Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.
Foundry: Nguyen Gobber, Dinamo Typefaces Design: Toykyo
The Swiss graphic design studio Dual Room renewed the image of the Maison Saint-Gervais theater, using KTF Rublena Black.
Foundry: Kyiv Type Foundry Design: Dual Room
With the minimal amount of elements, Eric Wrenn designed the logo and visual identity for Bode, a New York-based clothing brand.
Type and graphic design: Eric Wrenn
Just like its proposal, OAD (Open Architecture Design) has a strong and impactful lettering as a logo, complemented by Neue Haas Grotesk in its regular weight.
Foundry: Commercial Type Design: Asketic
For a constantly moving entity like the PAC (Performing Arts Centre), Porto Rocha, together with AllCaps, created this strong and timeless typography as part of its new visual identity.
Foundry: Porto Rocha, All Caps Design: Porto Rocha
This fresh and fun poster design for the Teatro Prospero uses Review Condensed from Commercial Type, a Principal Studio project
Foundry: Commercial Type Design: Principal Studio
Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan
Foundry: Kimera Corp Design: Raw Materials, Service Plan
GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black
Foundries: Grilli Type, ABC Dinamo Design: Ania et Lucie
A new identity system for the Utah Jazz developed by The New Company, using a custom version of the Plaak typeface from the 205tf french foundry.
Design: The New Company Foundry: 205TF
A Spy Among Friends poster using Microscopic and Popular typefaces by A2-TYPE. Design by Matt Willey.
Foundry: A2-TYPE Design: Matt Willey
