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New custom typeface for La Fabra Centre d’Art designed by Fonts From Folch. A design that reflects the institution’s contemporary spirit, with refinements that ensure versatility, precision, and smooth composition.

Foundry: Fonts From Folch Design: Folch Studio

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OTT Harker by Ornamental & Title Type is used in the logo for Cercle Valrose. The design is by Bizzarri-Rodriguez, who also created the typeface. Quadrant by Matter of Sorts is used for the supporting text.

Foundry: Ornamental & Title Type Design: Bizzarri-Rodriguez

Get OTT Harker

Stureplan was renewed, now becoming Sture with a design inspired by the block’s architecture. The typeface is custom, designed by Göran Söderström and Fredrik Gruber.

Foundry: BAS ID (Göran Söderström & Fredrik Gruber) Design: BAS ID

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Flare | Humanist | Decorative | Branding

Giulia Boggio designed the identity for Paper Still Matters, a TYPE01 Studio shop aiming to connect with the creative community. The logotype features custom lettering and Onlysans by Daria Cohen, with ALT Riviera from ALT.tf as the supporting typeface.

Foundry: Daria Cohen Design: Giulia Boggio

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Display | Geometric | Decorative | Branding

Flyer explorations by Bijan Herami, featuring lettering by his mother, Hobo, and a condensed version of Cooper Black, for Rahill Jamalifard’s show.

Foundry: Morris Fuller Benton Design: Fisk

Get Hobo

Display | Bold | Decorative | Free trial

This custom typeface was part of the identity design that Bureau Bernklau created for the production company BWGTBLD—extended and bold, just like its cinematic vision.

Graphic & type design: Bureau Bernklau

Learn More

Seoul-based studio FWB designed a custom logotype for Motley Stuff, inspired by objects like keys, keyholes, and handles, supporting the brand’s expansion into fabric and knitting products.

Graphic & Type Design: FWB

Learn More

Display | Regular | Monoline | Decorative | Branding

FROST and Dunhill collaborated on the creation of Dunhill Gothic, a typeface that transforms their hand-drawn calligraphy into a refined and bespoke typographic system.

Graphic & Type Design: FROST

Learn more

Display | Blackletter | Decorative | Branding

In Arte Tracks and Arte Tracks East, typography breaks into lines and reconfigures into ever-evolving graphics. Logotype, visual identity, and generic system by H5paris.

Type Design: Simon Renaud Design: H5 Paris

More info

ERLY reinvents skincare with a fresh, typographic identity. Herbus Regular & Title Type, in the design by Studio Lotta Nieminen.

Foundry: Ornamental & Title Type Design: Studio Lotta Nieminen

Get Herbus

Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.

Foundry: Colophon Foundry, House Industries

Design: Perky Bros

Get Lydia

Animo Typeface by Heavyweight shapes the identity of Grande Paolo, a pop-up sports bar in Prague for the Euro Championship.

Foundry & Design: Heavyweight

Get Animo

Designed by Copyright/Reserved, this special publication by @extensive.publishing and @greedydust features Cortese and Cortese Sans by Mark van Leeuwen.

Foundry: Mark van Leeuwen Design: Copyright/Reserved

Get Cortese

Storefronts have served as stages for performances, for experimentation, and part of the art itself. Fresh Window at Museum Tinguely explores this connection with an identity using Stabilo Boss.

Foundry: Sourcetype Design: Sylvan Lanz

More of Sourcetype

Display | Handwritten | Bold | Low contrast | Decorative

EXTRALESS, a Japanese clothing brand reflected its ethos in a custom typeface by British Standard Type embodying simplicity and shared humanity.

Foundry: British Standard Type Design: OK-RM

Learn More

Elisava has a new visual identity inspired by its original logo, and Folch designed Elisava Sans, a variable typeface created to work in any context.

Foundry: Fonts from Folch Design: Folch

Learn more

Display | Sans | Regular | Grotesk | Decorative

OFFSHORE created these materials using a display typeface with spiral shapes, designed for the public programs of the Harvard Graduate School of Design in 2024.

Foundry & Design: OFFSHORE

Learn more

Display | Regular | Monoline | Decorative

With dots inviting the creation of interconnected forms, the design by Atelier Tout va bien features Baste in The MV Festival 2024.

Foundry: Image Format for Lift Type Design: Atelier Tout va bien

Get Baste

As part of Musée d’Orsay’s rebranding, Orsay Elzevir was created—a typeface inspired by La Belle Époque, reflecting the energy of the period the museum celebrates.

Foundry & Design: Zoo

Learn more

Technology has made our lives easier, but it seems everything comes at a price. INVOLUT introduces a range of supplements to combat the negative side effects of modern times. Featuring PicNic by Velvetyne.

Foundry: Velvetyne Design: Fuego Camina Conmigo

Get PicNic

Display | Medium | Decorative | Free trial | Branding

The first store to bring natural wine to the UK, Ancestral Wines, features an identity inspired by the winemaking process and a logo shaped like a grape cluster.

Foundry: Approximate Type Design: All Purpose Studio

Approximate Type catalogue

Display | Bold | Decorative

At the world’s largest sporting event, Nike embraced a modern, dynamic, and fluid typeface. In collaboration with Pizza Typefaces, they created the Nike Olympics fonts, a typeface inspired by twisting motion.

Foundry: Pizza Typefaces

Learn more

Display | Sans | Geometric | Decorative | Branding

Elephant magazine showcases the rustic and imperfect details of the ZG Elephant typeface through these graphic spreads. Type and editorial design by Zak Group.

Foundry & Design: Zak Group

Learn more

As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.

Foundry: Eliott Grunewald Design: Jordi Ng, Elana Schlenker

Get Moore

Logotype and lettering inspired by the baroque era of the internet, proposed by Muon Studio for Youhee’s visual identity.

Lettering and Graphic Design: Muon Studio

Learn More

Display | Blackletter | Decorative | Branding

Justin Sloane used this interesting mix of Gothic letters (Castilla by Sharptype) and sans serif (Octave by Josh Finklea) for a vinyl cover.

Foundry: Sharp Type, Josh Finklea Design: Justin Sloane

Learn more

Display | Bold | Blackletter | Decorative

This series of keychains, the result of Pauline Esguerra’s exploration with laser cutting, uses, among other typefaces, Eurocat by Maxitype.

Foundry: Maxitype Design: Pauline Esguerra

Get Eurocat

Rajola is a stencil and filled typeface designed by ErrorErrorStudio. It is inspired by and pays tribute to the iconic hexagonal tiles characteristic of the Mediterranean.

Type Design: ErrorErrorStudio

Get Rajola

Display | Low contrast | Decorative | Stencil

Logotype custom-designed by Bureau Bernklau, drawing inspiration from the distinctive features of Ehmcke Antiqua, an early 20th-century typeface.

Foundry: Bureau Bernklau Design: Bureau Bernklau

Learn more

Serif | Decorative | Branding

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

Foundry: Abyme Design: Quentin

Get Axo

TSTO gave VUM—a series of Sunday music events—a psychedelic and youthful image.

Foundry: Altiplano Design: TSTO

Get Giigamax

This old Dutch apple syrup design, featuring the Phyllis typeface by Heinrich Wieynck, reminds us that the good things always last.

Foundry: URW Type Foundry

Get Phyllis

Serif | Display | Handwritten | Decorative

Paper made with clean materials; this was the twist COLLINS gave to this Canadian company, transforming it into Sustana. Custom typography by Sharp Type.

Foundry: Sharp Type Design: COLLINS

Learn More

Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.

Foundry: Scott Vander Zee, Google Fonts Design: Tux

Get Nordic Pavilion

“After all, being together is revolutionary.” That was the main idea behind the 2024-2025 season campaign for Théâtre Prospero, directed and designed by Principal Estudio using Exposure.

Foundry: Federcio Parra Barrios Design: Principal

Get Exposure

The Robert Johnson Club kicks off the 2024 season with these posters designed by Dominik Keller Studio. Typography used is Cosplay.

Foundry: Out of the Dark Design: Dominik Keller Studio

Get Cosplay

Display | Bold | Geometric | Decorative

An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.

Foundry: DumDum Studio Design: Distaff Studio

Get Serial A

Win on Air is the name of the new Nike Air identity, where David Gobber and Hoang Nguyen were part of this project, designing the typography used in the logo, which is a custom version of Generation Mono, another typeface of their own creation.

Foundry: Nguyen Gobber Design: Nike Design Team

Get Generation Mono

A typeface that –literally– shows its starting point and journey; the Korean graphic designer, @jun.works , included this along with other elements to create the visual identity for @thepreviewartfair.

Graphic and type design: Jun

Learn more

Display | Decorative

An affair depicted through typography to create the identity for the Belgian Art and Design Affair, where @otisverhoeve,@bureauclaes, and @pino_type designed three different typefaces incorporating hearts into each letter.

Foundry: @otisverhoeve, @bureauclaes, @pino_type, @natashaldesign, @nemo.lemoine Designers: @verhelstvictor and @corbinmahieu

Display | Decorative | Branding

An electric identity designed by DR. ME and an organic serif typeface, Gaya, accompany the 2-day indie music festival hosted by Macki.

Foundry: Out of the Dark Design: DR. ME

Get Gaya

Display | Medium | Decorative

Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.

Foundry: Nguyen Gobber, Dinamo Typefaces Design: Toykyo

Get Generation Mono

Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.

Foundry: Dinamo Design: pfp disseny

Get Helveesti

Workbyworks Studio designed this unconventional serif typeface and visual identity for Steffan Studio.

Design and type design: Workbyworks

Learn more

Serif | Display | Humanist | Decorative | Branding

After 9 years, Abmo redesigned its own work, renewing the brand identity of this French restaurant. The typefaces used were Neuf by Eliott Grunewald, Traulha by Yoann Minet, and a custom logo by Keussel Studio.

Foundry: Eliott Grunewald, Bureau Brut, Keussel Studio Design: Abmo

Know more

Monoline | Decorative | Branding

Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.

Foundry: Out of the Dark, Optimo Design: Lisa Sturacci

Get Resonanz-b

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

Foundry: Kimera Corp Design: newkid

Get the fonts

A festival that explores visual creativity to the point of blurring the lines between illustration and graphics; Miroslav Zhivkov created the identity of FIG (Festival for Illustration and Graphics) using Harber.

Foundry: Benoît Bodhuin Design: Miroslav Zhivkov

Get Harber

From Mexican cantinas and their traditional signage, Socker Studio drew inspiration to design the identity, interiors, and typography for the seafood restaurant Con Vista al Mar.

Type & Graphic Design: Socker Studio

Learn More

Display | Sans | Decorative | Stencil | Branding

Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.

Type and Design: Andrés Higueros

Learn more

Display | Bold | Grotesk | Decorative | Branding

Helping to create a bold and inclusive visual identity, Quentin Coulombier’s Buzz and the well-known Cooper were selected by Underline Studio to represent the Canadian Film Centre (CFC)

Type Designer: Quentin Coulombier Graphic Design: Underline Studio

Get Buzz

Vibrant and loud, just like the conversations after an excellent dinner in Italy, that’s how Grand Bacàn Sans is, a custom typeface created by Pentagram for the Italian restaurant in Brooklyn; Bacàn

Foundry: Pentagram Design: Pentagram

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Seeking to stand out in the market, Gold Font created this custom logo for Apex, a premium tire brand, inspired by ITC typefaces.

Foundry: Gold Font Design: Gold Font, Asís

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Display | Sans | Geometric | Decorative | Branding

Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.

Foundry: 205 TF Design: Address Arts

Get Exposure

WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.

Foundry: RongyinotRongyi, ECAL Master Type Design: ECAL Photography

Learn More

Workbyworks Studio created a dynamic 3D logo for the NFT trading platform, Convertible Van Gogh.

Design: Workbyworks Studio

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Display | Handwritten | Monoline | Decorative | Branding

Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.

Foundry: Bretagne Type Foundry, Pangram Pangram Design: Tiquismiquis

Get Cucina

Denim performs admirably across various contexts, whether in small or large texts, as demonstrated in the publication Annual Review of Public Art 2023 for The Arts Promotion Centre Finland – Taike.

Foundry: Displaay Design: Veziko

Get Denim

Sans | Grotesk | Decorative | Free trial

A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.

Foundry: Or Type Design: Olsson Barbieri

Get Or Lemmen

Rauschen B Regular and JHA Times Now Light filled the visual arts program of the Norbergfestival 2023 with personality. Designed by Agga Stage and Alexander Söder.

Foundry: Out Of The Dark, JHA Design: Agga Stage, Alexander Söder

Get Rauschen B

Display | Sans | Geometric | Decorative | Branding

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

Type Designer: Elliot Grunewald Design: Other Office

Get Marfield

The Belgian design studio Vrints-Kolsteren collaborated with the jewelry brand Fleerackers to create ATOM, a collection of 16 different earrings.

Design: Vrints-Kolsteren

More of Vrints-Kolsteren

Display | Decorative | Modular

The foundry From A+, built a wordmark, an alternate script version, and two monograms based on art deco letterforms, for the seafood Californian tavern, Bar Le Côte.

Foundry: A+

More about the project

Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.

Design: Tric Studio

More about the project

Display | Bold | Decorative | Stencil | Branding

Handwritten sketches by Leandro Senna and The New Company made for the cultural center of gaming, 100 Thieves

Type Designer: Leandro Senna Design: The New Company

More of Leandro Senna

Handwritten | Blackletter | Decorative | Branding

Rafael Ribas & Zoo designers graphiques teamed up to design a heavy and solid wordmark for Respect magazine.

Foundry: Rafael Ribas Design: Zoo designers graphiques

More of Rafael Ribas

A expressive custom Hardwear font by Supercontinente, under the creative direction of Gretel NYC, for the branding of Mountain Hardwear.

Foundry: Supercontinente Design: Gretel NYC

More of Supercontinente

Display | Geometric | Low contrast | Decorative | Branding

Experimentation and creativity in this unselected proposal for JoJo logotype, a London-based design practice.

Foundry: Corbin Mahieu Design: Corbin Mahieu

More of Corbin Mahieu

Display | Black | Decorative | Branding

Contrasting an organic-shaped logo within a structured layout, Principal Studio was responsible for creating the 7th campaign for The International Garden Festival.

Design: Principal Studio

More of Principal

Display | Black | Decorative

Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.

Get Ano

The zine “Portrait of a Friend (Rest Your Ears, Filous)” of the Vienna-based musician Filous, using Carta Nueva by Sharp Type.

Foundry: Sharp Type Design: Simon Merz

Get Carta Nueva

Handwritten | Light | Decorative | Free trial

For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.

Foundry: Schick Toikka

More fonts by Schick Toikka

Sans | Bold | Grotesk | Decorative

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

Foundry: Cofo Cinema Design: Nikita Sapozhkov

Get Cofo Cinema 1909

TWK Burns (WIP) by Nolan Paparelli and Alberto Malossi for the identity of Polpo World, a design object entirely made with recycled plastic.

Foundry: Type Weltkern Web Design: Matière Vive Renders: Synthetic Aspect

Weltkern's Catalogue

Display | Sans | Geometric | Decorative

The identity of Ro Bags, featuring a custom logo by Laura Csocsán and Karl Mono from Source Type.

Logo design: Laura Csocsán Foundry: Source Type

More of Laura

Display | Sans | Black | Decorative | Branding

Custom logo + Futura Extra Bold Condensed in the design and strategy commission entrusted to Aranda Agency by furniture editor BEC1972.

Design: Aranda Agency

Know more

Sans | Black | Decorative | Branding

A custom monolineal, script wordmark by Federico Sanchez for Interval, a multidisciplinary creative space working across texture, shapes and concepts.

Design: Federico Sanchez Foundry: Pangram Pangram

More of Federico Sanchez

Monoline | Decorative | Branding

An autumn break party of students at KABK, using Margiel in their posters, a geometrical display font by Warsaw Types.

Foundry: Warsaw Types Design: Daniel Gremme

Get Magiel

ToTo Restaurant & Cafe rebranded with a custom typeface by a brilliant collaboration between Bogidar Mascarenas, Hagar Erez & Ark Visual.

Foundry: Bogidar Mascarenas Design: Hagar Erez, Ark Visual

Learn More

Sans | Monoline | Decorative | Branding

The Octagon is a multi-use building for spiritual practice and growth using a custom typeface developed by 26a1 and Daniel Wenzel.

Foundry: 26a1 Type Designer: D aniel Wenzel

More of this typeface

Sans | Decorative | Variable font | Branding

Sylvan Lanz designed a custom variable font, for soccer Swiss team FC Basel, based on the typographic heritage of the city.

Type Designer: Sylvan Lanz

More of Sylvan Lanz

Serif | Medium | Decorative | Variable font

A hand-drawn logo, featuring Mabry and ITC Galliard, in the identity created by Studio Lotta Nieminen for Eadem, a skincare brand.

Design: Studio Lotta Nieminen Foundry: Colophon

More of Studio Lotta Nieminen

Sans | Decorative | Branding

Jose Houdini & Adrián Zorzano designed a custom typography, logotype and cover artworks for the record label Intermission.

Design: Jose Houdini, Adrián Zorzano

More of this project

Display | Sans | Decorative

Codea Studio in the creation of a bespoke, expressive typography for the restaurant located in Girona, Mas Sorrer.

Codea Studio

More of Codea Studio

Sans | Black | Decorative | Branding

Ten years ago, a unique script typeface, Line, was designed by Göran Söderström and Stefania Malmsten for Rodeo Magazine.

Foundry: Letters From Sweden Design: Malmsten Hellberg,

Get Line

Display | Sans | Monoline | Decorative | Free trial

Signal Compressed by Emmanuel Besse as part of Production Type catalogue, in Levi’s Performance Denim, a hand-stitched, limited edition publication designed by Leon Romero.

Typography: Emmanuel Besse, Production Type Design: Leon Romero

Get Signal Compressed

Display | Decorative | Free trial

A straight forward logo designed with semi-circle lines by Manual, for Louisa Parris womenswear label.

Manual

More of Manual

Decorative | Modular | Branding

Karl, a typeface designed by Laurenz Brunner used in the artists’ network Hot Little Pool. Graphics by Anne Büttner. Karl is part of the Source Type catalog.

Type: Laurenz Brunner, Source Type. Design: Anne Büttner

Get Karl

Sans | Low contrast | Decorative | Free trial

A Decó sign as the inspiration for anamoliz’s custom type for Loxa, an agricultural cooperative in Granada with over 60 years of history.

Type Designer: Ana Moliz Design: Buenaventura

More of Ana Moliz

Sans | Decorative | Branding

Rounded and groovy characters by Fonts from Folch in the logotype made for a decentralized contemporary art collection, Salon.

Foundry: Fonts from Folch Design: Folch

Fonts From Folch

Display | Decorative | Branding

Alfey, the main typeface of Camping Alfacs’ new identity, inspired by the signage the brand had since its beginnings.

Typeface and identity: Leon Romero

Leon Romero work

Sans | Decorative | Stencil | Branding

Bodigarmascarenas’ WIP preview of Ager font, inspired in cnc machine and heavy machinery.

Type designer: Bodigar Mascareñas

More of Bodigar

Display | Decorative | Modular | Branding | Post

On Running capsule collection in Animo typeface by Heavyweight.

Foundry Heavyweight Design ActualSource

Heavyweight catalogue

Display | Sans | Low contrast | Decorative

HC Grotesk as a customized version of RT Alias Grotesk for THC NYC cannabis experience.

Foundry Razzia Type, Design Base

Get RT Alias Grotesk

Cannabis brand Houseplant redesigned with a custom typeface by Tipografies.

Tipografies, Practica, Ma-Ma.

Metro Sans and Moret modified for Manukora Botanicals

Studio Few, The Northern Block, Pendo.

Get Moret

Display | Humanist | Decorative | Free trial | Branding

All your favorite fonts, gathered here, no matter the foundry.

Thank you!

Now you have your own profile. Enjoy it!

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New custom typeface for La Fabra Centre d’Art designed by Fonts From Folch. A design that reflects the institution’s contemporary spirit, with refinements that ensure versatility, precision, and smooth composition.

OTT Harker by Ornamental & Title Type is used in the logo for Cercle Valrose. The design is by Bizzarri-Rodriguez, who also created the typeface. Quadrant by Matter of Sorts is used for the supporting text.

Stureplan was renewed, now becoming Sture with a design inspired by the block’s architecture. The typeface is custom, designed by Göran Söderström and Fredrik Gruber.

Giulia Boggio designed the identity for Paper Still Matters, a TYPE01 Studio shop aiming to connect with the creative community. The logotype features custom lettering and Onlysans by Daria Cohen, with ALT Riviera from ALT.tf as the supporting typeface.

Flyer explorations by Bijan Herami, featuring lettering by his mother, Hobo, and a condensed version of Cooper Black, for Rahill Jamalifard’s show.

This custom typeface was part of the identity design that Bureau Bernklau created for the production company BWGTBLD—extended and bold, just like its cinematic vision.

Seoul-based studio FWB designed a custom logotype for Motley Stuff, inspired by objects like keys, keyholes, and handles, supporting the brand’s expansion into fabric and knitting products.

FROST and Dunhill collaborated on the creation of Dunhill Gothic, a typeface that transforms their hand-drawn calligraphy into a refined and bespoke typographic system.

In Arte Tracks and Arte Tracks East, typography breaks into lines and reconfigures into ever-evolving graphics. Logotype, visual identity, and generic system by H5paris.

ERLY reinvents skincare with a fresh, typographic identity. Herbus Regular & Title Type, in the design by Studio Lotta Nieminen.

Inspired by Chicago’s sign painting, the packaging of Foxtrot’s potato chips captures the essence of the iconic Maxwell Street Market hot dog.

Animo Typeface by Heavyweight shapes the identity of Grande Paolo, a pop-up sports bar in Prague for the Euro Championship.

Designed by Copyright/Reserved, this special publication by @extensive.publishing and @greedydust features Cortese and Cortese Sans by Mark van Leeuwen.

Storefronts have served as stages for performances, for experimentation, and part of the art itself. Fresh Window at Museum Tinguely explores this connection with an identity using Stabilo Boss.

EXTRALESS, a Japanese clothing brand reflected its ethos in a custom typeface by British Standard Type embodying simplicity and shared humanity.

Elisava has a new visual identity inspired by its original logo, and Folch designed Elisava Sans, a variable typeface created to work in any context.

OFFSHORE created these materials using a display typeface with spiral shapes, designed for the public programs of the Harvard Graduate School of Design in 2024.

With dots inviting the creation of interconnected forms, the design by Atelier Tout va bien features Baste in The MV Festival 2024.

As part of Musée d’Orsay’s rebranding, Orsay Elzevir was created—a typeface inspired by La Belle Époque, reflecting the energy of the period the museum celebrates.

Technology has made our lives easier, but it seems everything comes at a price. INVOLUT introduces a range of supplements to combat the negative side effects of modern times. Featuring PicNic by Velvetyne.

The first store to bring natural wine to the UK, Ancestral Wines, features an identity inspired by the winemaking process and a logo shaped like a grape cluster.

At the world’s largest sporting event, Nike embraced a modern, dynamic, and fluid typeface. In collaboration with Pizza Typefaces, they created the Nike Olympics fonts, a typeface inspired by twisting motion.

Elephant magazine showcases the rustic and imperfect details of the ZG Elephant typeface through these graphic spreads. Type and editorial design by Zak Group.

As fun as family movie nights, Moore by Eliott Grunewald was used in this list of films curated by A24 and approved by kids and adults alike. Designed by Jordi Ng and Elana Schlenker.

Logotype and lettering inspired by the baroque era of the internet, proposed by Muon Studio for Youhee’s visual identity.

Justin Sloane used this interesting mix of Gothic letters (Castilla by Sharptype) and sans serif (Octave by Josh Finklea) for a vinyl cover.

This series of keychains, the result of Pauline Esguerra’s exploration with laser cutting, uses, among other typefaces, Eurocat by Maxitype.

Rajola is a stencil and filled typeface designed by ErrorErrorStudio. It is inspired by and pays tribute to the iconic hexagonal tiles characteristic of the Mediterranean.

Logotype custom-designed by Bureau Bernklau, drawing inspiration from the distinctive features of Ehmcke Antiqua, an early 20th-century typeface.

In a comprehensive project including handwriting, drawing, packaging conception, and global branding, Quentin gave @the.pyrenees an organic and approachable identity.

TSTO gave VUM—a series of Sunday music events—a psychedelic and youthful image.

This old Dutch apple syrup design, featuring the Phyllis typeface by Heinrich Wieynck, reminds us that the good things always last.

Paper made with clean materials; this was the twist COLLINS gave to this Canadian company, transforming it into Sustana. Custom typography by Sharp Type.

Alongside a colorful identity and illustrations, Studio Tux proposed Nordic Pavilion and Roboto Mono as the typefaces for this farm.

“After all, being together is revolutionary.” That was the main idea behind the 2024-2025 season campaign for Théâtre Prospero, directed and designed by Principal Estudio using Exposure.

The Robert Johnson Club kicks off the 2024 season with these posters designed by Dominik Keller Studio. Typography used is Cosplay.

An identity made with stickers that follows no rules in the layouts. Distaff Studio used Serial A as the typeface for the image of this exhibition of the German Youth Photography Prize.

Win on Air is the name of the new Nike Air identity, where David Gobber and Hoang Nguyen were part of this project, designing the typography used in the logo, which is a custom version of Generation Mono, another typeface of their own creation.

A typeface that –literally– shows its starting point and journey; the Korean graphic designer, @jun.works , included this along with other elements to create the visual identity for @thepreviewartfair.

An affair depicted through typography to create the identity for the Belgian Art and Design Affair, where @otisverhoeve,@bureauclaes, and @pino_type designed three different typefaces incorporating hearts into each letter.

An electric identity designed by DR. ME and an organic serif typeface, Gaya, accompany the 2-day indie music festival hosted by Macki.

Asfalt will have its first edition featuring an identity filled with color blocks, sports images, a vertical logo using a customized version of Generation Mono, and texts using ABC Diatype.

Graphic design for different spaces of this exhibition at the Architects’ Association of Catalonia, by PFP Disseny. Using Helveesti by Dinamo.

Workbyworks Studio designed this unconventional serif typeface and visual identity for Steffan Studio.

After 9 years, Abmo redesigned its own work, renewing the brand identity of this French restaurant. The typefaces used were Neuf by Eliott Grunewald, Traulha by Yoann Minet, and a custom logo by Keussel Studio.

Resonanz B by Out of the Dark and Clarendon Graphic were the typefaces selected by Lisa Sturacci for the editorial design of this book about about Edgar Sarin’s work.

Apparat Bold + Buch Schmal, both from Kimera, were part of the update newkid made for Standard Equipment, a system of household objects.

A festival that explores visual creativity to the point of blurring the lines between illustration and graphics; Miroslav Zhivkov created the identity of FIG (Festival for Illustration and Graphics) using Harber.

From Mexican cantinas and their traditional signage, Socker Studio drew inspiration to design the identity, interiors, and typography for the seafood restaurant Con Vista al Mar.

Andrés Higueros designed this custom typeface for the private dining experiences hosted by La Vera Pasta.

Helping to create a bold and inclusive visual identity, Quentin Coulombier’s Buzz and the well-known Cooper were selected by Underline Studio to represent the Canadian Film Centre (CFC)

Vibrant and loud, just like the conversations after an excellent dinner in Italy, that’s how Grand Bacàn Sans is, a custom typeface created by Pentagram for the Italian restaurant in Brooklyn; Bacàn

Seeking to stand out in the market, Gold Font created this custom logo for Apex, a premium tire brand, inspired by ITC typefaces.

Address Arts leveraged the possibilities of Exposure by 205TF, a variable typeface whose weight was modified to achieve a solid and heavy logo.

WaterPolo Display by @dontnotdon was used in this series of posters portraying the ordinary and extraordinary aspects of Renens.

Workbyworks Studio created a dynamic 3D logo for the NFT trading platform, Convertible Van Gogh.

Mixture of materials, papers, and typefaces (Neue Montreal and Cucina); that’s how Tiquismiquis designed this editorial piece that covers Ela Fidalgo’s creative career.

Denim performs admirably across various contexts, whether in small or large texts, as demonstrated in the publication Annual Review of Public Art 2023 for The Arts Promotion Centre Finland – Taike.

A story of friendship between agriculture and its natural habitat, between the design by Olsson Barbieri and the Or Lemmen typography proposed by them for the image of an organic orchard in Hardanger, Norway.

Rauschen B Regular and JHA Times Now Light filled the visual arts program of the Norbergfestival 2023 with personality. Designed by Agga Stage and Alexander Söder.

Neue Haas Grotesk is a common typeface on the blog, it works well in many scenarios, for example alongside Marfield in the fourth edition of Hot Potato magazine.

The Belgian design studio Vrints-Kolsteren collaborated with the jewelry brand Fleerackers to create ATOM, a collection of 16 different earrings.

The foundry From A+, built a wordmark, an alternate script version, and two monograms based on art deco letterforms, for the seafood Californian tavern, Bar Le Côte.

Supply stencil is the custom typeface Tric Studio inspired by streetwear, metal zines, tapes and the history of stencil, made as part of the identity system for Supply.

Handwritten sketches by Leandro Senna and The New Company made for the cultural center of gaming, 100 Thieves

Rafael Ribas & Zoo designers graphiques teamed up to design a heavy and solid wordmark for Respect magazine.

A expressive custom Hardwear font by Supercontinente, under the creative direction of Gretel NYC, for the branding of Mountain Hardwear.

Experimentation and creativity in this unselected proposal for JoJo logotype, a London-based design practice.

Contrasting an organic-shaped logo within a structured layout, Principal Studio was responsible for creating the 7th campaign for The International Garden Festival.

Leon Romero using Alias Ano by Alias and Suisse Works by Swiss Typefaces in the identity created for the Architecture office Bajet Giramé.

The zine “Portrait of a Friend (Rest Your Ears, Filous)” of the Vienna-based musician Filous, using Carta Nueva by Sharp Type.

For Pitted Dates, an exhibition platform in Helsinki, a custom sans-serif typeface was created by Schick Toikka with hand-drawn punctuation by Sakari Tervo.

Cofo Cinema 1909 by Contrast Foundry and a display logo designed by Nikita Sapozhkov for Linen Texture, a clothing and textiles shop with a custom tailoring.

TWK Burns (WIP) by Nolan Paparelli and Alberto Malossi for the identity of Polpo World, a design object entirely made with recycled plastic.

The identity of Ro Bags, featuring a custom logo by Laura Csocsán and Karl Mono from Source Type.