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As part of the visual identity that Bureau Borsche created for the Bavarian State Opera, a digitized typeface —developed by Samara Keller— was created, based on a design found in the opera’s facilities.

Foundry: Samara Keller Design: Bureau Borsche

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Serif | Light | High contrast | Branding

Logotype and lettering inspired by the baroque era of the internet, proposed by Muon Studio for Youhee’s visual identity.

Lettering and Graphic Design: Muon Studio

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Display | Blackletter | Decorative | Branding

A geometric typeface with humanist features, crafted by Spassky Fischer, for the new identity of Études.

Type and Graphic Design: Spassky Fischer

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Sans | Humanist | Branding

Decade created this visual identity to position an innovative lab-grown diamond brand, proposing a custom flare logo designed by Colophon Foundry.

Foundry: Colophon Foundry Design: Decade

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Flare | Bold | Geometric | Low contrast | Branding

Logotype custom-designed by Bureau Bernklau, drawing inspiration from the distinctive features of Ehmcke Antiqua, an early 20th-century typeface.

Foundry: Bureau Bernklau Design: Bureau Bernklau

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Serif | Decorative | Branding

Frere-Jones was tasked with redesigning the New York City Football Club badge, and carefully adjusting each character to fit the circular arc of the badge.

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Serif | Sans | Bold | Branding

This historic Finnish newspaper refreshed its image with a new logo, using a custom typeface created by Schick Toikka, drawing inspiration from the newspaper’s earlier logos from the 1920s to 1940s.

Design & Foundry: Schick Toikka

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Serif | Regular | Geometric | Branding | Post

Paper made with clean materials; this was the twist COLLINS gave to this Canadian company, transforming it into Sustana. Custom typography by Sharp Type.

Foundry: Sharp Type Design: COLLINS

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Display | Sans | Humanist | High contrast | Decorative | Branding

Leonard Joel, one of Australia’s top auction houses, refreshed its identity with Studio Doherty. The concept “Everything old is new again” blends heritage and modernity.

Margot Lévêque Fonts

Serif | Grotesk | High contrast | Branding

Maridenim just made its debut at the Fall/Winter 2024 show during Copenhagen Fashion Week. Blending their iconic bold designs with a fresh denim twist.

Logo design: Schicktoikka

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Monospaced | Slab | Medium | Branding

Two Times Elliot designed the logo, typography, and monogram for Kettle Kids, drawing inspiration from London’s historic architecture and signage.

Type & Graphic Design: Two Times Elliot

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Serif | Medium | Branding

An affair depicted through typography to create the identity for the Belgian Art and Design Affair, where @otisverhoeve,@bureauclaes, and @pino_type designed three different typefaces incorporating hearts into each letter.

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Display | Decorative | Branding

After designing the logo as part of the rebranding for the clothing brand Next, Frost was commissioned again by Six to create an entire typeface based on it.

Foundry: FROST Design: Six

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Sans | Geometric | Low contrast | Branding

Kinfolk revamped their website with a new custom typeface created by Schick Toikka.

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Serif | Regular | Humanist | Branding

Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.

Foundry: Dinamo Design: pfp disseny

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Display | Sans | Regular | Grotesk | Decorative | Branding

Workbyworks Studio designed this unconventional serif typeface and visual identity for Steffan Studio.

Design and type design: Workbyworks

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Serif | Display | Humanist | Decorative | Branding

After 9 years, Abmo redesigned its own work, renewing the brand identity of this French restaurant. The typefaces used were Neuf by Eliott Grunewald, Traulha by Yoann Minet, and a custom logo by Keussel Studio.

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Monoline | Decorative | Branding

From Mexican cantinas and their traditional signage, Socker Studio drew inspiration to design the identity, interiors, and typography for the seafood restaurant Con Vista al Mar.

Type & Graphic Design: Socker Studio

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Display | Sans | Decorative | Stencil | Branding

Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.

Type and Design: Andrés Higueros

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Display | Bold | Grotesk | Decorative | Branding

Vibrant and loud, just like the conversations after an excellent dinner in Italy, that’s how Grand Bacàn Sans is, a custom typeface created by Pentagram for the Italian restaurant in Brooklyn; Bacàn

Foundry: Pentagram Design: Pentagram

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Display | Sans | Black | Geometric | Decorative | Branding

Seeking to stand out in the market, Gold Font created this custom logo for Apex, a premium tire brand, inspired by ITC typefaces.

Foundry: Gold Font Design: Gold Font, Asís

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Display | Sans | Geometric | Decorative | Branding

With the minimal amount of elements, Eric Wrenn designed the logo and visual identity for Bode, a New York-based clothing brand.

Type and graphic design: Eric Wrenn 

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Sans | Medium | Extended | Geometric | Branding

Just like its proposal, OAD (Open Architecture Design) has a strong and impactful lettering as a logo, complemented by Neue Haas Grotesk in its regular weight.

Foundry: Commercial Type Design: Asketic

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Display | Sans | Black | Extended | Geometric | Low contrast | Branding

For a constantly moving entity like the PAC (Performing Arts Centre), Porto Rocha, together with AllCaps, created this strong and timeless typography as part of its new visual identity.

Foundry: Porto Rocha, All Caps Design: Porto Rocha

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Display | Sans | Black | Extended | Grotesk | Branding

Workbyworks Studio created a dynamic 3D logo for the NFT trading platform, Convertible Van Gogh.

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Display | Handwritten | Monoline | Decorative | Branding

How to design the extension of –a very well-known– brand, while also making it unique. Order solves this question with the identity of Journal House, a branch of WSJ dedicated to events.

Foundry: MCKL Type Foundry Design: Order

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Serif | Medium | Condensed | Didone | High contrast | Branding

Rauschen B Regular and JHA Times Now Light filled the visual arts program of the Norbergfestival 2023 with personality. Designed by Agga Stage and Alexander Söder.

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Display | Sans | Geometric | Decorative | Branding

Express” and “Local” are the typefaces created for New York City FC in the rebranding process carried out by Gretel, in collaboration with the type design studio Frere-Jones.

Foundry: Frere-Jones Design: Gretel NY

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Sans | Bold | Condensed | Branding

For being the first to create ocular accessories, the Inuit people and their syllabic writing system inspired a custom typeface and a new brand image for Mr Boho eyewear.

Type Design: Laura Meseguer Design: Buenaventura

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Display | Sans | Medium | Geometric | Branding

Simple and dynamic, these explorations by Paula de Álvaro use brand elements and basic information to present the Pull&Bear London AW 2023 collection.

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Sans | Handwritten | Grotesk | Branding

ABC Dinamo and Comission Studio collaborated to develop Rimowa’s custom typeface, building upon Bureau Borsche’s logo for the high-end luggage brand.

Foundry: ABC Dinamo Design: Commission Studio

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Sans | Grotesk | Branding

The foundry From A+, built a wordmark, an alternate script version, and two monograms based on art deco letterforms, for the seafood Californian tavern, Bar Le Côte.

Foundry: A+

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Display | Sans | Handwritten | Black | Low contrast | Decorative | Branding

Julien Hébert and Principal Studio collaborated to craft a bespoke friendly typeface for The Gund, academic art museum. Caslon Ionic by Commercial Type as the complementary font.

Type Designer: Julien Hébert Design: Principal Studio Foundry: Commercial Type

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Sans | Grotesk | Branding

Runners and coffee lovers community, The Coffee Run, asked Dum Dum Studio to create their identity through a bespoke typeface full of dynamism.

Foundry and design: Dum Dum Studio

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Display | Sans | Stencil | Branding

Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.

Design: Tric Studio

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Display | Bold | Decorative | Stencil | Branding

Handwritten sketches by Leandro Senna and The New Company made for the cultural center of gaming, 100 Thieves

Type Designer: Leandro Senna Design: The New Company

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Handwritten | Blackletter | Decorative | Branding

A expressive custom Hardwear font by Supercontinente, under the creative direction of Gretel NYC, for the branding of Mountain Hardwear.

Foundry: Supercontinente Design: Gretel NYC

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Display | Geometric | Low contrast | Decorative | Branding

Experimentation and creativity in this unselected proposal for JoJo logotype, a London-based design practice.

Foundry: Corbin Mahieu Design: Corbin Mahieu

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Display | Black | Decorative | Branding

FFF Flea is a custom typeface designed by FFF for Mercantic, a Farmer Market. As the secondary typeface, and to create a balance with the geometry of Flea, Affairs by SM Foundry was used.

Foundry: Fonts From Folch Design: Folch Studio

FFF Catalogue

Display | Sans | Geometric | Branding | Post

Elegant and functional, Ritcher Sans is born to emphasize the melodies in the latest EP by composer Max Ritcher.

Foundry: Schick Toikka Design: Alex Hunting

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Sans | Regular | Grotesk | Branding

A new identity system for the Utah Jazz developed by The New Company, using a custom version of the Plaak typeface from the 205tf french foundry.

Design: The New Company Foundry: 205TF

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Sans | Extended | Branding

The identity of Ro Bags, featuring a custom logo by Laura Csocsán and Karl Mono from Source Type.

Logo design: Laura Csocsán Foundry: Source Type

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Display | Sans | Black | Decorative | Branding

Custom logo + Futura Extra Bold Condensed in the design and strategy commission entrusted to Aranda Agency by furniture editor BEC1972.

Design: Aranda Agency

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Sans | Black | Decorative | Branding

With clean and neutral lines, Ana Mirats Studio creates a custom logo for Vezavena, a brand specialized in knitwear.

Design: Ana Mirats

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Display | Sans | Light | Branding

Studio Bruch, with a custom made lettering and type design, developed the identity of the 1951 established carpentry company, Hea.

Type Design: Studio Bruch Type Studio: Hungarumlaut

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Display | Sans | Grotesk | Stencil | Branding

A custom monolineal, script wordmark by Federico Sanchez for Interval, a multidisciplinary creative space working across texture, shapes and concepts.

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Monoline | Decorative | Branding

ToTo Restaurant & Cafe rebranded with a custom typeface by a brilliant collaboration between Bogidar Mascarenas, Hagar Erez & Ark Visual.

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Sans | Monoline | Decorative | Branding

The Octagon is a multi-use building for spiritual practice and growth using a custom typeface developed by 26a1 and Daniel Wenzel.

Foundry: 26a1 Type Designer: Daniel Wenzel

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Sans | Decorative | Variable font | Branding

A hand-drawn logo, featuring Mabry and ITC Galliard, in the identity created by Studio Lotta Nieminen for Eadem, a skincare brand.

Design: Studio Lotta Nieminen Foundry: Colophon

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Sans | Decorative | Branding

HM Move is a monolinear typeface, full of movement, designed by Colophon Foundry and Gentle Forces for a new clothing line dedicated to exercise.

Foundry: Colophon Foundry Design: Gentle Forces

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Sans | Modular | Branding

OMSE and Family Type collaborated to give live to China’s first craft gin with a custom logo and typeface.

Design: Omse Foundry: Family Type

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Display | Sans | Multiscript | Branding

Monaako Script by Altiplano featured in Rapha’s film “Queens of the Classic”.

Foundry: Altiplano

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Display | Monoline | Branding

Guillaume Sbalchiero designed a warm sans serif typeface, as well as the global identity for Jacquemus.

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Sans | Medium | Branding

Rhetorik by All Caps in the issue n.27 of Swiss magazine Zweikommasieben

Design: Dorothee Dähler Foundry: All Caps

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Serif | Sans | Italic | Free trial | Branding

Some years ago, H5 Studio developed the visual identity including a custom font for iconic Kanye’s Yeezy brand.

Type and design: H5

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Display | Sans | Geometric | Branding

Codea Studio in the creation of a bespoke, expressive typography for the restaurant located in Girona, Mas Sorrer.

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Sans | Black | Decorative | Branding

Rebranding led by a custom-designed logo for consulting agency EIXO, developed by Sao Paolo-based Studio Tempo.

More about Studio Tempo

Display | Monoline | Modular | Branding

Keeps Sans is a bespoke display typeface Parker Studio designed as part of the visual identity of Keeps, sustainable furniture.

More of Parker Studio

Sans | Black | Branding

Schick Toikka’s Krana Fat for nostalgic, cartoon-inspired chips brand, Miett.

Foundry: Schick Toikka Design: Deux Huit Huit

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Display | Sans | Black | Branding

Custom wordmark created by Alex Hunting Studio for Wool (new scandinavian classics). Complementary typefaces GT America by Grilly Type and Noe by Schick Toikka.

Alex Hunting Studio

Serif | Display | Branding

A straight forward logo designed with semi-circle lines by Manual, for Louisa Parris womenswear label.

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Decorative | Modular | Branding

Naranjo Etxeberria in charge of the identity and custom font “Rise” for Stine Goya fashion brand.

Type design and identity: Naranjo Etxeberria

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Display | Regular | High contrast | Branding

Letterjuice colaborated with Decimal Studios to create a type system for their rebranding.

Foundry: Letterjuice Studio: Decimal

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Sans | Branding

A Decó sign as the inspiration for anamoliz’s custom type for Loxa, an agricultural cooperative in Granada with over 60 years of history.

Type Designer: Ana Moliz Design: Buenaventura

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Sans | Decorative | Branding

Tiempos by Klim Type Foundry, the world’s first range of natural products for drug-tested athletes, Puresport. Designed by Field of Play.

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Serif | Italic | Free trial | Branding | Print

Midnight by Colophon Foundry, perfectly fitting in the identity Porto Rocha conceived for the comedy event “Netflix is a Joke”.

Foundry: Colophon Foundry Design: Porto Rocha

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Display | Sans | Variable font | Free trial | Branding

Rounded and groovy characters by Fonts from Folch in the logotype made for a decentralized contemporary art collection, Salon.

Foundry: Fonts from Folch Design: Folch

Fonts From Folch

Display | Decorative | Branding

Alfey, the main typeface of Camping Alfacs’ new identity, inspired by the signage the brand had since its beginnings.

Typeface and identity: Leon Romero

Leon Romero work

Sans | Decorative | Stencil | Branding

Bodigarmascarenas’ WIP preview of Ager font, inspired in cnc machine and heavy machinery.

Type designer: Bodigar Mascareñas

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Display | Decorative | Modular | Branding | Post

HC Grotesk as a customized version of RT Alias Grotesk for THC NYC cannabis experience.

Foundry Razzia Type, Design Base

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Sans | Geometric | Decorative | Italic | Free trial | Branding

Dinamo’s Favorit announcing CDG showcase at Berlin.

Foundry Dinamo, Design Flavious Augustin.

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Monospaced | Sans | +6 Weights | Grotesk | Italic | Variable font | Free trial | Branding

Cannabis brand Houseplant redesigned with a custom typeface by Tipografies.

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Sans | Grotesk | Narrow | Decorative | Branding

Logotype and custom typeface for Lafayette148

Edition Studio

Sans | Grotesk | Italic | Branding

Signifier on Two Times Elliot’s identity for Roam

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Serif | Display | +6 Weights | Italic | Free trial | Branding

Metro Sans and Moret modified for Manukora Botanicals

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Display | Humanist | Decorative | Free trial | Branding