francesco, Trabis Design: Maison Solide

Get Francesco

Display | Regular | Italic | Free trial

Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.

Type design and identity: Naranjo Etxeberria

More of Naranjo Etxeberria

Display | Regular | High contrast | Branding

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The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)

This historic Finnish newspaper refreshed its image with a new logo, using a custom typeface created by Schick Toikka, drawing inspiration from the newspaper’s earlier logos from the 1920s to 1940s.

Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.

On the 100th birthday of artist José Vermeersch, an exhibition was held to celebrate his work, where the Bradford Mono typeface played a crucial role.

I said, ‘Auf Wiedersehen’ (I said ‘Goodbye’) displays the letters exchanged by five families separated during World War II, hoping to reunite one day. The texts are set in Repost, with supplementary texts in HAL Four Grotesk.

Kinfolk revamped their website with a new custom typeface created by Schick Toikka.

Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.

Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.

Simple and subtle; Both Studio created a brand identity that aligns with the proposal of Nardel Architects.

Low key Design Company used Boris by Giulia Boggio to complement this identity for a friendly, relaxed, and gentle café, just like a wandering sheep.

In this book that compiles the lesbian legacy in Quebec, we find Gerstner-Programm FSL as the main typeface, along with “handwritten” numbers using Sebastian Bobby. Designed by Harrison Fun Studio.

A sans and serif custom logo, besides Quadrant Text Mono by Matter of Sorts on the website and identity Querida Studio designed for Laker Studio.

A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.

Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.

A bespoke headline typeface designed by Regular Practice for the identity of EAUSO VERT, a sustainable fragrance house.

With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.

Geometric and heavy, Skrappa appears as a contrast in the visual identity of Arts Broadcasting Studio at Anteism.

Murs à fleurs identity reunites two generations of type designers by using Trabis and Francesco fonts, designed by student and teacher.

Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.

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All your favorite fonts, gathered here, no matter the foundry.

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Now you have your own profile. Enjoy it!

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The type selection for Blonde Magazine’s redesign, managed by Hei Agenda, includes Contrast Foundry on the logo, Counter Forms for the serif (Eyla), and sans fonts by Lucas Liccini & Elias Hanzer (HAL Four Grotesk)

This historic Finnish newspaper refreshed its image with a new logo, using a custom typeface created by Schick Toikka, drawing inspiration from the newspaper’s earlier logos from the 1920s to 1940s.

Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.

On the 100th birthday of artist José Vermeersch, an exhibition was held to celebrate his work, where the Bradford Mono typeface played a crucial role.

I said, ‘Auf Wiedersehen’ (I said ‘Goodbye’) displays the letters exchanged by five families separated during World War II, hoping to reunite one day. The texts are set in Repost, with supplementary texts in HAL Four Grotesk.

Kinfolk revamped their website with a new custom typeface created by Schick Toikka.

Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.

Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.

Simple and subtle; Both Studio created a brand identity that aligns with the proposal of Nardel Architects.

Low key Design Company used Boris by Giulia Boggio to complement this identity for a friendly, relaxed, and gentle café, just like a wandering sheep.

In this book that compiles the lesbian legacy in Quebec, we find Gerstner-Programm FSL as the main typeface, along with “handwritten” numbers using Sebastian Bobby. Designed by Harrison Fun Studio.

A sans and serif custom logo, besides Quadrant Text Mono by Matter of Sorts on the website and identity Querida Studio designed for Laker Studio.

A symmetrical logo that can be read in both directions, alongside a custom typeface to create the branding system for the awe music label.

Mount Agency designed the identity and e-commerce for the clothing brand Flid, using WT Kormelink from Wise Type in the logo and communication.

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.

A bespoke headline typeface designed by Regular Practice for the identity of EAUSO VERT, a sustainable fragrance house.

With a playful and minimalist approach, Friss Kombucha utilizes Herbus Bold to set itself apart from competitors.

Geometric and heavy, Skrappa appears as a contrast in the visual identity of Arts Broadcasting Studio at Anteism.

Murs à fleurs identity reunites two generations of type designers by using Trabis and Francesco fonts, designed by student and teacher.

Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.

Filters