The redesign of ArkDes in Stockholm by AM Stockholm features custom typefaces where dots and dashes create a unique typographic system. Alongside Diatype, these fonts redefine the museum’s identity.
Type Design: ABC Dinamo, Luuse, Adrien Vasquez Design: AM Stockholm
Tetier, the jewelry brand using recycled materials that recently collaborated with Asics, features Octave by Faire Type in its logo and texts.
Foundry: Faire Type Design: Baptiste Gerbelot Barillon
Kern typeface is featured in Tales & Tellers, a Miu Miu campaign that revisits various representations of femininity from past runway shows and short films.
Foundry: Pizza Typefaces Design: 2×4
The French studio Plus Mûrs used Diatype Mono by Dinamo for the logo of the sophisticated sports brand, Counter Systema.
Foundry: Dinamo Design: Plus Mûrs
Casa Bien used Neue Montreal by Pangram Pangram and Items by Schick Toikka to build the visual identity for LOV Ferments, a brand set to change the beverage market.
Foundry: Pangram Pangram, Schick Toikka Design: Casa Bien
A studio and shop at the same time, or a shop that also functions as a studio; Polar Ltda brings together various design professionals to offer a fresh creative approach.
Foundry: Family type Design: Polar Ltda
“After all, being together is revolutionary.” That was the main idea behind the 2024-2025 season campaign for Théâtre Prospero, directed and designed by Principal Estudio using Exposure.
Foundry: Federcio Parra Barrios Design: Principal
Memory Studio was inspired by vintage elements, like old book covers, and used Aktiv Grotesk to create the identity for this craft brewery.
Foundry: Dalton Maag Design: Memory Studio
Basis Grotesque is the only typeface used in the identity and website of Studio Bruma, a creative production company to forward-thinking people and brands.
Foundry: Colophon Foundry Design: Leon Romero
Maximage designed this book with great attention to detail. A custom version of Selecta developed by Maxitype.
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A festival that explores visual creativity to the point of blurring the lines between illustration and graphics; Miroslav Zhivkov created the identity of FIG (Festival for Illustration and Graphics) using Harber.
Foundry: Benoît Bodhuin Design: Miroslav Zhivkov
Regrets Only created a visual identity just like Potluck works; bringing together various elements to create something from scratch. Oracle is used as the primary typeface and Source Han Sans as the secondary.
Foundry: ABC Dinamo, Adobe Fonts Design: Regrets Only
Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
Foundry: 205 TF Design: Address Arts
Bazaine and the Path of Ideas
Type Designers: Matthew Fenton, Haakon Spencer, Jack Niblett
Mastering: Christoph Koeberlin
Foundry: British Standard Type
EY Doberman used Ginto from ABC Dinamo in different weights to achieve a consistent stroke throughout the visual identity for CMedical.
Foundry: ABC Dinamo Design: EY Doberman
Flexibility was what Mouthwash studio aimed for with the typographic selection they made for the Messura . Kimera’s Waldenburg and Times LT were chosen to give solidity to the brand and possibilities to evolve.
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Waldenburg from Kimera Corp was customized to be part of the visual identity for a new line of assistance for people with opioid addiction issues. Designed by Raw Materials and Service Plan
Foundry: Kimera Corp Design: Raw Materials, Service Plan
Hiro builds developer tools that bring Web3 to Bitcoin. In its identity, Porto Rocha chose several fonts from the Aeonik family – Mono, Fono, and Bold –
Foundry: Cotype Foundry Design: Porto Rocha
Expressiveness and experimentation in a typeface inspired by urban art and physical tools.
Foundry: The Northern Block Designer: Jonathan Hill
The Octagon is a multi-use building for spiritual practice and growth using a custom typeface developed by 26a1 and Daniel Wenzel.
Foundry: 26a1 Type Designer: Daniel Wenzel
Sylvan Lanz designed a custom variable font, for soccer Swiss team FC Basel, based on the typographic heritage of the city.
Type Designer: Sylvan Lanz
Mesobis, a cannabis-loving creatives community using Right Grotesk by Pangram Pangram.
Foundry: Pangram Pangram Design: Andrés Higueros
Midnight by Colophon Foundry, perfectly fitting in the identity Porto Rocha conceived for the comedy event “Netflix is a Joke”.
Foundry: Colophon Foundry Design: Porto Rocha
Dinamo’s Favorit announcing CDG showcase at Berlin.
Foundry Dinamo, Design Flavious Augustin.
