Moser Crystal launched an autumn collection, and Studio Marvil designed its image using the Atlantic typeface from Heavyweight.
Foundry: Heavyweight Design: Studio Marvil
Tartuffo by Bouk Ra for Lift Type in the identity created by Fila Korea for the 2024 White Open Seoul; a tennis open where everyone can participate.
Foundry: Lift Type, Bouk Ra Design: Fila Korea
In this website with two main columns constantly changing size, Atipus Studio used RB Kreol Text from Studio René Bieder.
Foundry: Studio René Bieder Design: Atipus Studio
Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.
Foundry: 205 TF Design: Address Arts
Bazaine and the Path of Ideas
Type Designers: Matthew Fenton, Haakon Spencer, Jack Niblett
Mastering: Christoph Koeberlin
Foundry: British Standard Type
Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.
Foundry: Bretagne Type Foundry, Pangram Pangram Design: Tiquismiquis
Studio Cerise, a colorful creative studio from East London, used Swinton by Nouvelle Noir for its logo.
Foundry: Nouvelle Noir Design: Studio Cerise
Estudio República used a single weight of Basel Classic from Optimo Type and Courier Prime as complementary, to achieve a human and elegant identity for Rocio Navarro’s brand; RN Arquitectura™.
Foundry: Optimo Type, Google Fonts Design: Estudio República
How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.
Foundry: MCKL Type Foundry Design: Order
Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.
Type Designer: Elliot Grunewald Design: Other Office
GT Alpina and Monument Grotesk are part of this packaging system that the creative studio Ania et Lucie devised for the glass bottle brand Kindred Black
Foundries: Grilli Type, ABC Dinamo Design: Ania et Lucie
Pastiche Grotesque by Order Type Foundry was customized by Benjamin Tuttle to become the bespoke typeface for the First Choice brand, a new generation of travel lovers. Design by Ragged Edge.
Foundry: Order Type Foundry Design: Ragged Edge
Atlantic by Heavyweight in “De Chlore et de Rosé”, photographer Christopher Barraja first book.
Foundry: Heavyweight Design: Bastien Forato
Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.
Type design and identity: Naranjo Etxeberria
